Jaya Posts

“The Cost of a Promised Afterlife: My Escape from a Controversial Religious Cult in India” by Priyamvada Mehra

For Moneycontrol, I interviewed Priyamvada Mehra on her recently published memoir The Cost of a Promised Afterlife: My Escape from a Controversial Religious Cult in India. It is published by Simon & Schuster India. I am ever so grateful that Priyamvada replied in the detail that she did as this is not an easy past to revisit. Later, she very kindly wrote, “Thank you for the gentleness and care you’ve put into this interview process, I really appreciate it.”

Here is the interview.

Priyamvada Mehra’s memoir, The Cost of a Promised Afterlife, has been published by Simon & Schuster India. At the age of nine, she was led into the fold of Rampal, a self-proclaimed godman who promised miracle cures and salvation in exchange for submission. What began as her parents’ desperate attempt to save her mother’s life from a brain tumour soon became something far more sinister—a world where faith became a cage, obedience a virtue and control, absolute. By thirteen, Priyamvada was a devoted follower. In 2006, she was inside his ashram, used as a human shield during a deadly clash between Rampal’s followers and a rival sect. Questioning was forbidden, loyalty was everything and defiance came at a cost. She endured heartbreaking losses and grew up with a twisted logic of miracles, bans on medical treatment, and violent sermons.

She witnessed her family fall to pieces under the weight of indoctrination and diseases. For two decades, she stumbled between two treacherous worlds, one ruled by cultic control, and both shaped by patriarchy, caste and class, and the systemic violence they breed.

In The Cost of a Promised Afterlife, Priyamvada Mehra finally tells her story. The memoir exposes how cults take root in a nation of 1.4 billion, and how godmen wield unchecked power. In India, godmen are everywhere. They exist. Their photos hang on walls, their voices fill television screens and their names are spoken in both prayers and scandals. But the word ‘cult’ is rarely used. It stays unspoken until another scandal breaks out, only to be buried under silence again. This silence allows blind faith to thrive and logic to crumble. Deeply intersectional in its lens, it lays bare the psychological and physical toll of being led into blind faith as a girl and the long journey of dissenting as a woman in a ‘man’s world’.

While reading it, I had to put it down many times and take a break. When an individual narrates a traumatic incident, a self-defence mechanism automatically kicks in, and the person recounts the incident(s) in the third person. It is delivered in a deadpan style. It is a self-preservation act to prevent themselves from any further harm while recollecting. This is evident in oral and written narratives. So, to read this memoir that is written in the first person but in a manner that it hammers the reader’s head with a nonstop single dull beat is quite unusual. Read the memoir for yourself and judge. In Sept 2025, Rampal was granted bail, but remains in Tihar Jail as he is considered a “risk to public order” by the Hissar district court.

This interview with Priyamvada Mehra was conducted via email. She now lives between India and Amsterdam, delicately exploring the idea of home and identity.

1.     What was the genesis of this memoir? Why did you feel the need to document this story?

After moving to Europe in 2022, I found myself unable to adapt or function as what you’d call a “normal adult”. That failure pushed me to look inward, and that introspection led me straight back to my past, something I thought I had long left behind. To make sense of what I was feeling, I began reading everything I could: books, memoirs, research papers, anything that could bring me closer to understanding my own experiences and help me name them.

Somewhere in that process, I also began pouring my memories out onto paper. It felt like a flash flood. It was overwhelming, intense, and unstoppable. Before I knew it, I was staring at a few hundred pages of what I called “angry notes.” That’s when it struck me, maybe this was a story. So, the memoir wasn’t planned; it was born out of an excruciating process of introspection, a journey I was forced to take in order to move forward in my life.

2.     What did it entail to write about your experiences? Did you require your family’s consent to include them in the story?

I tried finding people in India with similar experiences but couldn’t find much that resonated, or any literature on it, barring some investigative work. The only memoirs or academic writings on cults I came across were mostly by Westerners, especially Americans. The first book I read while coming to terms with my reality was Take Back Your Life: Recovering from Cults and Abusive Relationships by Janja Lalich and Madeleine Tobias. It gave me a language I didn’t have. It laid out the anatomy of a cult, the profile of a cult leader, and the long-term psychological damage caused by indoctrination and abusive relationships. It was a revelation. I hadn’t known I’d grown up in one. I hadn’t realised the relationships I was still chasing were rooted in abuse. That book cracked something open. No one had ever educated me about cults. No one used that word, even in a country like India, supposedly the world’s spiritual centre, where hundreds of thousands of self-proclaimed godmen and godwomen command the devotion of desperate millions. It forced me to see the desperation we lived with; how broken people cling to anything that promises certainty, even if that certainty comes from a ten-year-old boy in saffron robes calling himself a divine messenger when he should be in school, or from gurus protected by politicians, global celebrities, and power.

I returned to that book again and again. From there, I kept reading: memoirs, survivor accounts, research papers, anything that brought me closer to understanding my own experiences. I studied cults and their generational impact, the quiet struggles of those with disabilities and illnesses, and the heavy toll of caregiving. I uncovered the deep scars of caste and class, and traced the violence born of gender and patriarchy. Through that process, I finally found the vocabulary to articulate my own experience, and that’s how the writing began.

