Newly minted Booker Prize 2026 winner, 81-year-old, M. John Harrison and I chatted on the TOI Bookmark* podcast about his novel, The End of Everything within hours of him having won the prize.
Here is the link on Spotify:
Today, on 12 Nov 2026, an account of the interview was carried in the print edition of The Times of India.
Coincidentally, I had spoken to M. John Harrison in September when he had been longlisted for the prize. The Spotify link:
The book is published by Serpent’s Tail and is distributed in India by Hachette India.
12 Nov 2026
*TOI Bookmark is a weekly podcast on literature and publishing. TOI is an acronym for the Times of India (TOI) which is the world’s largest newspaper and India’s No. 1 digital news platform with over 3 billion page views per month. The TOI website is one of the most visited news sites in the world with 200 million unique monthly visitors and about 1.6 billion monthly page views. TOI is the world’s largest English newspaper with a daily circulation of more than 4 million copies, across many editions, and is read daily by approximately 13.5 million readers. The podcasts are promoted across all TOI platforms. I have recorded more than 214+ sessions with Jnanpith, Padma Bhushan, and Padma Shree awardees, International Booker Prize winners, Booker Prize winners, Women’s Prize for Fiction, Nobel Laureates, Pulitzer Prize, Stella Prize, AutHer Awards, Erasmus Prize, BAFTA, Turing Prize, Magsaysay Prize etc. Sometimes the podcast interviews are carried across all editions of the print paper with a QR code embedded in it.
Some of the authors who have been interviewed are: M. John Harrison, Yáng Shuāng-zǐ & Lin King, David Szalay, Banu Mushtaq, Deepa Bhashti, Samantha Harvey, Jenny Erpenbeck, Michael Hoffman, Paul Murray, V. V. Ganeshananthan, Hisham Matar, Anita Desai, Amitava Kumar, Hari Kunzro, Venki Ramakishnan, Siddhartha Deb, Elaine Feeney, Manjula Padmanabhan, Edwin Frank, Jonathan Escoffery, Joya Chatterji, Arati Kumar-Rao, Paul Lynch, Dr Kathryn Mannix, Cat Bohannon, Sebastian Barry, Shabnam Minwalla, Paul Harding, Ayobami Adebayo, Pradeep Sebastian, G N Devy, Angela Saini, Manav Kaul, Amitav Ghosh, Viet Thanh Nguyen, Damodar Mauzo, Geetanjali Mishra, William Dalrymple, Sanjoy Roy, Abdulrazak Gurnah, Andrew Miller, Catherine Chidgey, Dr Rachel Clarke, Charlotte Wood, Megha Majumdar, Kiran Desai, Ken Follett, Philippe Sands, Victoria Bateman, Anuradha Roy, Sir Tim Berners-Lee, Danny Rensch, Anne Beate Hovind, Lyse Doucet, Tayari Jones and Annie Ernaux.
Phillip Tennent makes his living at the tideline, collecting artefacts that wash up from the Channel. It’s been years since the crisis changed everything, but its exact nature remains obscure. Government barely functions, the seas are full of new creatures, Europe has been mislaid. It feels like the end.
Now Phillip has fished out of the water an object he can’t keep. A creature that keeps changing. An artefact he must take inland, before it destroys everything he thinks he knows. The End of Everything is a slyly satirical and unsettling post-apocalyptic adventure into the limits of human understanding from the peerless master of contemporary fiction.
M. John Harrison has been publishing since 1965 although he began writing as a teenager in the 1950s He is a legend especially in the world of speculative fiction. At the age of 82, he is the oldest writer to have been shortlisted for The Booker Prizes 2026 for “The End of Everything” (published by Hachette India). The winner will be announced on 9 Nov 2026. It is a slim novel but it leaves one reeling with the immense possibilities that may exist in humanity’s future. The aliens, iGheti, walking around the community in a near-future south-east England are “monstrously sized, extremely powerful and strange lifeforms” of unknown origin and uncertain purpose. The protagonist, Philip Tennent, lives with his aunt Marnie in the coastal town of Dalston-on-Sea and ekes out a living by collecting – and endeavouring to sell – iGhetti “artefacts” that wash up on the shore. One particular artefact he finds has the potential to change their lives for ever.
