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“India’s Forests: Revisiting Nature and History”, An interview with the editors, Arupjyoti Saikia and Mahesh Rangarajan

This interview with the editors was published on Moneycontrol on 29 April 2026. Here is the screenshot of the header. Given that many readers outside India are unable to access the interview easily, I am copy-pasting it here.

Arupjyoti Saikia & Mahesh Rangarajan (Eds.) India’s Forests: Revisiting Nature and History Vintage Books, an imprint of Penguin Random House India, 2026. Hb. Pp.360.

India’s Forests brings together essays by some of the country’s leading scholars with a fresh view of nature and history. These reappraisals of Indian forests and their many lives in past and present matter more than ever today. Born of years of sustained reflection, the essays here view forests not as passive unchanging backdrops to the past but as living, contested spaces.
Forests were shaped and in turn deeply influenced by power, culture and society. They could mean very different things to different people who often were in contest over meaning as much as control of the space or the resource. The volume spans from prehistory through ancient and early modern India into the present. It is also alive to the impact of the colonial era while tracing the changing fortunes of tribal and hill peoples. They are ecological lifelines and sites of legend, memory, and scientific knowledge. Material remains and life cycles of animals and plants matter, so too do social and literary imaginations.
Forests have been continually redefined through conflict, negotiation, and care. Attentive to the changing meanings across time and place, the book asks us fundamental and unsettling questions: what are forests for?

Contributors include: Shibani Bose “ ‘Digging’ Tales from Sylvan Trails: Perspectives from Archaeology”; Kumkum Roy, “People, Produce and the Political: Engaging with the Forest through the Arthashastra”; Aloka Parasher Sen “Multiple ‘Forests’ and Changing Borderlands: The Varied Indian Landscapes in Early India”; Meera Anna Oommen & Kathleen D. Morrison “Famines, Flagships and Floods: Historical and Contemporary Identities of Central Travancore’s Eastern Forest Frontier”; Mayank Kumar “Forest and Communities: Negotiations of Early Modern Monsoon Ecologies in India”; Divyabhanusinh “The Lion and the Unicorn: Fighting for Survival”; Sudha Vasan “Shifting Cultivator, Peasant, Forest-Dweller: Legacies and Landscapes of Improvement in the Baigachak”; Mukul Sharma “’God of the First Class’: Politics of Sacred Groves and Sarna in Jharkhand” and Vasudha Pande “Interrogating Ram Guha’s The Unquiet Woods: Thirty Years Later”.

Harini Nagendra, director, School of Climate Change and Sustainability, Azim Premji Universityendorses it saying “India’s Forests is a grand tour of the shifting forms, shapes and meanings taken by the country’s woods and jungles across the great arc of history. This integrative volume synthesizes information from a fascinating array of sources, from Mesolithic cave art and the Arthashastra to field trips and contemporary wildlife surveys; and captures a wide range of geographies from the Himalayas to the forests of Kerala. A must-read for anyone seeking a deeper understanding of the role forests play in our cultures, histories and imaginations.”

Arupjyoti Saikia is a professor of history at the Indian Institute of Technology Guwahati. He held the Agrarian Studies Programme Fellowship at Yale University, and visiting fellow positions a Cambridge University and the School of Oriental and African Studies (SOAS), University of London. His research spans across the economic, political and ecological histories of Assam. His published works include Forests and Ecological History of Assam, 1826 to 2000 AD (2011), The Unquiet River: A Biography of the Brahmaputra (2019) and The Quest for Modern Assam: A History, 1942–2000 (2023).

Mahesh Rangarajan is professor of history and environmental studies and chair of the HDFC Archives of Contemporary India at Ashoka University in Haryana. Previously, he has taught at Cornell University, University of Delhi, Krea University and the National Centre for Biological Sciences, Bengaluru. His notable works include Fencing the Forest (1996) and Nature and Nation (2015). He has edited the Oxford Anthology of Indian Wildlife (1999) and Environmental Issues in India (2007). His co-edited works include Shifting Ground (2014) and At Nature’s Edge (2018).

The following interview with the authors was conducted via email. It was lightly edited before publication.

  1. How do you define a forest? Has the definition changed over the years? Who defines it? What is it today as recognised by the government of India and international authorities? Also, what are the different technical definitions of a forest as determined by these bodies?

MR & AS: The book India’s Forests makes clear that ‘forest’ is, as one of our authors Kathleen Morrison puts it, a “vexed object, poorly defined yet meaningfully rich”. Forest is a space conceived differently across disciplines, eras, and political systems. For instance, in ancient India, forests had many roles. Each shaped by their use and location. The Arthashastra distinguished hasti vana, the area for elephants, from mriga vana, forests for enjoyment, organising woodlands by their strategic and economic value. If Sanskrit texts drew a clear line between grama, the organised village, and aranya, the wild forest, Tamil Sangam poetry described a continuous landscape where hills, bushes, and thick forests blended, reflecting human feelings and mixing wild and farmed land. More changes came in the later centuries.

The colonial period set legal limits on forests. The Indian Forest Act of 1878 turned forests into government-run lands, defined not by their trees but by who owned and controlled them. Forests became a political site instead of living nature. A major change came in more recent time. The Supreme Court of India expanded the definition of forests to include all wooded areas, regardless of ownership or classification in the Godavarman judgment of 1996. This important decision shifted the focus from official documents to the natural environment. This sparked strong debate about the future of communities living in forests without legal ownership. 

India’s Forests takes on the challenge of defining ‘forest’ clearly. Forests in this book cover a wide variety of landscapes, from rich rainforests to dry thorn forests and tall-grass savannahs, excluding only deserts and the tallest mountains. Forests are living nature made not just of trees but also herbs, fungi, orchids, and macro-fauna embedded in socio-cultural matrices. The book does not specify the exact technical definition used by the government though such reports are referred to as an important source of current government data. The idea of forests has made many journeys across time, space, ancient texts or modern legal lenses. This helps to secure the legal and proprietary lens of colonial rule, to the ecologically expansive definitions of recent times. Even now, the meaning of ‘forest’ is still considered by scientists, lawmakers, forest conservators, and activists-conservationists.