Unfortunately, consent wasn’t possible or practical, because my family remains deeply under the sway of the very cult I escaped from.

3.     When and how did you find your voice to write this memoir/ your testimony? Recalling these facts could not have been easy.

The long process of introspection and reflection out of which my memoir was born took me through all five stages of grief, perhaps even more. First came the shock and disbelief that this was actually my life, that my entire family, our opportunities, our very existence, had been systematically eroded by a godman who, even while incarcerated, continues to exert control. The realisation that I was the only one who had made it to the other side of that religious dogma, the only one seeing things critically, was both liberating and devastating.

Then came another truth. The realisation that I had been at the receiving end of abuse and violence based on gender and caste. It sucked the soul out of my body. Abuse had been so thoroughly normalised for me for years that it took time to even recognise it for what it was. Then came anger. Each memory ignited such a seething fury within me that I wanted to claw my way back through time to throw the punches I never got to land. That’s when I began purging it all out on paper. All my traumas surfaced in ways I hadn’t expected.

I sought therapy for the first time in my life and was soon diagnosed with Complex-PTSD (please note: I was orally diagnosed and wasn’t prescribed any tests for diagnosis).

I continued to confuse scraps for love, to look for empathy in the wrong places, in the wrong people, hoping they would understand my pain, not realising they were, unfortunately, the source of it. It took immense emotional labour, therapy, and both physical and psychological safety before I could finally see clearly and muster the strength to break free from the chains of fear that had bound me for so long.

It’s hard to put into words how excruciating the entire process was. There were times I felt I was losing my mind. But I learned to take pauses when my mind and body signalled me to. I would return after a week, or a month, or more, whenever my gut told me I was ready again.

4.     Writing is cathartic. Even for PTSD survivors. Did revisiting old traumas heal you?

If I had the choice, I would probably have preferred to just enjoy my new life in Europe, the travel, the nature, the quality of life. But I simply couldn’t. Even while exploring, even while trying to distract myself, I couldn’t shake off the emotional and psychological ache. My body kept giving me sensations that made me feel unsafe at all times. It was as if I were constantly confronted by a wild animal, even though, in reality, I was safe and loved.

I didn’t have the option but to try and figure out why I was feeling that way. My sole intention was to feel and act like a “normal,” functioning adult. I hadn’t thought of catharsis at that point because I didn’t even know what was wrong in the first place. When I eventually was able to put a name to my experiences, I still didn’t attach myself to the idea of catharsis or closure, because there was no guarantee it would give me that. So, I wrote, free from the expectation that it would heal me.

Writing or purging my past onto paper had always been my way of confronting difficult times when I had no one to talk to, no one to help me make sense of the dysfunction around me. This time too, I turned to writing without knowing how it would help. Only now, holding the book in my hands, do I feel proud of having stood up for my younger self. I feel deeply satisfied that I was able to find my voice, my identity. It has given me immense hope for the future, and a belief that I can slowly undo the harm.

Revisiting old traumas, again, wasn’t a choice I made. The traumas revealed themselves in their full force and I had no option but to confront them.

The process was painful, excruciating. It drained me, left me low and uncertain the whole time. But now that it’s out, now that it’s tangible, each cell in my body feels as though life has been injected back into it. Holding my book gives me a true sense of catharsis. It’s an acceptance of the reality of my loss: the loss of my family, my childhood, my time. And at the same time, I feel a deep, boundless hope, not just for myself, but for others who may find themselves in similar situations in their own lives.

5.     In what manner did you learn to distance yourself from the cult’s teachings and by extension your family? You document some of the friction in the memoir, but please elaborate.

The process of distancing myself from the cult’s teachings was gradual and continuous. It began early in my life, around 2010, when my mother left home. But I couldn’t fully distance myself, because my family remained deeply consumed by the dogma, and I lived with them until 2020.

While reading Terror, Love and Brainwashing by Alexandra Stein, I underlined a line that has stayed with me: “Almost anyone, given the right set of circumstances, can be radically manipulated into otherwise incomprehensible and often dangerous acts.” It’s true. The timing was cruel. My parents found the cult when they were at their most vulnerable. Only then did I begin to fully understand how religious extremism had shaped my family and by extension, me.

It wasn’t just about belief. It was tied to my parents’ disabilities, their chronic illnesses, the weight of caste and class, the pressures of marriage, and the desperation of parenting in scarcity. None of these struggles existed in isolation; they fed into one another, creating the perfect storm. And in that storm, a godman found his grip.

Throughout my childhood and beyond, I inherited their fears, their traumas, and their hopes for salvation. They passed it on unknowingly. And I carried the cost. It’s only now that I truly realise the weight of that inheritance.

In writing this book, I made a sincere effort to portray my once beautiful, fun-loving family with both empathy and honesty, to acknowledge the complexity of human beings and their choices, while not softening the harsh realities of the abuse and oppression I endured. Even though they see themselves as “the chosen ones,” I see them as victims of larger manipulative systems.