It was a pleasure speaking on the TOI Bookmark* podcast with M. John Harrison regarding The End of Everything. This book really makes you think.
M. John Harrison, a genre-defying British author and literary critic. Harrison has been hailed by writers including Olivia Laing, Robert MacFarlane and Neil Gaiman as one of the most brilliant prose stylists alive today. He sold his first story in 1965, and in 1969 joined the staff of the UK speculative fiction magazine New Worlds, where he edited the books pages until 1978.
His novels include Climbers, which won the Boardman Tasker Prize for Mountain Literature in 1989; Nova Swing, which won the Arthur C. Clarke Award in 2007; and The Sunken Land Begins to Rise Again, which won the 2020 Goldsmiths Prize for innovation in fiction. A collection of short stories, You Should Come With Me Now, was published in 2017, and a volume of selected stories written between 1970 and 2020 was published under the title Settling the World.
He has reviewed a broad spread of fiction for the TLS, the Telegraph, the Guardian and the New York Times; co-authored a quartet of fantasy novels about talking cats; and ghostwritten on behalf of a legendary British rock climber. He was a judge of the Booker Prize 2022.
I had the good fortunate of interviewing him in early September. He was shortlisted for The Booker Prize the following week.
Here is the Spotify link:
8 Nov 2026
*TOI Bookmark is a weekly podcast on literature and publishing. TOI is an acronym for the Times of India (TOI) which is the world’s largest newspaper and India’s No. 1 digital news platform with over 3 billion page views per month. The TOI website is one of the most visited news sites in the world with 200 million unique monthly visitors and about 1.6 billion monthly page views. TOI is the world’s largest English newspaper with a daily circulation of more than 4 million copies, across many editions, and is read daily by approximately 13.5 million readers. The podcasts are promoted across all TOI platforms. I have recorded more than 214+ sessions with Jnanpith, Padma Bhushan, and Padma Shree awardees, International Booker Prize winners, Booker Prize winners, Women’s Prize for Fiction, Nobel Laureates, Pulitzer Prize, Stella Prize, AutHer Awards, Erasmus Prize, BAFTA, Turing Prize, Magsaysay Prize etc. Sometimes the podcast interviews are carried across all editions of the print paper with a QR code embedded in it.
Some of the authors who have been interviewed are: Yáng Shuāng-zǐ & Lin King, David Szalay, Banu Mushtaq, Deepa Bhashti, Samantha Harvey, Jenny Erpenbeck, Michael Hoffman, Paul Murray, V. V. Ganeshananthan, Hisham Matar, Anita Desai, Amitava Kumar, Hari Kunzro, Venki Ramakishnan, Siddhartha Deb, Elaine Feeney, Manjula Padmanabhan, Edwin Frank, Jonathan Escoffery, Joya Chatterji, Arati Kumar-Rao, Paul Lynch, Dr Kathryn Mannix, Cat Bohannon, Sebastian Barry, Shabnam Minwalla, Paul Harding, Ayobami Adebayo, Pradeep Sebastian, G N Devy, Angela Saini, Manav Kaul, Amitav Ghosh, Viet Thanh Nguyen, Damodar Mauzo, Geetanjali Mishra, William Dalrymple, Sanjoy Roy, Abdulrazak Gurnah, Andrew Miller, Catherine Chidgey, Dr Rachel Clarke, Charlotte Wood, Megha Majumdar, Kiran Desai, Ken Follett, Philippe Sands, Victoria Bateman, Anuradha Roy, Sir Tim Berners-Lee, Danny Rensch, Anne Beate Hovind, Tayari Jones, Lyse Doucet, M. John Harrison, Luke Kennard, and Annie Ernaux.
