Jaya Posts

‘Kitty’s War’ review: War in the gunj

My review of Daman Singh’s novel Kitty’s War has been published in The Hindu Literary Supplement. It is online on 4 August 2018 and is in print on 5 August 2018. Here is the original link and the review is c&p below. 

Katherine Riddle alias Kitty lives in a sleepy railway junction town in eastern India called Pipli. Her widower father, Terence Riddle, is a British railway man. Kitty, who works as a school teacher, returns home ostensibly for the summer break but more to decide her future as she nurses a broken heart for her high-school sweetheart, Jonathan, an Anglo-Indian.

They were engaged to be married except that as assistant mechanical engineer Jonathan is extremely busy. His billets-doux speak less of his love for Kitty than of the battles taking place abroad. Once home, Kitty either mopes around with her nameless tribal Ayah and the cook Latif or seeks the company of her old friends, Dan, Pat and Jimmy.

Kitty’s War is set in the 1940s against the backdrop of the Civil Disobedience movement in India, the Blitz in London, the Pearl Harbour attack, the siege of Leningrad, and the Japanese invasion of Rangoon and subsequent pouring in of refugees into Calcutta.

The events of the novel are seemingly untouched by World War II except for passing references to bogies being acquired or trenches being dug.

While the war is upturning hierarchies outside Pipli, in this town, the class lines between the British, Anglo-Indian and Indian communities are clearly drawn. Yet these people who have nothing in common with each other socially are united in their anxiety for relatives stuck in conflict zones.

For instance, the father of assistant station master Chuckerbatty, Dan’s uncle, and the Ayah’s son are all working in Rangoon. Kitty is affected by the war because of Jonathan in particular, but also because it metaphorically throws all her future plans into disarray. But Kitty knows her mind and makes her choices.

Kitty’s War is an atmospheric novel — the historical details are seamlessly woven into the plot. There are levels of oppression — of native Indians by the British, of the powerless by the moneyed class, of women by men.

It is where choice becomes paramount — not only for Kitty but also for Indians and the British, who must make vital decisions in these last years of the Empire.

To buy on Amazon India: 

Print

Kindle 

Kitty’s War; Daman Singh, Tranquebar/ Westland Publications, ₹350

Biographies for the new-age reader

Biographies of well-known personalities have always delighted readers for generations. Apart from being curious about how personalities reached the zenith of their profession/chosen field, life histories are always inspirational stories. What more can one ask for if they are presented in stunning layouts with rich colours and crisp text. In this audio-visual age even printed books are becoming more and more splendiferous to behold.

Of the books discussed in this article the original idea was launched by Elena Favilli and Francesca Cavallo when they crowd sourced funds for Good Night Stories for Rebel Girls: 100 Tales of Extraordinary Women. According to the Indiegogo site they used to crowdsource funds  $1,287,433 USD were the total funds raised, which was 1689% funded on May 26, 2016. It became a publishing phenomenon as it was an idea that caught the imagination of people all over the world. Apart from which the project was over subscribed. The book published lived up to expectations with its mini-biographies of over 100 women thrilling girls and boys. It is a zany collection of profiles with crisp storytelling and beautiful layouts. The second volume has also been announced.

The success of this unique publishing idea inspired many more and this time the books were readily commissioned by the firms. For instance, Stories for Boys Who Dare to be Different: True Tales of Amazing Boys Who Changed the World Without Killing Dragons by Ben Brooks, published by Quercus. Once again an eclectic collection of mini-biographies that more or less adhered to the formula launched in the bestseller Good Night Stories for Rebel Girls. Ben Brooks has profiled a diverse and inclusive set of individuals from around the world who were not all necessarily famous but “went on to make the world a better place through compassion, generosity and self-belief”. Once again it is a fabulous collection of wacky mini-biographies that are just the right mix of text and full-page illustration to spark an interest in the individual and their achievements to hopefully prompt the reader to explore further. In any case the mini-stories make for fascinating tales.