If I could make one wish today, it would be to free my family from years of religious thought reform and place them back in time, when they accepted their reality, imperfect and flawed. When they didn’t chase idealised, problem-free lives, but embraced life with authenticity, navigating it as best they could. When they refused anyone selling them the illusion of certainty. When they were adults with autonomy, critical thinking, and the ability to question authority. That’s what the cult robbed them of.

6.     How much of your objectivity on this past life of living in Rampal’s cult was honed by travelling/living abroad?

Objectivity was always there, that’s probably why I could start asking questions quite early on. But the way it sharpened after I moved to Europe was incomparable. Living abroad brought a massive shift in my perspective, about identity, self-worth, race, gender, caste, the politics of everything.

In India, I never really felt like I was having it the worst. Every day I saw poverty, homelessness, hunger, disease. I saw potholes, road rage, accidents, the daily evidence of systemic failure, and it all felt normal. That social failure had been accepted and normalised; chaos had become culture.

When I moved to Europe, I was suddenly surrounded by people from all over the world who were openly talking about racism, gender, colonial history, power. I saw Black people reclaiming their power, queer people living with pride, women walking safely on streets. These were things I had never experienced before. There was a sense of accountability, of questioning authority, especially in Amsterdam, and I felt that deeply.

In India, I had always been trying to fit into a narrative created by the upper caste, the rich and elite. I was ashamed, never fully confident, always evading questions about my caste, where my parents came from, all those markers of social hierarchy. But living abroad helped me shed that shame that society had forced upon me. I began to remove shame from my caste identity, from gender-based violence, from my experience in the cult, from everything that made me feel small or unsure of myself, all of which had never been my fault.

The more I looked around and heard people’s stories, the more I realised just how abnormal my own life had been. I don’t think I would have been able to write this memoir had I not gone through that cultural shock. In a way, it became a blessing in disguise.

7.     Your mother left the family to live in the ashram. Apart from her being sicklier upon her return, were there any fundamental differences that you noted in her as being a woman who had lived in a community governed by a patriarchal authoritarian figure?

Her being sicklier upon her return wasn’t just physical, it was deeply mental. It was terrifying to have my mother back, not only with a broken body but also with a fractured mind. Alongside her treatment for Pott’s spine, she also had to undergo psychiatric care. Watching that was one of the most painful experiences of my life.

She had returned completely consumed by her devotion to Rampal. Her cognitive abilities had deteriorated, and her demeanour had become almost childlike, especially in the presence of visitors. She was the textbook example of someone whose identity and agency had been completely eroded by a religious cult. Post her return, she was delusional, disconnected from reality, and incapable of functioning as an autonomous adult.

Her transformation was the outcome of years of systematic thought reform, compounded by her ill health, an illness that the cult, I believe, deliberately sustained to keep her dependent and submissive. Emotionally and psychologically, she had become unrecognisable. The mother I once knew was gone. What remained was a helpless, fearful child in an adult’s body.

When we were instructed to bring her home from the ashram, she was paralysed neck down at that point, she reportedly didn’t even want to return. She still believed that Rampal was her only saviour, that he alone could deliver her from her suffering. That’s how deeply the indoctrination ran.

What’s even more heartbreaking is that no one in the family, neither my father nor my brother, questioned her condition, or how she had ended up that way. It was just accepted as divine will. We had been so thoroughly conditioned to never question the cult leader, to never question him.

The cult left her incapable of living in society as an independent person. It robbed her not just of her health, but of her sense of self.

On being a woman who had lived in a community governed by a patriarchal authoritarian figure, it wasn’t much different. Her life was still governed by patriarchy even before the cult. The place of the husband was taken by the guru.

8.     Rampal had a rule that to criticize him was strictly forbidden/ (The 15th Rule out of 23 rules). He also said that “any alternative ideology or religious teaching was framed as corrupt, further isolating them from outside perspectives”. How is this any different from any other evangelical leader or a patriarch?

Perhaps it isn’t very different at all. Cults, after all, come in many forms and names — eastern or western, religious or political, family-based or corporate. What defines them is not their label, but the methods they use to control, manipulate, and isolate people. Rampal’s system, like many others, followed the classic anatomy of a cult.

Here are some defining characteristics of a religious cult that can help identify whether an individual, group, or organisation fits that description. These have been compiled based on well-established authoritative sources in cult psychology and sociology research.:

  1. Charismatic Leadership – The cult revolves around a self-proclaimed guru, baba, or spiritual figure who demands absolute loyalty and obedience.
  2. Blind Devotion and Control – Followers must surrender entirely to the leader’s authority, often cutting ties with family, education, or mainstream faith.
  3. Exclusive Teachings – The leader claims to possess a unique path to salvation or truth, unavailable anywhere else.
  4. Exploitation – Financial, emotional, and sometimes sexual exploitation is common. Followers may be forced to donate money, perform unpaid labour, or endure abuse disguised as devotion.
  5. Fear and Doomsday Narratives – Members are taught that leaving or questioning the leader will bring divine punishment or disaster.
  6. Isolation from Society – Followers are encouraged to live in communes or ashrams, severing connections with the outside world.
  7. Political or Criminal Ties – Many cults build protection networks through political or financial influence, sometimes operating like criminal enterprises.