Ever since Douglas Stuart burst upon the literary scene, I have been a huge fan. He writes exceptionally well. So, I was delighted when an opportunity to interview him for the TOI Bookmark* podcast presented itself. Overjoyed is more like it. John of Johns is an outstanding novel. So, to be able to interview the author immediately after having finished it, is a dream come true. We recorded this episode on 19 May 2026. It is published by Pan Macmillan India.
On 7 Nov 2026, Douglas Stuart made history with Waterstones Scottish Book of the Year win by having won it twice. His latest novel, John of John, has claimed the honour six years after his debut, Shuggie Bain, won the same prize in 2020. Now to discover on Monday 9 nov 2026 if he has achieved the same success with The Booker Prize 2026.
I am not even going to try and explain what the novel is about or analyse it. Read it for yourself. Here is a snippet from our conversation:
“I never believe the idea that people of faith are not human first. We are all human and we are all struggling. Whether it is on a moral scale or just on an idea what is life about and why are we here? So, as to paint the nuance of that is part of the idea why I wanted to write the book to really humanise. The modern world looks at the people of faith as if they are a trope or a cliché or just one type of thing. I think novels are a wonderful way to portray, better than painting a portrait, better than cinema, not only do you have the surface and the aesthetic, but you also have the interiority, the moral layer, the historical layer, the desire, the sexual, you have all of it. You can move in temporal directions that you cannot in other forms of capturing human life.”
Listen to it on Spotify:
It is available on Spotify:
From the book blurb:
Out of money and with little to show for his art school education, John-Calum Macleod takes the ferry home to the island of Harris to find that not much has changed except for him. In the windswept croft where he grew up, Cal resumes his old life, caught between the two poles of his childhood: his father John, a sheep farmer, weaver, and pillar of their local Presbyterian church, and his Glaswegian grandmother Ella, who has kept a faltering peace with her son-in-law for decades.
While Cal wonders if any lonely men might be found on the barren hillsides of home, John is dismayed by his son’s long hair and how he seems unwilling to be Saved. As the seasons pass, everything is poised to change as the threads holding together the fragile community become increasingly entangled.
This is a novel worth reading!
8 Nov 2026
*TOI Bookmark is a weekly podcast on literature and publishing. TOI is an acronym for the Times of India (TOI) which is the world’s largest newspaper and India’s No. 1 digital news platform with over 3 billion page views per month. The TOI website is one of the most visited news sites in the world with 200 million unique monthly visitors and about 1.6 billion monthly page views. TOI is the world’s largest English newspaper with a daily circulation of more than 4 million copies, across many editions, and is read daily by approximately 13.5 million readers. The podcasts are promoted across all TOI platforms. I have recorded more than 214+ sessions with Jnanpith, Padma Bhushan, and Padma Shree awardees, International Booker Prize winners, Booker Prize winners, Women’s Prize for Fiction, Nobel Laureates, Pulitzer Prize, Stella Prize, AutHer Awards, Erasmus Prize, BAFTA, Turing Prize, Magsaysay Prize etc. Sometimes the podcast interviews are carried across all editions of the print paper with a QR code embedded in it.