2. How did this book come about? How long was it in the making? What was the principle defining the commissioning of the articles? What are the key issues in this narrative that you wished to highlight? 

MR: We chose a range from prehistory to the current era and while all regions and ecotypes could not be covered, we have attempted to get a collection that is original, thoughtful, critical and stimulating. The occasion was the anniversary of the publication of a key work, The Unquiet Woods by Ramachandra Guha in 1989 a foundational work on environmental history, mainly a study of the Chipko movement. The essays engage with themes opened up by the book but in a critical if appreciative light. Much has happened in the study of forest histories in the last 35 years or so and we try in the introduction to look back and in the volume to point possible ways to go forward with fresh lines of enquiry.

AS: As Mahesh mentioned, Ramachandra Guha’s The Unquiet Woods opened up many layers of India’s pasts through the bright lenses of our nature, specially the woodlands. Since then, an enormous corpus of works have critically investigated India’s forested pasts. This trend continues to grow. These works’ geographical range and temporal scale is wide and deep! Equally historians have now explored newer archives and have engaged with newer methods inspired by other scholarly disciplines. All of these have helped us to get a nuanced understanding of India’s complex pasts and their evolving relations with the environment. We also wanted our readers to discover India’s forests as living landscapes shaped by agriculture and the ever-shifting worlds of trade across centuries and regions. We thought of bringing some of these newer works into one single frame which can help us to give a collective view of India’s forested pasts.

3. How will these academic essays on the history of India’s forests and Nature at various points of history help in future environmental action? How do you propose to bridge the communication gaps between this impressive evidence collated and action on the ground? 

MR: Such a work can inform debate, as it is not prescriptive or a call to action directly. But all authors are sensitive to these concerns and some have engaged with the issues for long, years even decades.  There is no short cut method to reaching out and we will try. Initial responses are very positive.

AS: Readers find here not prescriptions, but a firmer and a clearer picture of the variegated life of India’s forests. The essays in this book reveal that India’s forests have always been alive with activity and meaning. Far from being silent backdrops, these woodlands have witnessed centuries of struggle, bargaining, survival, and authority, stretching from the detailed forest classifications of the Arthashastra to the major changes brought by the Forest Rights Act of 2006. They go on to suggest that today’s decisions about conservation, community rights, and the restoration of ecosystems are quietly guided by echoes from centuries past. The creation of colonial forest reserves, the gradual loss of traditional rights, and the privileging of timber over biodiversity did not simply happen; they were crafted by history. The past of India’s forests may not hand us a roadmap, but it does reveal the pitfalls that once tripped up those who came before us.

4. What are the pros and cons of the colonial narrative for ecological histories that we inherited? How did it affect the development of a region, conservation methods, and impacted human behaviour. 

MR: There is no one unified colonial or imperial narrative.  Just as there is no one global or national one today. Certainly not on the forest. The colonial interlude in India was still critical in many ways.

There were indeed Abharanyas (forest reserves) in early India and in early modern India, there were hunting reserves, such as the well-known shikar gahs of the Mughals. Landed groups had pig sticking grounds. But the extent and scale and scope of state forestry was never of the level of imperial China. In this sense the kind of property rights with state forestry in the later years of the East India Company and then under Crown rule post 1858 was far more intrusive.

In order to secure the forest land and its wealth, there was a legal frame and an executive branch for taking land over. This was like enclosure (not literally with fences) but through punitive actions and penalties. There was a major attempt via silviculture to upgrade forest stock to yields more timber and other forests products. This meant many strictures on hunting, fishing, grazing collection and on opening up fresh land for cultivation. This enclosure of commons and open access lands had deep even wrenching effects that are felt to this day. A remarkable administrative accomplishment, the Imperial Forest Service secured the forest and protected it. But it was not conservation for its own sake but in service of empire.

AS: I agree with Mahesh that the colonial era left behind not only vast stretches of forest but also lasting scars on the people who had cared for these lands for generations. But that narrative cannot be so straightforward and each part of India will tell something different. There were undeniable gains: from the 1860s, new laws and policies curbed deforestation and established the framework of forest departments, protected zones, and wildlife safeguards that independent India would later expand. Without this groundwork, the dramatic and yet stable resurgence of the lion in Gir and the greater one-horned rhinoceros in Assam would have been unimaginable.

But these gains came at a steep price. Colonial forestry put profits above conservation [though this was not too simple] or timber above the rich diversity of life, replacing the trees that villages relied on with fast-growing, marketable trees which produced logs. Swidden cultivation simply was branded as a criminal act while pastoralists lost their age-old rights to graze in mountain meadows. Generations of customary rights vanished with a single law. Forests became sites for extraction, stripped of the intricate and emotive bonds that communities had woven over centuries. This imbalance still lingers in many ways but so is the challenging legacies of our environmental past.

5. India’s Forests focuses on the history of an age-old culture of peasant-pastoral wisdom that has been eroded by modernity, consumerism and a variety of vested interests.  Will the preservation and the commendable efforts of keeping this knowledge visible in academic discourses impact key stakeholders, policymakers, perhaps result in afforestation practices? 