Cults use classic psychological manipulation techniques to recruit and retain followers:

  1. Love bombing: overwhelming new recruits with affection and belonging.
  2. Fear and guilt: convincing them that leaving means ruin or death.
  3. Thought reform: constant repetition of teachings to erase critical thinking.
  4. Us vs. Them mentality: portraying outsiders as corrupt or impure.
  5. Gradual commitment: small acts of devotion that escalate into total control.
  6. Public confession and humiliation: used to enforce obedience and shame

So, to answer the question, there isn’t much difference between cult leaders like Rampal, or other leaders who weaponize faith for control, or patriarchs who demand submission. They all thrive on power, fear, and dependence. The only difference lies in the language and setting, the ideology changes, but the mechanics of control remain strikingly similar.

9.     With hindsight, what did you lose, what did you gain (if at all!) by spending fourteen formative years in a religious cult from the age of nine? Years later, does the incarcerated Rampal and his cult teachings still have a hold on you?

It took me two decades to realise that I was a victim of a religious cult in India. I continue to lose my family to one, and nothing hurts more. It also took me years to understand that I was a victim of patriarchy, of casteism, and of the violence that these structures of oppression breed, all of it without any fault of my own. Unfortunately, that is what we call our “culture”. The time I lost isn’t coming back. The family I lost isn’t coming back. The long-term psychological and physiological harm cannot be undone. I’ve had to rebuild my life around that loss.

If I’m honest, I don’t think I gained anything, I only lost. The deepest wound has been losing my family to this cult and its relentless thought reform. I wouldn’t wish that on any child. I want parents, especially in India, to understand this, because our culture gives parents immense control over their children’s lives. There’s rarely any real separation, even after eighteen. Their lives are intertwined, but when parents, out of fear or misplaced faith, make decisions that deny their children autonomy, it becomes selfish and irresponsible. Their intentions may be good, but intention often translates into control and fear and that harms a child’s physical, psychological, and emotional wellbeing.

As for Rampal, I feel nothing for him now. But his teachings, the sermons, the rules, the consequences that were drilled into my young mind, have left their residue. They disrupted my relationship with the idea of spirituality itself. Years of indoctrination instilled an irrational fear that something bad would happen to me because I am a “traitor.” That fear is faint now, almost negligible, and it diminishes with each passing day.

Today, I have built a life that is beautiful, authentic, and free. A life that feels completely my own. And in that, I feel very far removed from the world I was once part of.

My story, I believe, can raise awareness about religious cults in India. It can help girls and women truly stand up for themselves and create the beautiful lives they have never stopped dreaming of. My story can help start a dialogue about the rot of caste and patriarchy, in our own minds, in our families, in our homes, and in our society. My memoir offers a deep look into the social issues we remain wilfully naive or ignorant about in India. It takes you through an excruciating journey of my escape from a religious cult, but it is equally a story of hope, possibility, freedom, power, and the beauty of a girl’s rebellion. I have written this book for my nine-year-old self, whose wings were clipped before they had a chance to form. I wrote it for my sixteen-year-old self, who had only known how to exist in crippling fear. I wrote it for my twenty-four-year-old self, who was doing her best just to survive. And then, I thought of the millions of girls who are nine, sixteen, and twenty-four today, in India and elsewhere, abused, helpless, subservient, scared, yet still dreaming. I decided to take them along with me on this journey. And so, I wrote it for them too. Readers will take away inspiration, to take a deep look within, and an even deeper look around. This book will open people’s eyes to their own truths and realities, and how they wish to navigate through them. What they choose to uphold, what they choose to change, and what they choose to let go.

Jaya Bhattacharji Rose

“Economica: A global history of women, wealth and power” by Victoria Bateman

Economica: A global history of women, wealth and power by Dr. Victoria Bateman charts the course of women’s contribution to their national economy and acknowledges work done as being within and without the house too. Quite contrary to what Adam Smith believed that only paid work outside the home was construed as a contribution to the economy. Whereas Dr Bateman shows through empirical evidence marshalled from as far as the Stone Age to the present, the AI age, that women’s contribution, paid or unpaid was an essential part of the economy. Her book is packed with facts, anecdotes, histories, archaeological evidence, data sets etc. For instance, marriage contracts signed between the 11C and 15C included a clause wherein the woman could state she had the right to work after marriage. There are so many bits and pieces of information to share but the most enlightening was her use of the word “overlooked”. To use it constantly in the context of new evidence that confirmed the value of a woman’s work in the past is very empowering use of a simple word. It gives the reader the opportunity to reflect upon situations that they themselves may have been, where their evidence and work is overlooked whereas they are on the right path. It is new evidence so others cannot see it, recognise it, value it, or understand it. Developing faith in oneself and growing from there is what this book helps to achieve. It is not just a revisiting of inherited economic history narratives.