In India an equally splendid hardback compilation such as the previous two books mentioned, Like a Girl: Real Stories for Tough Kids is of women achievers and was launched by Westland/Amazon. An interesting collection of 51 biographies that spill into more than two or three pages. Nevertheless the neat experimentation of exploring art styles for illustrating the profiles with a variety of artists and different techniques is a unique way of creating a book. It was inspired by Rebel Girls but Like a Girl veered away from the formulaic presentation and developed a character of its own which is fine except that the biographies presented are of all “well-known” Indian personalities. It is not a combination of the established names as well as those equally significant women who made their mark at local and national level. Perhaps a second volume is being planned which will take into account a wider variety of names. ( Read more about the collaboration in this Hindu article, published on 17 July 2018.) 

Nevertheless these books are a delight to behold, possess and read. They tickle the mind in the right way so as to make one curious about the people and their world. Like these books there are a couple more examples that are worth listing. The Periodic Table of Feminism which is delightful in the way the “precious metals” or the initials of prominent women have been classified according to the 1st, 2nd, 3rd and 4th waves of feminism. The book is a pure delight if it were not for the spelling error of Malala Yousafzai in the end papers where “Malala has been spelt with a “y” — “Malaya”. A bit unfortunate since Malala is a figure recognised globally apart from which she is the youngest Nobel Prize winner so this spelling mistake is rather unfortunate. The second book worth mentioning is Women in Science: 50 Fearless Pioneers who Changed the World and its companion volume Women in Sports.

All in all a visual and informative treat that will work splendidly as books for pleasure as well as edutainment.

30 July 2018 

 

 

 

Book Post 3: 22-28 July 2018

On Perumal Murugan’s “Poonachi” and “The Goat Thief”

Noted Tamil writer Perumal Murugan published two books Poonachi ( published by Westland/ Amazon) and The Goat Thief ( Juggernaut Books ) earlier this year both of which have been translated by N. Kalyan Raman. Poonachi is a fable about a goat by the same name. It is the comeback novel of Perumal Murugan who had sworn never to write again once he had been persecuted by right wing forces. On the face of it is a simple tale about an elderly couple who take in a tiny goat kid with bleak chances of survival. Yet, the old woman nurses Poonachi back to health who goes on to prosper and be quite a boon for the couple. The story has its twists and turns but it is the dark and sinister side of the authoritarian society that comes to the fore when the couple take the goat to be tagged.  Similarly the collection of short stories written by Perumal Murugan over the years deals with similar themes of social injustice and inequality experienced particularly by the poor but this time it is an exploration through relationships and not necessarily exploring a broader canvas of society/community or a village as many of his novels tend to explore. Even though Perumal Murugan’s novels are far more expansive and exploratory than his short stories ( judging by whatever little is available as translations in English) his explanation for wading into short fiction mentioned in his introduction to The Goat Thief is worth reading:

Writing a new short story within the universe of the Tamil short story, which has thrived and flourished since the 1930s, can be challenging. More than any other form, it’s the short story that modern Tamil literature has brought off its greatest accomplishments. The number of short stories written in Tamil probably runs into hundreds of thousands; of them, at least several thousand pass muster. Among those, several hundred stand the test of time and endure. If a writer wants to write a short story that will take its place among those hundreds, an independent mind, a unique perspective on life and well-honed writing skills are essential. 

When I started writing short stories, I didn’t have any such awareness. As I wrote and read more and more over the years, I became conscious of these requirements. Taking them into consideration, I set aside the problem of form and started paying attention to the theme of the story. I realized all stories fall into one of two categories. The first category focuses on the problems of living according to the rules of society, while the second concentrates on exceptions to these rules. Both strategies have their advantages and disadvantages. 

Perumal Murgan of course has become an international ambassador for Indian Literature with his works being sold in various book markets including translations. He has begun to travel extensively on literary programmes. All of which is extremely happy news given that a few years ago he had vowed never to return to writing or have anything to do with literature. So the recent turnaround of events in his favour is very welcoming. His stories are easily read in English for they are smoothly translated.

Both the books are worth reading!

Poonachi ( Print and Kindle

The Goat Thief ( Print

28 July 2018 

On Dalit literature – recent publications

Sujatha Gidla’s memoir Ants Among Elephants and Baburao Bagul’s When I Hid My Caste are some of the recent publications of Dalit literature published.  Interestingly the writers come from different parts of India and different religions but because they share the same “caste” of being a Dalit, their experiences of life and anguish at the shocking social injustice they have witnessed is similar.