MR: Kings, peasants, land owners, merchants and forest peoples looked at forests in different, often contrary ways. There were also times their interests or ideas coincided. It is true industry, commerce and so on have transformed not only forests but the earth system since the late 18th century, the time Britain embarked on the Industrial Revolution and eastern India came under the East India Company. The colonial era had far reached impact on animals, peoples and trees and plants and water as much as on land. What is notable, and this matters, is that the Western Ghats were a source of pepper and ivory makings it way to Rome 2000 years ago so the exchange economy is not new even if modern capitalism is. Oommen and Morrison show pepper collectors in the hills and ivory hunters and the ecosystems very much part of wider networks. In similar ways, the work of Dr Mayank Kumar on the early modern era shows how Rajasthan had records on conflict and control over animals and trees in rural areas by dominant groups and state authorities. There was still room to manoeuvre because peoples beyond or the edge of cultivated arable mattered to rulers. Their knowledge and wealth (animal or other produce) was taken and ties were not equal. But the kind of fixity of property, tenure and settling in the colonial and British imperial era had a ferocity all of its own. It is well illustrated in the novels of Bibhuti Bhushan Bandopadhyay on the clearance of the forest and the later continuities in the works of Mahasweta Devi.

This is of course a short response. For the richness of the stories the book has many voices, explores many forest paths and tracks.

On the last, time will tell. We are delighted at the early reception to the work and hopeful it will help inform if in small way the wider debate. This is not a book about what to set right and how. That calls for a different kind of book and work.

It is meant to be wake up call on ways of thinking most so about what forests mean and why issues of how to relate to nature are as much about the past as the future. How we got here matters no matter where we may want to go. The forests of today are as much as product of human history as of biological processes.

AS: The book does not paint a rosy picture of a missing rural landscape. Instead, India’s Forests reveals how peasant and forest communities were always entangled with power. That they bargained with kings, paid taxes, endured punishments, and constantly adapted. The essays in this book encourage readers to confront the many histories of India’s forests. As Mukul Sharma demonstrates in this volume, India’s sacred groves are also sites of contest, hierarchy, and ecological complexity, as well as a resounding tool for conservation templates. We cannot afford to overlook these tangled pasts, or risk falling into the old colonial trap of imposing one-size-fits-all solutions on richly varied lands and peoples.

As said earlier, one can think of the jhum farmers in the highlands of India’s North East. They observed the land’s slope, soil moisture, rainfall patterns, ecological pasts, and the many worlds of insects before deciding where to burn and where to grow. This complex ecological practice and wisdom had developed over many generations. Anthropological works of the 20th century provided a clearer, more detailed understanding of such ecological practices. The British imperial foresters called it wasteful and tried to stop it. What was challenged there was not just a farming method but a whole way of understanding how to live with forests. 

The essays in this book argue that such intimate encounters with nature were never unchanging or perfect. They changed, adapted, or regularly dealt with power at every step. Along with the measures adopted by the state, the rhinoceroses in Kaziranga also survived because the peasant communities knew about this flooded and forested habitat. For the peasant communities, the wet grasslands of the Brahmaputra floodplain are socio-ecological formations which they understood intimately. India’s Forests thus offers the readers a more critical view about human and nature relations.

6. Where and how did we lose our traditional knowledge bases, especially that exists within our culture? They have a deeper understanding than outsiders who impose their views. What proportion of these information repositories that exist in a micro-culture, stories, cultivation practices etc can we recover?

MR: This is best I defer to Prof Saikia.

AS: The loss happened in layers. Colonial legislation quickly criminalised community forest practices. Postcolonial development deepened the wound. We cannot recover everything. But the epistemological framework survives: the understanding that forests are social-ecological relationships, not timber warehouses.

7. Why are we moving or have we already developed an economy of exclusion and inequality at the cost of depriving traditional knowledge? What are the rights of local communities? Can these be exercised, enforced and implemented?  (As is being done in Brazil, if I am not mistaken.)

A lot of this can be traced to the legal frame, the practice and norms of imperial forestry instituted the 1860s and 1870s on wards. In the early years, while the most senior Inspector General was German for 35 years almost in many provinces, they got former military men to take charge. So, exclusion was built in very early. It was not and cannot be total as labour was required for a variety of reasons, such as cutting fire lines, making roads and felling trees. Until the Forest Rights Act of 2006, the rights of Scheduled Tribes and Other Forest Dwellers had no real legal space. Since then, it has been an uphill struggle between the official mind set and the securing of rights. It is important to acknowledge here that the Act had unanimous support not merely as critics feel to give away land or forest for votes but as a corrective. The land reform process of cultivable land of the 1950s had no counterpart for over 60 years with regard to forests.

Brazil has had a different history and the nature of indigeneity is different. It also has far fewer people in say the Amazon than India’s forests. Closer to home one can look at Nepal that has far more decentralised and participatory approaches via vis parks, forests and water than almost anywhere in India. But there are attempts at change in many cases at the state level so there are grounds for hope yet.

AS: I agree with Mahesh that India’s land reform programme including the abolition of zamindari in the 1950s which were largely done based on the political inspiration of India’s freedom movement had little parallel since then. Mahesh rightly highlighted that the exclusion was not accidental — it was architectured. Colonial forestry-built inequality into its legal foundations, erasing customary rights and replacing multi-layered community relationships with a single extractive logic serving the colonial state. Independent India largely inherited this framework with very limited transformation. The Forest Rights Act of 2006, we do need to note, was a historic corrective. It recognised for the first time both individual and community rights of forest dwellers — but implementation remains bitterly contested. There is little doubt that decentralised forest governance can deliver desirable results.

8. Forest cover has reduced to 21% in India. CSR efforts to plant trees in different parts of the country have been an ongoing practice for a while now. But do these initiatives in any way, take into account the symbiotic relationship between local communities and the forest that are outlined in the book? Will these planting drives help us recover our forests? 

MR: Having not directly worked on this, cannot say much. But replanting is not the same as regeneration. A mixed multi species formation is different from a plantation. A lot of work by ecologists in fact shows this and it might help value protection and prevention over plantation. The latter is needed but as a complement.