Here are two snippets from the book:

p. 218-9 Mary Wollstonecraft and morality

Wollstonecraft’s family’s attempts to climb the social ladder framed how she saw the world: through the lens of the section of society that lived a life somewhere between aristocrats and ordinary people. She witnessed the way in which this newly expanding class attempted to distinguish themselves from ordinary people through not only money but also morality. And how, by developing what she called this ‘insipid decency’, they could judge themselves to be ‘better’ than the libertine aristocracy. This middle-class monopoly on morality had particularly implications for women, who were expected to be the virginal angels who set a good example to other women in society. By trumpeting the virtues of female purity, the middle classes wanted to ensure that working-class girls, despite their freedom to earn, would not be able to compete with middle-class daughters when it came to attracting the wealthiest husbands. By shrouding the paid labour of women in moral shame, this purity culture risked devaluing the contribution that countless ordinary women were making to the economy, while turning middle-class women into highly-valued, ‘precious’ commodities. Since work for middle-class women was considered nothing more than a stop-gap and could not be allowed to jeopardise their marriage prospect by causing their marriage prospects by causing their virginity to be treated as suspect, ‘decency’ came at the cost of women’s dependence on men. Indeed, the very ability of the middle classes to claim the moral high ground depended on the fact that preserving a young woman’s bodily modesty – ensuring that she was untouched by men – came at a price not only to her but also to her family, who had to ensure that she was chaperoned at all times, was taught separately to boys, and did not have to work alongside men to support herself financially. It was a cost that better-off families were able to bear, but one that working-class families, be design, found unaffordable. Morality, in other words, cost money. And Wollstonecraft had little time for it. 

Another one from the book:

I had the good fortune of speaking with Dr Bateman for TOI Bookmark. As soon as the link is released, I will upload it here as well.

The book is published by Hachette India.

23 Oct 2025

“All the Colours of the Dark” by Chris Whitaker & “Fundamentally” by Nussaibah Younis

Teenagers at the best of times have a lot going on inside them and around them that their head is in a whirl. Mostly it is the academic schedule and the neverending to-dos coupled with the realisation that they are on the cusp of adulthood. The amount of silent and explicit pressures on kids is astonishing; more so in this speed age. Anyway, one of the most striking dips that happens in a growing child’s lifecycle is their reading for leisure. It more often than not comes to a grinding halt. The kids struggle to finish their academic assignments and pack in more in a day than an adult’s normal working day. Sometimes, as parents, we have to teach the kids to stop and breathe. Pause. Take time out. Otherwise this mad mad race to achieve will get the better of them. Best prescription to find peace and almost get into a meditative state of being is reading.

My fifteen-year-old, Sarah Rose, published her first illustrated book about Komodo dragons when she was ten. Last year, she wrote a twenty-thousand-word manuscript on retelling ancient Egyptian myths. She tested them on her friends and though they knew nix about the myths, they loved the stories. They were also funny. Unfortunately, publishers have rejected her mss saying that they are no takers for it in the Indian book market. Anyway, she has always loved reading encyclopaedias and well written books. When she finds something she likes, she devours it. The moment she discovered Bonnie Garmus’s debut novel was stupendous.

This past year has been a little busy for Sarah particularly her Grade 10 exams that left her feeling a little zapped. Plus, a few other factors beyond her control that made reading a trying task. But now she has brought herself back to an even keel. Currently, she is on a long break and browsing through the books in my study, spotted Chris Whitaker’s All the Colours of the Dark. She sat up till late at night and finished the book in four days. It would have been sooner if she had had nothing else to do. But alas! Homework beckons. With this the kid has most certainly found her reading mojo.

She has dog eared the pages. She has scribbled in the margins. Underlined sentences. Circled passages. Drawn emoticons. Made exclamation marks. And more. In short, she has thoroughly enjoyed reading the story. She has loved the way the author constructed his sentences. The short chapters. The pacy story. Oh, there is so much more. I wish I had recorded her running commentary with the text as she read it along.

No wonder Chris Whitaker has sold more than 1 million copies of this book. Its success is understandable.

I had been wanting to get her back to reading as it is a skill that will stand her in good stead throughout her life. Years ago, I had heard a BBC Radio programme of encouraging literacy in schools that had children of various backgrounds as well as a conversation with teachers of adult neo-literates. A striking experiment that was discussed and has stayed with me over decades is that to build confidence in readers, share with them detective stories, thrillers, mysteries etc. The pace of storytelling coupled with simple sentences, short chapters, and a balance between dialogue and description helps a reader overcome their inhibitions and gain strength in the written word and language. It is also easier for them to speak the words out aloud if required. Sarah has no problems with the written or spoken word. In fact, she is very free. But the dreariness of schoolteachers who have no love for the language nor do they read beyond the prescribed texts nor are willing to admit their mistakes can absolutely crush the joy of existence from a munchkin. So to witness Sarah blossom with happiness at discovering that there are others like her who love language and play with it as she likes to, it is best form of validation.