Some of the authors who have been interviewed are: Yáng Shuāng-zǐ & Lin King, David Szalay, Banu Mushtaq, Deepa Bhashti, Samantha Harvey, Jenny Erpenbeck, Michael Hoffman, Paul Murray, V. V. Ganeshananthan, Hisham Matar, Anita Desai, Amitava Kumar, Hari Kunzro, Venki Ramakishnan, Siddhartha Deb, Elaine Feeney, Manjula Padmanabhan, Edwin Frank, Jonathan Escoffery, Joya Chatterji, Arati Kumar-Rao, Paul Lynch, Dr Kathryn Mannix, Cat Bohannon, Sebastian Barry, Shabnam Minwalla, Paul Harding, Ayobami Adebayo, Pradeep Sebastian, G N Devy, Angela Saini, Manav Kaul, Amitav Ghosh, Viet Thanh Nguyen, Damodar Mauzo, Geetanjali Mishra, William Dalrymple, Sanjoy Roy, Abdulrazak Gurnah, Andrew Miller, Catherine Chidgey, Dr Rachel Clarke, Charlotte Wood, Megha Majumdar, Kiran Desai, Ken Follett, Philippe Sands, Victoria Bateman, Anuradha Roy, Sir Tim Berners-Lee, Danny Rensch, Anne Beate Hovind, Tayari Jones, Lyse Doucet, M. John Harrison, Luke Kennard, and Annie Ernaux.
Lyse Doucet is known worldwide as the Chief International Correspondent and senior presenter for the BBC — radio and television. She is an award-winning journalist and now as debut writer too. She won the Women’s Prize for Nonfiction 2026 for her fabulous book The Finest Hotel in Kabul: A People’s History of Afghanistan.
The Finest Hotel in Kabul is an incredible history of Afghanistan of approximately five decades. As Lyse says that “In my lifetime, Afghanistan has been a kingdom, a republic, an Islamic emirate — these changes tell us a story.” She maps the transformations in society via her profiles of individuals, and yet it is a “polyphonic” narrative nonfiction. She delves into the past, she resurrects influential people like the singer Ahmad Zahir and many others. She covers the length and breadth of society. It is incredibly difficult to distil the book into a few lines except to say that it is an accessible account of a nation that has lived and is living through turbulent times. Philippe Sands has justifiably said that it is “utterly compelling” and Elif Shafak has called it “simply unforgettable”. Lyse has been visiting Kabul since 1988. Her familiarity with the people, the terrain, the intricate politics, the understanding of the histories of the politics, the politicians, the warlords etc comes through with a lot of humility, depth, empathy and the desire to channel her multiple experiences and share it with the world. It is truly worth reading.
A few days ago, I had the honour and privilege to interview Lyse Doucet for the TOI Bookmark* podcast. I will upload the Spotify link to the interview once it is available. She is an extremely busy journalist but had the grace to make time for us to record an episode of the podcast. More so, when she is no longer promoting her book or recording any podcasts.
7 Nov 2026
*TOI Bookmark is a weekly podcast on literature and publishing. TOI is an acronym for the Times of India (TOI) which is the world’s largest newspaper and India’s No. 1 digital news platform with over 3 billion page views per month. The TOI website is one of the most visited news sites in the world with 200 million unique monthly visitors and about 1.6 billion monthly page views. TOI is the world’s largest English newspaper with a daily circulation of more than 4 million copies, across many editions, and is read daily by approximately 13.5 million readers. The podcasts are promoted across all TOI platforms. I have recorded more than 214+ sessions with Jnanpith, Padma Bhushan, and Padma Shree awardees, International Booker Prize winners, Booker Prize winners, Women’s Prize for Fiction, Nobel Laureates, Pulitzer Prize, Stella Prize, AutHer Awards, Erasmus Prize, BAFTA, Turing Prize, Magsaysay Prize etc. Sometimes the podcast interviews are carried across all editions of the print paper with a QR code embedded in it.