AS: The choice of species may of course not at all be in accord with livelihoods. The late Anil Agarwal illustrated how different regions have key trees for livelihood and ecology such as khejri in the Thar desert, banj and moru oak in the western Himalaya, Mahu and tendu in Central India and the peninsular highlands and one might add the Palmyra Palm on the Coromandel coast. These are not planted often but are grown or grow and if fostered with care yield multiple benefits and also play a role ecologically.

9. India’s Forests outlines the significance of forests to communities that has been mentioned in texts like the Arthashastra or preserving the practice of sacred groves in Jharkhand. People had a vested interest in preservation of Nature. We need forests to maintain our climate and weather patterns, most notably, our unique monsoon. This is imperative given the rapid climate change. Yet, large chunks of forests are being cleared for mining, growing cash crops, land banks, and urbanisation. How do we bring back this sense of belonging and enable a collective action to preserve rather than it becoming only the purview of environmental activists/academics? 

MR: Just to be clear, the Arthashastra is about extending and expanding the state role in and over the forest. The aranya or vana is not beyond the ambit of power but extending authority was a challenge. While enumerating multiple productive roles of the forest and kinds of forests, and kinds of peoples, there is a clear sense of power and hierarchy. This is especially clear with the Atavika Rajas or forest chiefs who are to be loyal and guard borders. Ashoka no less in an Edict warns that those who do not behave and obey will be punished.

The collective sense you refer to is strongest perhaps in hill, forest and Adivasi or Scheduled Tribe societies. One of the things we have to be careful about is not to romanticise or generalise. There are many who see this is as either/or choice national park or sacred grove or state versus community.

There is no doubt much to learn from local and communitarian ideas and practices, most so in keeping the systems productive and habitable over long periods. The actions you refer to such as mining and industry are often giving priority to short term extraction without much thought to the biota, top soil or water or to those they displace directly or indirectly. A different way of seeing is the starting point surely. Aside from specific cases or protests, a more holistic appreciation of ecologies and also of producer knowledge. The latter is helpful because if one thinks of mahua or tendu so important in central and main land India, you get a different view of the forest as entity than simply as land for mining.

Scholars and others are learning from real life situations and practices. Yes of course, there should be more informed discussion and the level of awareness all round of the linkages and connections needs to be part of larger discourse.

AS: Think of India’s many highland communities, who named their forest areas not by how much wood they could get but by the spirits living there, or the Van Gujjars of the Shivalik foothills, whose seasonal moves followed not government borders but the memory of grass and pastures. These were not just old traditions; they were exact, proven, living maps for survival. What replaced them when British imperial forestry began was a different kind of exactness the surveyor’s chain, the forest section number, the mining rights planned in colonial offices far from the sound of rain on sal leaves. The hills of Meghalaya lost not just trees and bushes but also a whole way of understanding nature when jhum cycles were restricted by official rules.

Despite those challenges across India, community-owned forests today protect biodiversity, while others struggle to do the same. For many, the Khasi clan’s ancestral forest remains a more effectively conserved landscape than many protected areas. 

The starting point is neither nostalgia nor laws alone; it is listening. When a floodplain dweller describes flood patterns along a river in eastern India, she is sharing climate information that no satellite has yet recorded. 

10. Forest / environment has a specific vocabulary. Why is it not more in vogue? Will it not help preserve and respect trees and forests if people recognise and understand their environment?

MR: In general, yes. But there are different terms in various regions, jangal in Hindustani is common parlance, Kadu in Tamil. Once you get to the local level, there are variety of terms for different kinds of uncultivated land scape: the rakhs for instance in central and western India is a grassland that may be dotted with trees. These were often cleared away and cultivated after independence though vital for diverse fauna and flora and for local livelihoods especially the rural poor. Similarly, despite the Kadu/Nadu dichotomy in Tamil, goat droppings (from their browse off grass, shrubs and herbs) was prized for the nutrient value for the cultivated land.

The problem is in a narrow view if you like a monochromatic view of a multifaceted entity. The forest can be habitat for bats and birds, mammals and insects, and diverse flora. It is not simply waste land to be carved up for cultivation or for industrial projects.

With all their faults, this was realised as early as the 1830s by some East India company surgeons as studied by the late great Dr Richard Grove. The early links of forests and climate were also first drawn in the Indian Ocean by such men and they were men. It is a different matter such ideas were not always acted on and when so only partially.

We still have an immense challenge when forests are viewed only in terms of timer i.e. Net Potential Value or NPV. Useful for forest products it hardly captures or does justice to multiple ecological and social functions or roles or relationships.

AS: Language moulds the way we see, and when words vanish, entire worlds slip away. The people of Arunachal Pradesh hold a treasury of names for forests along the mountain slopes, each term capturing the moisture, soil, seasons and how people relate these to them. Reduce all this to just ‘forest cover, and you erase a living map of relationships between humans and the natural world. When a place loses its name, it is already halfway to being lost.  Despite odds, these forest vocabularies survive in song or in rituals. Their return to the mainstream will be greatly helpful. This is what the earth desperately needs.

11. With the rapid technological growth, especially as the demand for AI grows exponentially, tech companies are being given permission to construct data centres in urban areas as well as agricultural and in some cases, forests. These centres are land, fresh water, and mineral guzzlers. Is there hope for the future of forests in this dismal context?   

MR: Modern industry and this certainly include AI very prominently so did not and does not budget for water. Not only is surface water scarce much of the year in most of India, ground water takes years to accumulate and has to be renewed as it is used. Meeting drinking eater view renewal is possible but more that calls for prudence.

On the other count, if you take a longer view, there has been woodland retreat and resurgence in the past. If we have more productive agriculture and more water prudent forms of use, both urban and rural, given there are less cattle now and pastoralism contrary to popular image can integrate with open land, scrub and open land ecosystems, there is lot of ground for hope.

It is important to note the success of grassroots regeneration of ecologies and also the positive government community partnerships. None are ideal and multiple challenges remain.