Fingers crossed that Sarah has found her ability to read. For now, she has done the classic reader like trait of finishing one book and selecting a new one immediately. She is immersed in Fundamentally by Nussaibah Younis. As far as I can see, this book too is being treated in the same manner as Chris Whitaker’s. It is fine.

So, thank you, Chris. Thank you, Nussaibah.

Both books have been published by Hachette India.

21 Oct 2025

“Tangerine: How to Read the Upanishads Without Giving Up Coffee” by Namita Devidayal

p.21-22 I remember that moment when my constructed, conditioned versions of ‘self’ started dissolving, the disguises started peeling off.

It was the last morning of the retreat, which also happened to be my forty0seventh birthday. The previous evening, I had been sitting on a bench facing the river and the hill on the other side of it. I could see the cave where George Harrison had once hung out with Maharishi Mahesh Yogi. A quiet mist ascended from the water and I felt my eyes tearing. It may have been from sadness or joy, or both, or neither. The aquamarine water and the emerald green hill in the distance turned into Impressionist art in my blurred vision. I blinked a few time and saw a speck of tangerine in the distance. As it came closer, the object morphed into a monk.

Then, the bells started to chime. First one, and then many, in symphonic unison, little and big bells that hung at the entrances of temples all around, until they reached a crescendo, distant but also simultaneously vibrating within me.

I remembered what a qawwali singer at Ajmer Sharif had once told me: Music is always an offering in temples and churches and mausoleums.

‘This is why you find a bell at the entrance in places of worship. And this is why we sing in the dargah or in the gurudwara,’ he said, pausing to engage with his spittoon. ‘Even when a dacoit is about to attack someone, and he hears a temple bell, he will involuntarily stop in his tracks, even if only for a moment. This is kachcha jadoo, primordial magic.’ And back he went to his music, belting out more boisterous Allahoos.

It felt like I was in a timeless space. I could have been sitting there centuries ago, or at some point in the future. It didn’t really matter. Our version of the ‘self’ are all clay, mutable, and therefore capable of what psychologists call neuroplasticity: the human being’s inherent potential to transform into anything they wish to be. A rogue bandit can become a saint; a warrior king could become a Buddhist monk.

p. 75 Before women had access to therapy, they often turned to religion and gurus to help them navigate difficult families. My ma-in-law Hardevi battled the trauma of early widowhood and overbearing patriarchy by turning to god. But rather than sitting passively in front of a statue, she found her way to the non-ritualistic altar of Vedanta philosophy. she studied the Bhagvad Gita and translated it into Sindhi, patiently writing in the Arabic script, for she had attended school in pre-Partition Karachi.

Senior journalist and musician Namita Devidayal’s latest book, Tangerine: How to Read the Upanishads Without Giving Up Coffee is a memoir about her finding peace and tranquility and shedding unnecessary baggage. In short, it is the the self-help book that she avoids reading but wrote one herself. Honestly speaking, it is much more. It is deliciousness poured into words with generous sprinkling of wisdom and the elegant manner in which she straddles cultures while writing is superb. She makes visible that many of prefer to keep hidden. A sense of familiarity and ease to be who we are in this modern age. We live, borrow, and breathe many experiences — call them faith, call them culture, call them whatever you will — but many individuals prefer to either shush about different aspects of their life or not acknowledge it all. Spiritual sustenance being a very key part of Namita’s existence and that she does not shy away from discussing. It does create some awkward moments for her in social gatherings or even with her son when she wants to pursue her readings of the Upanishads and has many questions to ask, but given the times that we live in, people misinterpret her genuine queries and think that she has crossed over to the other side and is being irrational. She is not. She is interested. She wants to know. Hence, this book. It does not matter if you are an atheist or a believer, it is a book that you will devour and not forget in a hurry.

Tangerine is published by Westland Books. The exquisitely designedcover, with its peekaboo circles in the dust jacket highlighting the moonlit night sky and plenty of green vegetation has been designed by Saurabh Garge.

I interviewed Namita for TOI Bookmark. Here is the Spotify link:

19 Oct 2025

“The Sword of Freedom : Israel, Mossad, and the Secret War” by Yossi Cohen

Book post that I received from the publisher. Interestingly enough, it came along with Israel on the Brink : Eight Steps for a Better Future by Ilan Pappe. Both the books (published by HarperCollins India) are filled with details about Israel and Palestine. It is challenging for a lay reader to make sense of it beyond gleaning what lies on the surface. Dialogue is urgently required. If books can help achieve it, then why not? Perhaps each side will pick up books about the opposite side and read it in quiet and come to their own conclusions. Hopefully, constructive dialogue rather than othering will be the positive impact.

Book blurb

This book unveils the clandestine strategies that have enabled Israel to not just survive but flourish since its founding in 1949, despite being surrounded and attacked by deadly adversaries. The Sword of Freedom is an eye-opening insider’s look into Israel’s transformation from a beleaguered nation to a formidable presence on the global stage.