Sujatha Gidla’s memoir was launched in USA in 2017 to  great critical acclaim for being an unusual piece of writing documenting the horrors of Indian society even in contemporary India. Although Sujatha Gidla has been living in New York for many years and yet the searing pain at the injustices faced at being an “untouchable” or a Dalit in India are unforgettable. Her memoir about her family who despite being Christians faced social ostracism. Once she left for America she was eager to know more about her origins and began to record the testimonies of her family particularly her uncle Satyam. There is an extremely powerful moment in the book when she quotes her uncle, Satyam, remembering an incident soon after Indian Independence was achieved. ‘A short, chubby dark boy …had a strange question for Satyam, one that Satyam had no answer to: “Do you think this independence is for people like you and me?” It is a question that remains to be answered many decades after Independence was achieved. ( Read an extract published in the Literary Hub)

When I Hid My Caste by Baburao Bagul (translated by Jerry Pinto) is a collection of short stories that were previously published in the Marathi literary magazine Navyug. The editor of Navyug Shirish Pai “confesses in her introduction to the Marathi edition of the book that she used to experience joy mixed with fear in anticipation of a Bagul story. The joy came from knowing it would be a good piece of fiction; the fear came from not knowing what the content would be.” This collection of very powerful and unnerving short stories are disturbing to read in English that one cannot help but wonder how powerful must they be in Marathi where possibly even the dialects used are evident. Four stories stand out  — “Prisoner of Darkness”, “Streetwalker”, “Revolt” and “When I Hid My Caste” —- that hopefully will be anthologised in other volumes focused on Indian literature.

Sujatha Gidla’s memoir attracted worldwide acclaim quickly becoming of those “must read” books featuring on many reading lists. Undoubtedly it raises some very sharp issues that continue to plague Indian society where casteism unfortunately still prevails yet Ant Among Elephants is not half as gracefully written as some other notable Dalit memoirs. For instance  Y. B. Satyanarayana’s My Father Baliah, Bama’s Karukku or even  Daya Pawar’s Baluta. But of the books discussed so far the recently released When I Hid My Caste stands out for the grittiness of storytelling evident even in the English translation where interestingly the sub-castes of Dalits are mentioned. There are graphic details of the violence and the horror that the Dalits continue to experience. It is hard to distinguish reality from fiction for many of the stories included in the volume seem to resonate the news published regularly in the media about regular atrocities against Dalits.

These are books that are valuable additions to the landscape of Dalit literature that is fortunately becoming richer and richer with every passing year as newer translations or original writings in English are being made available for a larger audience.

Do read!

Buy Ants Among Elephants ( Print and Kindle

When I Hid My Caste ( Print and Kindle

My Father Baliah ( Print and Kindle

Karukku ( Print

Baluta ( Print and Kindle

“Chalk Man” by C. J. Tudor

C. J. Tudor’s debut Chalk Man is a thriller that begins promisingly well. It is sinister, fantastically atmospheric.The opening pages of the story are very well written with obvious care to the words selected. The opening scene is unforgettably creepy! Unfortunately as with most first books the energy spent in writing the first section of the novel dissipates fairly rapidly in the subsequent pages. C. J. Tudor’s author blurb reads “Her love of writing, especially the dark and macabre, started young. When her peers were reading Judy Blume, she was devouring Stephen King and James Herbert.” She got a dream debut with Stephen King endorsing her book.

Yet despite this extraordinarily generous blessing from legendary Stephen King Chalk Man does not quite hold together. Chalk Man holds promise but is not quite there as yet. Perhaps by her third novel C. J. Tudor will well and truly come into her own for she is undoubtedly a new writer to watch.

Having said that Chalk Man has been shortlisted for the CWA Ian Fleming Steel Dagger 2018 Shortlist.

 

 

Nevertheless read it if you enjoy reading thrillers.

Buy it on Amazon and Kindle 

“Delhi’s Meatscapes: Muslim Butchers in a Transforming Mega-City” by Zarin Ahmad

Zarin Ahmad’s Delhi’s Meatscapes: Muslim Butchers in a Transforming Mega-City is a history of predominantly Muslim butchers particularly the Qureshi community (biradri) but others in the meat sector are discussed as well. A fascinating history of how the butchers ( for halal and jhatka meat) have operated in Delhi for generations with the Idgah abattoir being established in the early twentieth century by the British when they moved the capital from Calcutta to Delhi. The next major shift was with Partition and the divisions created within the abattoir for butchering halal and jhatka meat keeping religious sentiments of the Muslims and Hindus in mind, respectively. At the same time it is a disturbing  account of how there have been massive shifts in the business in recent years. These changes are mostly due to political and economic pressures such as shifting the abattoir to the outskirts of the National Capital Region where slowly even the state support is being taken away and only the private firm managing it allowed to operate. It has affected the business of local butchers. Also the rising intolerance towards Muslims and those who eat meat has also resulted in changing cityscapes.