Some of the authors who have been interviewed are: Yáng Shuāng-zǐ & Lin King, David Szalay, Banu Mushtaq, Deepa Bhashti, Samantha Harvey, Jenny Erpenbeck, Michael Hoffman, Paul Murray, V. V. Ganeshananthan, Hisham Matar, Anita Desai, Amitava Kumar, Hari Kunzro, Venki Ramakishnan, Siddhartha Deb, Elaine Feeney, Manjula Padmanabhan, Edwin Frank, Jonathan Escoffery, Joya Chatterji, Arati Kumar-Rao, Paul Lynch, Dr Kathryn Mannix, Cat Bohannon, Sebastian Barry, Shabnam Minwalla, Paul Harding, Ayobami Adebayo, Pradeep Sebastian, G N Devy, Angela Saini, Manav Kaul, Amitav Ghosh, Viet Thanh Nguyen, Damodar Mauzo, Geetanjali Mishra, William Dalrymple, Sanjoy Roy, Abdulrazak Gurnah, Andrew Miller, Catherine Chidgey, Dr Rachel Clarke, Charlotte Wood, Megha Majumdar, Kiran Desai, Ken Follett, Philippe Sands, Victoria Bateman, Anuradha Roy, Sir Tim Berners-Lee, Danny Rensch, Anne Beate Hovind, Tayari Jones, Lyse Doucet, M. John Harrison, Luke Kennard, and Annie Ernaux.
The charity behind two of the world’s most significant literary prizes announces new £50,000 award for children’s fiction supported by AKO Foundation.
The UK’s Children’s Laureate Frank Cottrell-Boyce to be inaugural Chair of judges for 2027
The Children’s Booker Prize winner will be selected by a combined panel of child and adult judges
At least 30,000 copies of the shortlisted and winning books will be gifted to ensure more children can own and read the world’s best fiction
Former Booker Prize and Carnegie Medal-winning author Penelope Lively will give the keynote speech at the Booker Prize 2025 ceremony to celebrate the new prize
Watch the Children’s Booker Prize teaser video here
The Booker Prize Foundation today (Friday, 24 October 2025) announces the Children’s Booker Prize supported by AKO Foundation, the first prize for children’s fiction from the charity that awards the prestigious Booker Prize and International Booker Prize.
The Booker Prizes have rewarded and celebrated world-class talent for over 55 years, helping to shape the canon of 20th and 21st century literature, transforming the careers of writers and building a global community of readers. Today’s announcement marks the first major new prize from the Foundation in two decades, since the launch of the International Booker Prize in 2005.
The Children’s Booker Prize, which will launch in 2026 and be awarded annually from 2027, will celebrate the best contemporary fiction for children aged eight to 12 years old, written in or translated into English and published in the UK and/or Ireland. The aim of the prize is to engage and grow a new generation of readers by recognising and championing the best children’s fiction from writers around the world. Their nominated works will join almost 700 books in the Booker library.
The founding partner and principal funder of the Children’s Booker Prize is AKO Foundation, a grant-giving charitable foundation focused on supporting charities that improve education and the wellbeing of young people, promote the arts, and combat the climate emergency. AKO Foundation has generously committed to supporting the prize for its first three years. The development of the prize over the last three years has been made possible with thanks to donations from a small group of philanthropic supporters.
Gaby Wood, Chief Executive of the Booker Prize Foundation, says:
‘The Children’s Booker Prize is the most ambitious endeavour we’ve embarked on in 20 years – and we hope its impact will resonate for decades to come. It aims to be several things at once: an award that will champion future classics written for children; a social intervention designed to inspire more young people to read; and a seed from which we hope future generations of lifelong readers will grow.
‘In other words, the Children’s Booker Prize is not just a prize – it’s part of a movement: a cause that children, parents, carers, teachers and everyone in the world of storytelling can get behind.
‘We have been laying the groundwork for this prize for the past three years, and in that time we have been buoyed by many fruitful conversations with prospective partners: we could not do this alone. And we absolutely could not have launched it without the generosity of its founding partner and principal funder, AKO Foundation, to whom we are enormously grateful.
‘We’re delighted that Frank Cottrell-Boyce, master storyteller and passionate advocate, will be the inaugural Chair of the judges. And we can’t wait to hear the views of the ultimate judges of the quality of children’s fiction: children themselves.