Israel’s prosperity is rooted in smart strategies, carefully chosen alliances, and a society-wide understanding that there is no Plan B for the Jewish people. “It’s the job of the Israeli defense establishment to do whatever it can to put off the next war for as long as possible,” the author explains, “including using covert means.” Drawing from his vast experience in intelligence and national security, the author chronicles how Israel has consistently turned adversity into opportunity, brilliantly leveraging limited resources to maximum effect, using a range of strategies including:

Questioning all information from all sources.

Yossi Cohen served as the director of the Mossad from 2016 until 2021. As director, he personally orchestrated some of the Mossad’s most daring operations, such as the seizure of the Iranian nuclear archives—the exposure of which was among the main factors behind the United States’ withdrawal from the Iran nuclear deal—and clandestine activity all over the world. In 2020, Cohen led the negotiations between Israel and the UAE and Bahrain. His unique work with these countries, and the important connections he forged with them, played an important role in the signing of the groundbreaking Abraham Accords. He is now the head of SoftBank Investment Advisers in Israel. Cohen and his wife, Aya, live in Israel, and are blessed with four children and eight grandchildren.

19 Oct 2025

“Israel on the Brink : Eight Steps for a Better Future” by Ilan Pappe

Book post that I received from the publisher. Interestingly enough, it came along with Yossi Cohen’s The Sword of Freedom. Both the books (published by HarperCollins India) are filled with details about Israel and Palestine. It is challenging for a lay reader to make sense of it beyond gleaning what lies on the surface. Dialogue is urgently required. If books can help achieve it, then why not? Perhaps each side will pick up books about the opposite side and read it in quiet and come to their own conclusions. Hopefully, constructive dialogue rather than othering will be the positive impact.

Book blurb

Israel can’t go on like this.

7 October and Israel’s subsequent invasion of Gaza laid bare the cracks in its foundations. It was unveiled as a country unable to protect its citizens, divided between messianic theocrats and selective liberals, resented by its neighbours and losing the support of Jews worldwide. While its leaders justify bombing campaigns exceeding the worst atrocities of World War 2 and a spiralling humanitarian catastrophe in the Gaza Strip, Israel is becoming a pariah state. Its worst enemy is not Hamas, but itself.

Ilan Pappe paves a path out of the Jewish state, rooted in restorative justice and decolonisation, including the return of refugees, the end of illegal settlements, and building bridges with the Arab world. The future can be one of reconciliation, not endless war.

Ilan Pappe is Professor of History at the Institute of Arab and Islamic Studies and Director of the European Centre for Palestine Studies at the University of Exeter. He is the author of over a dozen books, including the bestselling The Ethnic Cleansing of Palestine and Lobbying for Zionism on Both Sides of the Atlantic. In 2017, he received the Middle East Monitor’s Lifetime Achievement Award at the Palestine Book Awards.

19 Oct 2025

“Is a River Alive?” by Robert Macfarlane

From celebrated nature writer and academic Robert Macfarlane comes this brilliant, perspective-shifting new book – which answers a resounding yes to the question of its title.

At its heart is a single, transformative idea: that rivers are not mere matter for human use, but living beings – who should be recognized as such in both imagination and law. Is a River Alive? takes the reader on an exhilarating exploration of the past, present and futures of this ancient, urgent concept. It is published by Penguin India.

The book flows first to northern Ecuador, where a miraculous cloud-forest and its rivers are threatened by goldmining.

Then, to the wounded rivers, creeks and lagoons of southern India, where a desperate battle to save the lives of these waterbodies is under way.

And finally, to north-eastern Quebec, where a spectacular wild river – the Mutehekau or Magpie – is being defended from death by damming in a river-rights campaign.

At once Macfarlane’s most personal and most political book to date, Is a River Alive? will open hearts, spark debates and lead us to the revelation that our fate flows with that of rivers – and always has.

Is A River Alive? is a beautifully written, poetic testament to the vitality of the Earth and the forms of politics that can be based upon that premise — Amitav Ghosh

A rich and visionary work of immense beauty. Macfarlane is a memory keeper. What is broken in our societies, he mends with words. Rarely does a book hold such power, passion, and poetry in its exploration of nature. Read this to feel inspired, moved, and ultimately, alive — Elif Shafak

This book is a beautiful, wild exploration of an ancient idea: that rivers are living participants in a living world. Robert Macfarlane’s astonishing telling of the lives of three rivers reveals how these vital flow forms have the power not only to shape and reshape the planet, but also our thoughts, feelings, and worldviews. Is a River Alive? is a breathtaking work that speaks powerfully to this moment of crisis and transformation — Merlin Sheldrake

This book is itself a river of poetic prose, an invitation to get onboard and float through the rapids of encounters with places and people, the eddies of ideas, to navigate the resurgence of Indigenous worldviews through three extraordinary journeys recounted with a vividness that lifts readers out of themselves and into these waterscapes. Read it for pleasure, read it for illumination, read it for confirmation that our world is changing in wonderful as well as terrible ways — Rebecca Solnit