Zarin Ahmad despite being a Muslim herself did not find it easy to be accepted in what is essentially a male-dominated industry. Women are never to be seen in or near abattoirs though some may sell meat in their shops. This gender dimension adds an equally interesting layer to the book for how Zarin Ahmad negotiates these spaces while gathering information. While it took the butchers a while to get used to the presence of a woman in the abattoir they were equally suspicious of her being a journalist. But small courtesies like wearing full-sleeved salwar-kameez with a dupatta and covering her head when the call for prayers ( azan) was heard helped get her accepted. Interestingly being a woman even though she was not a Qureshi allowed her to enter the women’s quarters in their homes and was readily accepted. She was able to have free flowing informal conversations that would inevitably venture into personal spaces but she also realised that it was not a one-way street. Field work research that involved asking questions of individuals meant that she too had to be prepared to answer a few in return from equally inquisitive people she met.

This is a multi-layered book that must be read by everyone for its witnessing by Zarin Ahmed of a tumultuous change in the meat sector of Delhi and its impact on the communities that are dependent upon it for survival. You do not need to be a academic to appreciate it.

Buy on Amazon

27 July 2018 

Nandita Haksar’s “The Flavours of Nationalism: Recipes for Love, Hate and Friendship”

The Flavours of Nationalism: Recipes for Love, Hate and Friendship  by lawyer Nandita Haksar is a unique memoir that intersperses two passions — human rights and food.

She belongs to a community of meat-eating Brahmins — the Kashmiri Pandits. Her ancestors came from Kashmir in the beginning of the twentieth century and settled in the plains of Hindustan. Very soon they forgot the culture, the rites and rituals and even the language of the Valley. The men learnt Urdu and Persian, while the women were taught Hindi and, on occasion, Sanskrit. The men greeted each other with an adaab-urz-hai but women were always greeted with a respectful namaskar. Once the Kashmiri families migrated they integrated many aspects of the cuisines of the plains, such as those of Lucknow, Allahabad and Delhi.

Nandita Haksar employs her sharp skills as a human rights lawyer to dissect cultures and bigotry. She rightly observes that ” In India, upper-caste Hindus do not inter-dine with Dalits, Muslims and tribal people, because of what they eat. Perhaps this is the distinguishing feature of Indian society and culture.” It still happens.

Later she adds ” The recent attempts to impose a ban on eating and trading beef, and the promotion of vegetarianism, have brought into focus the fact that the caste system and the ideology which sustain it is still alive. The question is how do we, who believe in democratic values and espouse liberalism, resist the imposition of this vision in our country?

The liberals, including a section of the media, have opposed the beef ban largely on the ground that it violates the human rights of an individual to choose what he or she wants to eat. However, the ban on beef is not merely a question of the violation of an individual’s right to liberty, dignity  and equality. But when millions of people are collectively denied those human rights, then we need a stronger political discourse to challenge their exclusion. ”

Some years ago in an article on “Dalit Literature in English” I had written “The recent banning of beef in India also deprives Dalits of their primary source of protein. Beef is cheap and easily available. The Dalits belong to a section of society that cuts across religions. What is astounding is that the quantum ( and relentlessness) of violence against this community is impossible for any sane individual to comprehend and yet it is practised daily.” One of the fiercest responses to the article said my assessment was wrong. Banning beef would not deprive Dalits of food.  I stood my ground and said it was an unnecessary hostile act not recognising a critical source of protein was being taken away from a community and probably plunging the already very poor people further into poverty and despair, but I was only scoffed at. The late Sharmila Rege’s Writing Caste, Writing Gender: Narrating Dalit Woman’s Testimonios discusses this at great length in her book. So when Nandita Haksar makes these associations and link human rights with the basic act of accessing food I agree with her 100% and only wish more people saw it in a similar fashion.