‘The Booker Prize Foundation exists to inspire more people to read the world’s best fiction – because if you can imagine a different world, you can help to create a better one. The possibility of welcoming young readers into our growing global community is hugely exciting. We hope they discover stories and characters that will keep them company for life.’
Gaby Wood, Chief Executive of Booker Prize Foundation at the Booker Prize 2024 shortlist announcement at Somerset House’s Portico Rooms, London.
Philip Lawford, Chief Executive Officer, AKO Foundation says:
‘We are very pleased to support the Booker Prize Foundation in launching the Children’s Booker Prize. At AKO Foundation we believe strongly in the importance of nurturing a love of reading from an early age. The evidence linking reading for pleasure to improved educational outcomes and greater social mobility is compelling, and this initiative aligns closely with our priorities as a funder. We are proud to contribute to a project that will inspire and empower young readers.’
The multi-award-winning children’s book author and screenwriter Frank Cottrell-Boyce, who is the current Waterstones Children’s Laureate, will become the inaugural Chair of judges for the prize. Uniquely, the prize will be judged by a mixed panel of adult and child judges. Cottrell-Boyce and two other adult judges will select a shortlist of eight books. Three child judges will be recruited – with the support of schools and a range of partners across the culture and entertainment industries – to join the adults in choosing the winning book. The process will give children a direct voice in the outcome, ensuring the book is recommended by young readers to their peers.
Frank Cottrell-Boyce, Waterstones Children’s Laureate 2024-2026 and Chair of judges for the Children’s Booker Prize 2027, says:
‘Stories belong to everyone. Every child deserves the chance to experience the happiness that diving into a great book can bring. The Children’s Booker Prize will make it easier for children to find the best that current fiction can offer. To find the book that speaks to them. By inviting them to the judging table and by gifting copies of the nominated books it will bring thousands more children into the wonderful world of reading.
‘I am absolutely buzzing about the news that I’m going to be chairing the judging panel. It’s going to be – as they say – absolute scenes in there. Let the yelling commence.’
To mark the announcement of the Children’s Booker Prize, the Foundation has created a teaser video featuring children reading from a range of Booker Prize-winning classics, which can be watched here. The much-loved author Penelope Lively will give the keynote speech at this year’s Booker Prize ceremony on Monday, 10 November 2025 at Old Billingsgate, London sharing the reasons she thinks that children’s literature should be celebrated by this new prize. Lively is the only recipient of both the Booker Prize (for Moon Tiger, 1987) and the Carnegie Medal for writing, the UK’s longest-running children’s book award (for The Ghost of Thomas Kempe, 1973). Welcoming the announcement of the Children’s Booker Prize, she says: ‘Those who write for children especially need this – and it is needed equally for the children who read the books.’
The inaugural prize will open for submissions from publishers in spring 2026, when the remaining two adult judges will be made public. The shortlist of eight books – and the three child judges – will be announced in late November 2026, with the winner revealed at a high-profile event for young readers in February 2027. The eligibility period for the 2027 prize is 1 November 2025 to 31 October 2026.
Putting children’s books at the centre of our culture
The prize is being launched to inspire more children to discover and read great contemporary fiction and will tackle the challenge in a number of ways.
These include:
consulting with children to inform the ongoing development of the prize
involving children directly in judging so that the winning book is a peer-to-peer recommendation, underpinned by the quality stamp of the Booker Prizes’ rigorous selection process
collaborating with experienced organisations including publishers, schools, libraries, and bookshops
ensuring that more young people have access to the best new children’s fiction through targeted gifting of the shortlisted and winning books, delivered by a range of partners
partnering with brands that children love, creating effective campaigns to engage them outside of traditional book and educational spaces
and tracking trends in children’s reading for pleasure to measure impact and keep the prize relevant.
Delivering the Children’s Booker Prize with partners
The Booker Prize Foundation will be working with publishers and a range of partners, including the National Literary Trust, The Reading Agency, Bookbanks, and the Children’s Book Project to gift and deliver at least 30,000 copies of the shortlisted and winning books each year to children that need them the most.