But you are correct the resource destructive path way is not prudent or just in such a land mostly of long dry and short wet seasons. Maybe we should look at this from the long-term perspective say a long-lived tree than a human life span. That will give sense of perspective a balance sheet cannot.

AS: I agree with Mahesh.

30 April 2026

“You Can’t Please All: Memoirs 1980-2024” Tariq Ali

Tariq Ali, You Can’t Please All: Memoirs 1980-2024, Seagull Books, 2026. Hb. Pp. 824

The revolutionary upsurge of 1968–1975 jump-hopped continents with ease but finally petered out. What happened after is the subject of You Can’t Please All. Tariq Ali recounts a life committed to writing and cultural interventions. An eyewitness in Moscow to the fall of the Soviet Union, he was caught up in the intellectual excitement that had gripped the country. In Porto Alegre, Hugo Chávez invited him to visit Caracas, and the two men developed a striking friendship.

Post-2001, as a founding member of the Stop the War Coalition, he became a fierce critic of the War on Terror, visiting many US cities with surprising regularity to engage in debate and discussion, inaugurating a new phase of political activism. Evident in his work is the integral part politics plays in his life. He is one of the most sought-after socialist and anti-imperialist public intellectuals on most continents.

Underlying the narrative is a chain of anecdotes, reflections, jottings and storytelling. The book explores his work for the theatre and film, as well as his fiction, including the acclaimed Islam Quintet. There are pen portraits of friends and comrades such as Edward Said, Derek Jarman, Richard Ingrams, Benazir Bhutto, Mary-Kay Wilmers, and the intellectuals who founded and relaunched New Left Review: E. P. Thompson, Perry Anderson and Robin Blackburn.

The book also contains a moving family portrait, describing how his parents met and lived during the early years of Pakistan.

Twenty-three years ago, Tariq Ali delivered the speech “In War There Is a Need for Translators” that has been published here. It was at the first W. G. Sebald lecture that is given annually on an aspect of literature in translation. It’s named after W.G. Sebald, who in 1989 set up the British Centre for Literary Translation (BCLT), University of East Anglia, Norwich, UK. Sebald, also known as “Max,” was a German writer who chose to reside in the UK and continued to write in German. His notable works include The Rings of Saturn, Austerlitz, and On the Natural History of Destruction, which cemented his position as a prominent 20th-century writer. Other writers who have delivered this lecture include Elif Shafak, Alberto Manguel, Lydia Davis, Jhumpa Lahiri, David Bellos, Arundhati Roy, Ali Smith, and Margaret Atwood.

The Seagull Books edition is for sale in the Indian subcontinent only.

Read an extract from the book on Moneycontrol

Tariq Ali is a writer, filmmaker, and longtime political activist and campaigner. He has written more than a dozen books on world history and politics, including The Clash of Fundamentalisms (2002), Bush in Babylon (2003), Rough Music (2005), and Pirates of the Caribbean: The Axis of Hope (2006), as well as scripts for both stage and screen. He is an editor of New Left Review and lives in London.

22 April 2026

“Heartbeats: A Memoir” by ‎Björn Borg

No one had ever played tennis quite like Björn Borg. With his incredible athleticism, powerful shot-making and distinctive style, he became a sensation after he burst onto the scene aged just 15. As he ascended to the pinnacle of men’s tennis, Borg experienced unprecedented stardom and success that changed the game forever.
Hailed as one of the most talented players to ever step onto a tennis court, Borg collected the game’s highest honours, including eleven Grand Slam titles – with five consecutive Wimbledon titles — establishing himself as one of the greatest of all time. Then he stunned the sporting world by announcing his retirement at the age of 26 and disappeared from tennis.
After all these years of silence, Borg is ready to share everything. In this candid memoir, Borg takes us through all the major moments in his career, shares insights into his rivalry with John McEnroe — considered one of the best in the sport’s history — and their legendary 1980 Wimbledon final, and explains his shock retirement. Borg writes candidly about his personal life — for so long kept under wraps – including his childhood, his early stardom and his uncomfortable relationship with fame, alongside all the highs and lows of his unmatched career.
For the first time, readers will get Borg’s own account of his career, his choices, and the experiences that shaped him as a person, from his childhood right up to today. This look behind the curtain at an enigmatic player who has fascinated generations of tennis fans, is ultimately a fascinating look at the making of sporting legend and, for readers who know nothing about tennis, a rare glimpse into an extraordinary, compelling life.

Read an extract from the book on Moneycontrol.

Björn Borg is a Swedish former professional tennis player. He was ranked as the world No. 1 in men’s singles for 109 weeks. Borg won 66 singles titles during his career, including 11 majors (six at the French Open and five consecutively at Wimbledon). A teenage sensation at the start of his career, Borg experienced unprecedented stardom and consistent success that helped propel the rising popularity of tennis during the 1970s. His rivalries with Jimmy Connors and John McEnroe became cultural touchstones beyond the world of tennis, with the latter rivalry peaking at the 1980 Wimbledon final, considered one of the greatest matches ever played. This is his first memoir.

“A Good Life : The Power of Palliative Care” by Jerry Pinto

Pain is fundamental to our existence, signalling what requires our attention. But while pain is inevitable, suffering does not need to be. Palliative care aims to reduce both the pain and suffering associated with serious illnesses.

In this sensitively written book, award-winning writer, Jerry Pinto delves into the realm of palliative care through intimate stories of patients, families and devoted caregivers. Most likely having been a caregiver himself, he writes with a gentle kindness and a sympathy that only one who has been in that role, can see that which remains mostly invisible to most of our communities. With the portraits and the testimonies that he weaves into A Good Life, Pinto transforms the text into a moving exploration of hope and humanity, making it an essential read.

Read an extract from the book on Moneycontrol. The book is published by Juggernaut.