While I was writing this article, journalist M K Venu wrote on Twitter in reference to the Alwar lynchings and Muslims being repeatedly attacked by gau rakshaks that:

The successful right to food campaign in India led to establishment of systems to ensure food security. For instance passing of the National Rural Employment Guarantee Act ( NREGA) in August 2005, the introduction of cooked mid-day meals in all primary schools following a Supreme Court order in April 2004, and finally the passing of the National Food Security Act, 2013. “But even these achievements have been undermined by the controversies over beef and vegetarianism and have served to divert public attention from the most fundamental issue: food security for the poor who cannot afford even one meal a day and the wretched condition of farmers and their families, so many of whom have been driven to committing suicide.” This crisis is related to the globalization of the food industry and the so-called safety laws that in effect criminalize the small dhabas and the street vendors who provide affordable food to millions of people. This is food fascism.

The Flavours of Nationalism: Recipes for Love, Hate and Friendship  is absolutely fantastic for food is not only a repository of cultural norms, local wisdom ( in terms of what is the best dish / spice to have that would be most suitable for the person) but of course it is a rights issue too. To deny someone the right to their cuisine is a violently hostile act. At the same time to accept the local cuisine offered while travelling whether you like it or not is the height of graciousness and civil behaviour. This is exactly why  the anecdote Nandita Haksar shares about her friend who is a vegetarian and yet quietly eats the meat so lovingly served to her by the host at the Hashimpura wedding celebrations was an incredibly graceful gesture upon her part.

A few days ago designer Orijit Sen posted on Facebook about eating Kozhukatta on a Kochi street. Steamed rice dumplings with a sweet core of coconut and jaggery. Immediately he had a flood of responses on his timeline talking about variations of exactly same dish. There were folks writing in from Himachal Pradesh, Assam, Bengal, and even Parsis. It was fascinating to observe how food united everyone. Orijit Sen was prompted to respond “Amidst all our diversity and contradictions, I seem to have chanced upon one of those simple beautiful things that connects us all on this subcontinent!” Something that comes across so well in Nandita Haksar’s book too — the animated conversations that involve food whether designing a wedding menu to organising a meal at home or even visiting the local gurdwara for a langar!”

The July 2018 issue of the National Geographic’s cover story is on “Building a Better Athlete“. It is basically about how sports scientists are working closely with the finest sportsmen to help them excel known barriers of performance. In it is quoted Alan Ashley, the U.S. Olympic Committee’s chief of sport performance, who says the key to breaking performance barriers is to “keep athletes healthy. If they stay healthy, everything else falls into place.” This had me wondering why is that we only look at these frames of reference in absolutely exceptional specimens of human race and apply these rules of living for them alone? Why can we not shift these very same frames of reference and apply them to ordinary families? Won’t it be very liberating for many, especially women who are foisted with the responsibility of feeding their families, to feel that investment in their health, with local produce and that which is familiar to their cultures is perfectly acceptable and in fact a great way of living?

If this argument is extended to the micro-level of seeing how a family unit works. Apply it to women and see if they are taught to eat and look after themselves perhaps there won’t be so many instances of illness in many families. Off late it is not unusual to hear of instances where urban poor women are being encouraged to attend nutrition camps where they can learn how to manage household budgets by buying less and less milk as the prices skyrocket. So the women are taught how half a litre of milk can be stretched in providing nourishment value by setting curd, preserving the cream (if any) of the boiled milk etc. Or even using cheaper substitutes like soya milk. [ With today’s inflation rates I do not know if this holds true any longer!] Or adapting their old family recipes so that they do not require milk, dahi or cream as ingredients, instead they could substitute it with cheaper ( not necessarily healthier) ingredients. This is a horrific act of violence being perpetrated under the garb of nutrition camps for in the process of managing household budgets women are being forced to forget skills they have acquired / inherited and instead adapt to the local requirements. This is undoubtedly an inherent act violence as the woman is inadvertently put under familial/ economic pressure to provide regular sumptuous meals despite spiraling costs of ingredients and since she is mostly voiceless these acts go unnoticed. It is a very complicated and insidious act of violence that gets slowly embedded and perpetuated in the long run.