The Foundation is working with Beano Brain, specialists in kids and youth insight, consulting children on the development of the Children’s Booker Prize, which will include regular co-creation sessions with eight to 12 year-olds. It will also be working with the National Literacy Trust to measure longer term trends in children’s reading.
Industry support for the Children’s Booker Prize
News of the Children’s Booker Prize has been met with enthusiasm from key figures across the books world, including a range of children’s authors and illustrators who have held the position of Waterstones Children’s Laureate, as well as the Publishers Association, the Booksellers Association and Waterstones.
Joseph Coelho, Children’s Laureate 2022-2024, says:
‘I’m incredibly excited by the announcement of the Children’s Booker Prize. This is a brilliant way to invite children into the world of words through a celebration of books, authors and illustrators. I fully welcome a robust prize that celebrates children’s literature in a manner equal to that which adult literature receives and one that makes essential space for the voice of the child.’
‘I am hugely excited about the launch of the Children’s Booker Prize. Children are the toughest critics out there, so literature for children has to be created with the greatest expertise. It has to be exciting, adventurous, funny and wise. And the stakes are the highest they’ve ever been, because children have more competition for their time than ever before: children’s authors and illustrators are fighting for the survival of a medium. Thank you to the Booker for acknowledging that they’re doing this with world-class creativity, and for supporting us all in our quest to get all children reading for enjoyment.’
Chris Riddell, Children’s Laureate 2015-2017, says:
‘It is great news that the prestigious Booker Prizes will honour a children’s book. The books we read as children stay with us and shape our future tastes in literature. It is exciting that the Children’s Booker Prize will consider the children’s books it chooses holistically – not only for the excellence of their prose and storytelling but the beauty of their design and illustration.’
‘The Children’s Booker Prize is a timely and very welcome addition to the children’s book world. Fundamental to the appeal of the prize is the fact that children are integral to the judging process. Children are an honest, discerning audience who deserve the very best stories and this award will highlight and celebrate the literary excellence to which they are entitled.’
‘It’s a marvellous idea to have a Children’s Booker Prize. Now, more than ever, children’s books need a huge boost. It’s so dismaying that only 30% of today’s children enjoy reading for pleasure – and yet there are so many exciting and enjoyable children’s books out there, many sinking without trace. I think a Children’s Booker Prize, like the Booker Prizes for adult fiction, will become a talking point, signposting more children, parents, carers and teachers to the best new children’s literature. The prize will also be a level playing ground, so that new sparkling talented writers will have the same chance of winning the sizeable prize as well as long-established authors. Three cheers for such an exciting project!’
Michael Morpurgo, Children’s Laureate 2003-2005, says:
‘A Booker for children! Great news for children and books! And it comes at a moment when there is much anxiety about the enjoyment of reading amongst our young. A Booker Prize for children will stimulate interest and excitement in books amongst children and amongst grownup children too, shining a light on great writing for children, and crucially, bringing more children to a love of reading, which is such a critical pathway to knowledge and understanding. A truly welcome innovation for all of us, young and old alike. Bravo the Booker!’
Anne Fine, Children’s Laureate 2001-2003, says:
‘When it comes to book prizes we all say, The More The Merrier, and especially when it comes to writing for children, which has all too often been the overlooked Cinderella of the book world.’
Bea Carvalho, Head of Books at Waterstones, says:
‘The Booker Prizes provide us with two of the most prestigious and impactful moments in the bookselling calendar, reliably creating bestsellers and setting the literary tone for the year ahead. At a time when children’s reading for pleasure is so vital, when we should all be doing everything we can to help spark and maintain a love of books amongst the younger population, it is a huge joy that the Booker Prizes are adding a prize for young readers to their roster. Children’s authors deserve to be celebrated and this prize will be a gamechanger for any writers who are elevated by its shortlists. Everyone at Waterstones will look forward to championing the Children’s Booker Prize, and to working closely with the Booker Prize Foundation on reaching young readers everywhere.’