Jerry Pinto is the author of Em and the Big Hoom (winner of the Hindu Literary Prize and the Crossword Book Award for Fiction) and Helen: The Life and Times of an H-Bomb (winner of the National Award for the Best Book on Cinema).His other works include translations from Marathi of the autobiographies of Daya Pawar (Baluta), Malika Amar Shaikh (I Want to Destroy Myself) and Vandana Mishra (I, the Salt Doll), as well as Sachin Kundalkar’s novel (Cobalt Blue). He has also written two books of poetry. Jerry Pinto was awarded the prestigious Windham-Campbell Prize in 2016.

“The Sensual Self: Explorations of Love, Sex & Romance” by Shobhaa De

In this provocative book, The Sensual Self: Explorations of Love, Sex & Romance, bestselling author Shobhaa Dé asks you to ditch the rulebook and ‘abandon good sense’ when it comes to owning your sensuality. It doesn’t matter if you’re twenty or seventy, sensuality has no expiry date. Whether you’re nursing a heartbreak or rejection, dissatisfied with sex in marriage, or are anxious about your waning libido—Dé has got you covered. From thrilling first dates and the aesthetics of a perfect kiss, to the messy world of casual coupling, group sex, kinks, and sexual red flags, Dé strips away the taboos and lays it all bare with her trademark wit and candour. Whether it’s heartbreak, rejection, jealousy, or fidelity, she dives into the chaotic terrain of human desire and sexual complexities. She asks men to roll up their sleeves and put in more effort, be experimental and non-judgemental, and demands that women stop settling for boring dal-chawal sex when life can offer spicy, finger-licking chicken chilli fry. Part manifesto, part guide, The Sensual Self is a fearless exploration of sensuality, love, and desire across every age and stage of life. Bold and unfiltered, The Sensual Self shows how you can embrace your (im)perfect curves, take charge of your sensuality, reclaim your desires, and live, love, and lust, on your own terms.

Read an extract from the book on Moneycontrol. The book is published by Aleph Book Company.

Shobhaa Dé is a celebrated author, journalist, columnist, and social commentator. She has more than twenty bestselling books to her name. Her works have been extensively translated into a variety of languages, including French, German, Hungarian, Italian, Korean, Portuguese, Russian, Spanish, and Turkish.

“Uncoded: A Technological History of Independent India” by Meghaa Gupta

From factories to farms, battlefields to boardrooms, clinics to classrooms―in the years since Independence, modern technology has swept through all corners of Indian life.

But back in 1947, this seemed impossible. Low literacy, poverty and lack of expertise meant that newly independent India was unable to afford the mighty technologies of World War II that were reshaping the globe. Yet, a determined team of far-sighted policymakers and scientists dared to make the impossible possible.

Today, India is home to leading software companies and a world-renowned space programme. For many Indians, modern technology has become part of daily life.

Uncoded: A Technological History of Independent India is a story of one of the greatest technological transformations in the modern world. Blending a unique narrative with illustrations, trivia, anecdotes and an informative timeline, it explores how a nation used science and technology to rebuild itself and reimagine its destiny against all odds.

Read an extract from the book on Moneycontrol. The book is published by Puffin India.

Meghaa Gupta’s exploits in history are the outcome of an irrepressible urge to contextualize the challenges of the present with the past and make greater sense of the times we live in. She works in children’s publishing and firmly believes that all change begins with getting children to read books that demystify the world and its infinite possibilities. Meghaa has contributed to the history book On this Day (Dorling Kindersley, 2021) and is the author of the widely-acclaimed Unearthed: An Environmental History of Independent India (Puffin, 2020). She curates the children’s and youth section of the Green Lit Fest and the online magazine Sustainability Next.

“The Hiroshima Men: The Quest to Build the Atomic Bomb, and the Fateful Decision to Use It” by Iain MacGregor

At 8:15 a.m. on August 6th, 1945, the Japanese port city of Hiroshima was struck by the world’s first atomic bomb. Built in the US by the top-secret Manhattan Project and delivered by a B-29 Superfortress, a revolutionary long-range bomber, the weapon destroyed large swaths of the city, instantly killing tens of thousands. The world would never be the same again.

The Hiroshima Men’s unique narrative recounts the decade-long journey towards this first atomic attack. It charts the race for nuclear technology before, and during the Second World War, as the allies fought the axis powers in Europe, North Africa, China, and across the vastness of the Pacific, and is seen through the experiences of several key characters: General Leslie Groves, leader of the Manhattan Project alongside Robert Oppenheimer; pioneering Army Air Force bomber pilot Colonel Paul Tibbets II; the mayor of Hiroshima, Senkichi Awaya, who would die alongside over eighty-thousand of his fellow citizens; and Pulitzer Prize-winning novelist John Hersey, who travelled to post-war Japan to expose the devastation the bomb had inflicted upon the city, and in a historic New Yorker article, described in unflinching detail the dangers posed by its deadly after-effect, radiation poisoning.

This thrilling account takes the reader from the corridors of the White House to the laboratories and test sites of New Mexico; from the air war above Nazi Germany and the savage reconquest of the Pacific to the deadly firebombing air raids across the Japanese Home Islands. The Hiroshima Men also includes Japanese perspectives – a vital aspect often missing from Western narratives – to complete MacGregor’s nuanced, deeply human account of the bombing’s meaning and aftermath.

Fergal Keane, award-winning BBC foreign correspondent and author of Road of Bones: The Siege of Kohima 1944 writes, “I can think of no more important book for our time. Written with moral clarity, tremendous verve, and the ability of a truly great historian to render the immensity of a moment through the smaller voices as well as being faithful to the facts. I recommend this magisterial, haunting book to all generations.”  