The scrubbing away of collective memories of local cuisines that define a community and are more importantly repositories of information about ideal foods to be consumed in different seasons using local ingredients, ensuring the people remain healthy and it is also cost effective in the long run. This is echoed in film director Jean Renoir sharing in his memoir ( Renoir, My Father ) about his father, the Impressionist painter Renoir, describing the varied smells coming from different houses in their neighbourhood. Every fragrance was that of a distinct region of France and easily identifiable but now both father and son were ruing the fact that dishes and flavours had more or less become homogenised. They were referring to the homogenity of smells but the passage in the book also is a wistful reminiscing of how much has been lost in the name of progress — the standardisation if you will of French cuisine. It is much like the different knowledge systems and the value accorded to them as Nandita Haksar mentions in reference to the two young boys of her acquaintance — Ashwin Mushran and Adani. Her nephew 18-year-old Ashwin is unable to make her a cup of hot coffee but is able to write a remarkable 10,000-word essay on Tolkien! Whereas 10-year-old Adani, her host’s son on a field trip to the north east of India, had not only killed a bird with his sling, but plucked and cooked it as well as made rice to accompany it — all in the short duration she took to get refreshed after a long journey!

The Flavours of Nationalism: Recipes for Love, Hate and Friendship is meant for those who love social and family histories; love cooking; love reading recipes and collecting them too. It is also meant for those who cherish an India which celebrates its diversity and the richness of its varied local cultures that are embraced willingly by its citizens, irrespective of which region or community they hail from. This is the idea of India most citizens believe in!

Read this book. It is unforgettable!

Buy the paperback edition and Kindle edition

24 July 2018 

 

Books on religious stories for children and adults

Books on religion will always find readers across a broad spectrum of general readers to believers. It makes good business sense to invest in such books as there will be generations of readers interested in learning these stories while being alive to the times they are written in. So whether it is Yashodhara which is a novel with a strong woman protagonist. Shyam is a beautiful retelling of the Bhagavata Purana or the story of Krishna. Or even a collection of religious stories retold for children.

Yashodhara: A Novel about the Buddha’s Wife by Vanessa Sasson tries to recreate the times Yashodhara lived in. As professor of Religious Studies in the Liberal and Creative Arts and Humanities Department at Marianopolis College, Quebec, Vanessa Sasson is clear that she has written “hagiographical fiction” and not “historical fiction” as “scholars have yet to determine any material certainty when the Buddha lived (if, that is, he lived at all) and how much of his story might be true”. Also whatever the time period may have been 5 BCE is nearly impossible to recreate as few sources exist narrating what life may have been like at the time. She continus:

The earliest Buddhist writings that we do not possess come later, beginning around the first century CE (more or less). The stories I have spent my academic life reading are based on the memories of a world five hundred years younger than the one the Buddha and Yashodhara probably knew. I cannot begin to imagine all the changes that took place during the time period we lost. 

The story I have told here is, therefore, a story inspired by later hagiographies. It is not historical fiction, but perhaps what can be more appropriately labelled ‘hagiographical fiction’ ( if such a label existed). …some of the material in this book is based on early Buddhist literature. Some of it is based on what we know as early Hindu literature. Some of it may be historical, but most of it is not. And some of it has come out of the playfulness of my mind. 

Yashodhara begins smartly. There is a crisp pace to the narrative. Some of the descriptions are lovely such as that of the fabrics, the palace, garden landscapes and even that of the monks gathered. Even the conversations are entertaining. As the story unfurls it is obvious there are 21C elements such as the strong women portrayed and grooming of the young Yashodhara by her mother. Then midway the novel the pace became sluggish probably for no fault of the author entirely except that she seems to be torn into two between being too familiar with Buddhism as an academic and that of wanting to a great storyteller. It does not necessarily make the text clunky but it does make it a trifle dull for the lay reader. For Buddhists this novel would be fascinating in its attempt to tell Yashodhara’s story of whom little is known. Yashodhara definitely has the potential to be adapted for television drama.

Shyama is an illustrated retelling of the Bhagavata Purana or the stories of Krishna as narrated by Devdutt Pattanaik. He has also illustrated the book. The stories are short and neat and told in a manner that only an expert mythographer could convey. For these are stories deeply embedded in an oral tradition of storytelling so over the centuries have morphed and have different versions in existence. But in Devdutt Pattanaik’s deft handling the stories acquire a linear narrative that is easy to comprehend and can be embellished further if required in the telling/a performance. For instance take the story of Shyam and Draupadi which is about the friendship between the two but told ever so beautifully and simply stressing that friendships between opposite sexes were known, acceptable and permissible even in the scriptures.