Robert Macfarlane is a once-in-a-generation virtuoso, and I don’t know when his kaleidoscopic language and world-expanding scholarship have been used to more potent effect than in this impassioned, resounding affirmative to the title’s urgent question — John Vaillant

Is a River Alive? is one of the best books I’ve read in a very long time―exciting, brilliantly comprehensive, mind-altering. In one of its many stunning moments, Macfarlane describes the myriad rivers trapped and buried under the concrete of our cities. “Daylighting” occurs on those rare occasions when these ghost-rivers are dug out & released to the surface to feel the sun, to expand―majestic creatures―and spread life once again. To read this book is to feel your ghosted soul undergo such “daylighting”―metaphysical, political, emotional, linguistic. Any soul going dormant, any citizen going numb, will be revivified and propelled back to their essential core, where rage, wonder, and imagination intertwine, and a powerful hope for the earth arises. A spellbinding, life-changing work — Jorie Graham

Read an extract from the book on Moneycontrol.

Robert Macfarlane is internationally renowned for his writing on nature, people and place. His bestselling books include Underland, Landmarks, The Old Ways, The Wild Places and Mountains of the Mind, as well as a book-length prose-poem, Ness. His work has been translated into more than thirty languages, won prizes around the world, and been widely adapted for film, music, theatre, radio and dance. He has also written operas, plays, and films including River and Mountain, both narrated by Willem Dafoe. He has collaborated closely with artists including Olafur Eliasson and Stanley Donwood, and with the artist Jackie Morris he co-created the internationally bestselling books of nature-poetry and art, The Lost Words and The Lost Spells. As a lyricist and performer, he has written albums and songs with musicians including Cosmo Sheldrake, Karine Polwart and Johnny Flynn, with whom he has released two albums, Lost In The Cedar Wood (2021) and The Moon Also Rises (2023). In 2017, the American Academy of Arts and Letters awarded him the E.M. Forster Prize for Literature, and in 2022 in Toronto he was the inaugural winner of the Weston International Award for a body of work in the field of non-fiction. The latter is worth CA $75,000. He is a Fellow of Emmanuel College, Cambridge, and is currently completing his third book with Jackie Morris: The Lost Birds.

17 Oct 2025

“Running behind Lakshmi: The Search for Wealth in India’s Stock Market” by Adil Rustomjee

From banyan trees to electronic screens – the authoritative account of India’s stock market over two centuries. For millions of people, the stock market is the canvas on which are sketched fantasies of riches, of lives transformed. Yet, the history and methods of one of modern India’s most transformative forces remain underexplored till now.

Starting from the early nineteenth century, when a few banias traded shares under banyan trees, to the Cotton and Share Mania occasioned by the American Civil War, to the decades of marking time during the Nehruvian Era, to 1991’s great unshackling that made the market accessible to the public, all the way to the market cycles of the new millennium, Running behind Lakshmi brings India’s stock market into focus. It has been published by John Murray / Hachette India.

By combining archival sources with observations and expertise forged through immersion in the markets, Adil Rustomjee provides a wide-ranging account that is equal parts analytical history, financial practice, and market lore. Brimming with pioneers and adventurers, grand rivalries and petty jealousies, scams and scandals, this is the story of a nation and a people told through a lens that’s never been used, but is more relevant than ever.

Read an extract from the book on Moneycontrol.

After a career in international development and markets, Adil Rustomjee discovered his life’s work as a chronicler of India’s stock markets. The idea for the book came when he stumbled upon the BSE archives during the time he had an office in the exchange’s building. These nuggets of history were just lying around, but a substantial account had yet to be written about an equity market that was over two centuries old.

17 Oct 2025

My grandfather, Nirmal Mukarji, with Satyajit Ray

My cousin, Madhuri Dass, unearthed this picture today. For as long as I can recall, my mother, Shobhana Bhattacharji, and I would often discuss about the striking similarity between Nana and Satyajit Ray. Lo and behold! This picture shows them sitting side by side and there is the striking resemblance, although they are not related. A great find.

My mother adds: There used to be ‘baithak’ style functions in the Teen Murti House grounds in those days. Quite casual. No security. We (my parents, Madhuri’s grandparents) lived next door in Teen Murti Lane and Teen Murti Marg. We would walk over to Teemn Murti House for these functions organised by the I& B ministry, I think. Uncle K was secy I&B and probably how we got invited .

L to R, sitting on the ground: My maternal grandfather, Nirmal Mukarji, anonymous lady, Satyajit Ray, and my granduncle & Madhuri’s paternal grandfather, Kaushal K. Dass who was then Secretary, Information and Broadcasting, Govt. of India. Seated on the right of the pillar is my grandmother, Premilla Mukarji.

17 Oct 2025

“A Thousand Feasts: Small Moments of Joy a Memoir of Sorts” by Nigel Slater

Oh, this book is purely delicious. Its his love for food and all things nice. Its evocative. Every page is infused with his love for the sensuous and tactile. He knows colours, food, observes precisely and has the ability to transport a reader with a short essay into a different world..sometimes his experiences are uber-luxurious and wow! He shares them with so much grace and panache.

15 Oct 2025

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