Giles Milton, author of The Stalin Affair adds further praise for the book saying, “The nuclear destruction of Hiroshima and Nagasaki was one of the most iconic moments of the twentieth century. Yet little has been written about the individuals whose actions led to Japan’s unconditional surrender. Iain MacGregor’s The Hiroshima Men is epic in scale yet intimate in detail, its pages filled with mavericks and geniuses who forever changed our world. A meticulously researched and compellingly written tour-de-force.”

Read an extract from the book published on Moneycontrol.

Iain MacGregor has been an editor and publisher of nonfiction for thirty years working with esteemed historians such as Simon Schama, Michael Wood and James Barr. He is himself the author of the acclaimed oral history of Cold War Berlin: Checkpoint Charlie and his writing has appeared in the Guardian, the Express, as well as the Spectator and BBC History magazines. As a history student he has visited East Germany, the Baltic and the Soviet Union in the early 1980s and has been captivated by modern history ever since. He has published books on every aspect of the Second World War. Iain is a Fellow of the Royal Historical Society and lives with his wife and two children in London.

“Why The Poor Don’t Kill Us: The Psychology of Indians” by Manu Joseph

In this diagnosis of contemporary Indian society, with a tinge of dark humour, acclaimed writer Manu Joseph explores why the poor don’t rise in revolt against the rich despite living in one of the most unequal regions of the world.

The poor know how much we spend in a single day, on a single meal, the price of Atlantic salmon and avocados. ‘Why,’ he asks, ‘do they tolerate it? Why don’t they crawl out from their catastrophes and finish us off? Why don’t little men emerge from manholes and attack the cars? Why don’t the maids, who squat like frogs beside kitchen sinks, pull out the hair of their conscientious madams who never give them a day off? Why is there peace?’

Why the Poor Don’t Kill Us shows in pitiless detail just how hypocritical and exploitative people of privilege are, and it also shows how and why they get away with it. It’s a sharp, at times searingly witty, but a very perceptive critique of the many faults of the India we live in.

Why The Poor Don’t Kill Us has also evolved into a stand-up act by Manu Joseph. He prefers to call it ‘stand-up anthropology’.

An extract from the book was published on Moneycontrol.

Manu Joseph is the author of the novels Serious Men, The Illicit Happiness of Other People, and Miss Laila, Armed and Dangerous. He is the winner of the Hindu Literary Prize and the PEN Open Book Award, whose jury described him as ‘…that rare bird who can wildly entertain the reader as forcefully as he moves them’. He has been nominated for several other prizes. He is also the creator of the Netflix series, Decoupled.

He was the editor of Open Magazine and a columnist for the New York Times. This is his first work of non-fiction.

“Team: Getting Things Done” by David Allen and Edward Lamont

A groundbreaking book about how to harness the power of collaboration and work most effectively in groups – coauthored by Getting Things Done‘s David Allen. It is published by Hachette India.

When Getting Things Done was published in 2001, it was a game-changer. By revealing the principles of healthy high performance at an individual level, it transformed the experience of work and leisure for millions. Twenty years later, it has become clear that the best way to build on that success is at the team level, and one of the most frequently asked questions by dedicated GTD users is how to get an entire team onboard.

By building on the effectiveness of what GTD does for individuals, Team will offer a better way of working in an organisation, while simultaneously nourishing a culture that allows individuals’ skills to flourish. Using case studies from some of the world’s most successful companies, Team shows how the principles of team productivity improve communication, enable effective execution and reduce stress on team members. These principles are increasingly important in the post-pandemic workplace, where the very nature of how people work together has changed so dramatically.

Team is the most significant addition to the GTD canon since the original, and in offering a roadmap for building a culture of sustainable high performance, will be welcomed by readers working in any sized group or organisation.

The book excerpt published on Moneycontrol is an abridged version of chapter 11 that is entitled “The Structures of Leadership”.

In Getting Things Done, David Allen revolutionised individual productivity – and now, he and Edward Lamont show us how to transform teams and organisations. This is a masterful guide for any team striving to navigate the complexities of collaboration in today’s fast-paced world — Dorie Clark, bestselling author of The Long Game and executive education faculty, Columbia Business School

Ed Lamont and David Allen have captured the best practices for working with people to produce the best possible results. Team is a no-nonsense manual for doing just that, no matter what your goal is or who you’re working with to achieve it. If you’re invested in making good things happen, and need others to assist, this is a must-read — Arianna Huffington, Founder & CEO, Thrive Global

The world needs this book . . .This is not a book to read once, and extract a few ideas. Team is a guidebook, outlining the step-by-step process to team effectiveness. My advice is that you keep this book on your desk. Use it and re-use it, until Team structures your day-to-day activity as a team . . .and get amazing things done, together — Tony Crabbe, business psychologist, author of Busy

If you regularly get things done with others, here’s your new productivity bible. In Team, David and Edward masterfully break down how the principles of GTD work for all team settings – whether you have a corporate, sports or family team. At its best, working in a team feels effortless. This book helps get you to this magical place, so you can accomplish more with others while actually enjoying the process — Chris Bailey, international bestselling author of Hyperfocus, The Productivity Project, and How to Calm Your Mind

David Allen is an international best-selling author who is widely recognized as the world’s leading expert on personal and organizational productivity. Time Magazine called his flagship book, Getting Things Done “the definitive business self-help book of the decade”.

Edward Lamont is co-founder and Senior Partner of Next Action Associates, the GTD partner for the UK and Ireland. He has over 25 years of experience in executive coaching, training and consulting in the areas of leadership, productivity, and motivation. Since 2009, he has founded and grown the most successful GTD franchises worldwide by using the principles in this book. Before moving into consulting, he worked covering commodities markets, and was a freelancer for the Financial Times.

Interview with Rahul Pandita

I interviewed Rahul Pandita on his debut novel, Our Friends in Good Houses (HarperCollins India), for Moneycontrol. It was published on 12 Nov 2025.