… Shyam and Draupadi shared a special bond. She was not his beloved like Radha. She was not his wife as Rukmini and Satyabhama were. She was not his sister as Subhadra was. She was not the haughty princess of Panchala who had snubbed Karna at the archery contest. She was his friend. 

It is put forth directly and in a straightforward manner with no room for different perspectives. This is the author’s many years of experience in storytelling at public gatherings and in writing. It has undoubtedly help distill the stories making them easily understood to a contemporary audience.

Every story told in the book is followed by related information placed in a box. For this particular story of the points shared one is particularly interesting. Devdutt Pattanaik says:

Draupadi identifies  Krishna as sakha, or friend. Traditionally, men have male friends or sakhas, and women have female friends or sakhis. The relationship between Krishna, a man, and Draupadi, a woman and another man’s wife, is unique. 

With the sumptuous Shyama Devdutt Pattanaik has surpassed himself as a storyteller. The layouts are becoming more intricate with the line drawings remaining seemingly simple yet the details are far more elaborate than in his previously published books.

Arshia Sattar has another magnificent book out for children with Juggernaut Books called Garuda and the Serpents. ( Her previous book was the scrumptious Ramayana for Children. ) The well-known stories are told simply but with all the details in place so that if ever a child wanted to narrate these stories orally, it could easily be done. The sequence of events and the action have sufficient details. For the collection she has selected the most popular stories such as Vishnu’s churning of the ocean, Garuda and the serpents, Kamdhendu the magical cow, Vali and Sugriva etc.

A secular outlook is instilled in adults when exposed too all religions in their childhood. The best way of doing so is by sharing with children some of the best stories ever told that have withstood the test of time and these are mostly to be found in different faiths. Some of the recent titles published for children by Hachette India, Scholastic India and Penguin India are still available. Titles such as Eid Stories by Scholastic India, The Greatest Stories Ever Told by Penguin India, and Celebrate! Your Fun Festival Handbook by Hachette India are absolutely worth getting for a child’s personal collection or a school library. These books though published a long time ago are still available. 

These books are a small step in making those bridges of peace and understanding otherwise willful misinterpretation of religions can lead to the establishment of hostile civil society from which recovery may not be easily done for most people are willing to accept anything as the gospel truth as long as it is in the name of religion. Exposure to other religious beliefs and practices is a way of understanding the “other” rather than perpetuating prejudices and hostile acts of violence. It is the only way forward to have a richly diverse and multi-cultural society co-existing in communal harmony.

Amazon India links to books discussed in the article are embedded in the book cover images and titles given below:

Devdutt Pattnaik Shyam: An illustrated Retelling of the Bhagavata  ( Illustrations by the author) Penguin Books, PRH India, 2018. Pb. pp. 280 ( Kindle )

Vanessa R. Sasson Yashodhara: A Novel About Buddha’s Wife Speaking Tiger Publishing, New Delhi, 2018. Pb. pp. 310 Rs 399 ( Kindle  )

Arshia Sattar Garuda and the Serpents: Stories of Friends and Foes from Hindu Mythology ( Illustrated by Ishan Trivedi) Juggernaut Books, Delhi, 2018. Pb. pp. 224 Rs 350

Eid Stories (Various authors) Scholastic India, Gurgaon, India, 2010, rpt. 2018. Pb. pp. 114 Rs 195

Celebrate! Your Fun Festival Handbook (HoliEidRakhi, Diwali, and Christmas) Hachette India, Gurgaon, 2012. Pb. Rs 195

Sampurna Chattarji The Greatest Stories Ever Told Penguin India, Gurgaon, India, 2004. Pb. pp 360. 

24 July 2018 

 

Book Post 2: 15-21 July 2018

Last week I announced that I am going to post every Monday a list of all the book parcels I have received in the past few days. Embedded in the book covers and post will also be links to buy the books on Amazon India. This post will be in addition to my regular blog posts and newsletter.

In today’s Book Post 2 I have included some titles that I received in the past few weeks and are worth mentioning and not necessarily confined to parcels received last week.

Enjoy reading!

23 July 2018

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