Rahul Pandita is a journalist who is known for his reporting from war-torn areas. He is the author of Hello, Bastar: The untold story of India’s Maoist Movement; Our Moon has Blood Clots: A memoir of a lost home in Kashmir; The Lover Boy of Bahawalpur; and the co-author of The Absent State. He was awarded the International Red Cross Award for conflict reporting in 2010. His debut novel, Our Friends in Good Houses, has just been published by HarperCollins India.

Our Friends in Good Houses is about Neel, a journalist drawn to war zones. It’s in these spaces riven by conflict that his sense of dislocation, of not belonging anywhere, drops off him. At all other times, he’s in quest, seeking solid ground: a home. It is a pursuit that takes him halfway across the world to America and back to the urban dystopia of Delhi, headlong into fleeting relationships that glimmer with the promise of shelter.

He is a Yale World Fellow and also the recipient of the New India Foundation Fellowship. He lives in Delhi. 

The following interview was conducted via email.

  1. How and why did Our Friends in Good Houses come about? Would you like to elaborate on the title too? 

RP: A major part of my journalistic career has been spent at the cusp of journalism and writing, what David Foster Wallace would term as being a “non-journalist journalist.” It means that I wrote in a certain way, to build the narration of a story in a particular way. The idea always was to offer a Denkbild or thought-image to my experiences. But even as I was doing it, I felt an inadequacy in my dispatches, namely that it did not have that additional layer of meaning that, in my view, made it complete. Through Our Friends in Good Houses I think my attempt was to put that additional layer. But it was also an attempt to make sense to myself of so many things I had experienced out there.

The title came to me very organically. Its meanings changed for me at different stages of writing. I’d like the readers to have the chance to derive their own meanings from it. 

  • For most of your professional life, you established your credentials as a memoirist and a narrative nonfiction writer. So, why did you choose to write fiction? How many years did it take to write this novel? 

RP: Fiction simply for reasons mentioned earlier. But also, because I felt that there are some truths you come closer to in fiction than in non-fiction. I was telling my editor Dharini Bhaskar the other day that I have no belief in psychoanalysis. But in many ways, this novel is me lying down on a couch, smoking a cigarette, while a psychoanalyst in tweed jacket with leather elbow patches, who, lo and behold, is also me, hears me out. It is like what the Buddhists say: Thought is the thinker. 

The first passages of the novel were written in the US in the year 2015. But a majority of it was written between 2022-23.  

  • In a recent panel discussion in Rome, Juan Gabriel Vásquez said that “There is a sense in which we have as novelists that we can say anything, we can discuss anything because the way stories go, seems to make them, seems to enjoy a certain kind of impunity.” Thoughts? 

RP: I think what Vásquez calls “impunity” is really the moral latitude of fiction; it is the permission to wander into difficult or uncomfortable territories without the burden of having to declare a position. A novel can explore what is unspeakable in ordinary language because it doesn’t argue; it listens, it witnesses, it imagines. Storytelling allows for that simply because it creates a space where contradictions can coexist without needing to be resolved.

In Our Friends in Good Houses, I found myself drawn to lives caught between belonging and estrangement, love and loss. These are not easy moral terrains, and yet fiction allows you to walk through them without fear of judgment — to feel your way, rather than reason your way, toward understanding. That’s the novelist’s real privilege, perhaps: not impunity in the sense of freedom from consequence, but the deeper freedom to look closely, to stay with the discomfort, and to find in it some trace of truth.

  • What are the freedoms that fiction enables and empowers a writer with that non-fiction does not? 

Fiction gives you the freedom of uncertainty, the freedom to not know and to write anyway. In non-fiction, there is an implicit contract with fact, a responsibility to the verifiable. But fiction allows you to approach truth obliquely, through emotion, through intuition, through invention. You can tell a lie that reveals something profoundly true.

When I’m writing fiction, I’m not accountable to chronology or evidence; I’m accountable to the inner weather of a character, to rhythm, to silence, to the unsaid. Fiction lets you stretch time, blur voices, or inhabit contradictions that reality might resist. It allows for moral complexity without the need for moral clarity. 

  • What is the difference between reportage and fiction? What are the different demands that these writing styles make upon the author? 

RP: Reportage and fiction share a common impulse: understanding human experience; but they travel toward it through very different routes. Reportage demands fidelity to the visible world; fiction demands fidelity to the inner one. In reportage, the writer is a witness. The reporter’s task is to see clearly, to document with precision, to stay alert to what is real and verifiable. The discipline is outward: you listen, you observe, you report. Fiction, on the other hand, asks you to surrender certainty. 

  • In this age of migrations and conflicts, the idea of home is very fluid. What is your definition of home? 

RP: I wish I could articulate that. But I can tell you this much: it is a sacred space, a hermitage. And it is something that is inseparable from love.  

  • Conflict writing is your forte. Whether as a survivor or as a writer. But this novel describes multiple levels of conflict, even those that exist in domestic spaces. What are the emotional see-saws that you registered while writing?

RP:  I’ve spent much of my writing life inside the vocabulary of external conflict.   But while writing Our Friends in Good Houses, I had to meditate upon how those same fractures replicate themselves in smaller, quieter rooms. The domestic space can be just as volatile; love can wound as sharply as any shrapnel.

  • Is it fair to ask an author about the similarities between their life and the fiction that they create? 

RP: The writer always draws something from his life or from those around it. Fiction is never hallucination unless one is describing hallucination experienced by a character. Invariably, that experience will also turn out to be that of the writer.  Beckett had a heart murmur, so had Murphy. But having said that, a lot of it also bears no similarity. With the first novel, though, the similarities can be much more. As my friend Manu Joseph told me the other day: the real challenge is the second novel. Ha ha ha. 

  • How much war and other types of literature did you read to write Our Friends in Good Houses or was that unnecessary? 

RP: I had no need; I have been to enough wars myself. 

Jaya Bhattacharji Rose

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