Fleur Sinclair, President of the Booksellers Association for the UK & Ireland and owner of Sevenoaks Bookshop, says:
‘I’m 100% here for anything that shines a light on the joy, wonder and delight of children’s books! We all have nostalgic favourites from our own childhoods, but I’m especially delighted to have a brilliant new platform for children’s authors writing right now, and their newly published books. The Booker Prize has a long legacy of championing noteworthy books for adult readers, so I’m excited to see whole families, the older members and soon the young as well, coming together to read and celebrate great new books uplifted by the Booker Prize spotlight.’
Dan Conway, CEO of the Publishers Association, says:
‘The decline in children’s reading for enjoyment is a tragedy and we should all be doing our best to turn that trend around. Going into the National Year of Reading in 2026, it is so important that authors, publishers, booksellers, prizes, reading charities and all those invested in solving this societal issue support and reinforce each other for the greatest impact possible. The fact that the Booker has stepped up to the plate with the launch of the Children’s Booker Prize is hugely exciting. A high-profile award for children’s fiction is a great opportunity to showcase some of the brilliant books available for children and it could not be launching at a more important time.’
The impact of the existing Booker Prizes
The Booker Prize, first awarded in 1969, is the leading literary award in the English-speaking world, and has brought recognition, reward and readership to outstanding fiction for over five decades.
The 2024 winner Orbital by Samantha Harvey sold over 20,000 print copies in the UK in the week following its win on 12 November 2024, making it the fastest selling winner of the Booker Prize since records began. It was the bestselling title in the UK that week, topping the Audible audio and Amazon physical and eBook charts. Sales through Waterstones were more than double the volume of each of the last decade’s winners, up 3,000% the day after the announcement.
The UK publisher of Orbital, Vintage, reprinted 250,000 copies in response to the sales demand following its Booker Prize win and it remained top of the mass market fiction chart for eight consecutive weeks. Total sales of Vintage’s edition of Orbital across all formats and including its export markets and exclusive territories (South Africa, Australia, New Zealand and India) are now almost 750,000. That includes 357,000 copies of the hardback and paperback editions sold in the UK, up 3,867% since the book’s longlisting. Translation rights deals increased from eight before Orbital’s longlisting to a current total of 44 territories.
The International Booker Prize, the world’s most influential award for translated fiction, continues to build in global importance each year. The winners can expect a worldwide readership and a significant increase in profile and sales, including in the author’s home country.
The announcement of the 2025 winner, Heart Lamp, written by Banu Mushtaq and translated by Deepa Bhasthi – the first collection of short stories to win the prize and the first translated from Kannada – was reported in over 1,826 news stories across 60 countries around the world in the week after its win and the winners’ speech had over 26 million views online. The book rapidly sold out in the UK in the subsequent days, with the UK publisher And Other Stories immediately reprinting 40,000 copies.
According to And Other Stories, sales of the paperback have increased by 351% since it won the International Booker Prize 2025. Prior to the winner announcement in May 2025, it had sold 5,100 copies in the UK; since, it has sold over 23,000 copies. Prior to its longlisting, translation rights to Heart Lamp had been sold in eight languages, including seven Indian subcontinent languages with a further two English rights sales (in addition to the UK, US and India); that has now increased to an additional 13 languages, including five new Indian subcontinent languages.
The prize has helped to drive a boom in translated fiction in the UK: according to the Bookseller, sales have doubled since the International Booker Prize launched in its current form nine years ago, with ‘roughly £1 in every £8 spent through NielsenIQ BookScan’s Fiction category over the past year … on a translated title’. This is largely down to younger readers, with almost half of translated fiction in the UK bought by under-35s. The prize’s influence also extends to other awards, with five authors – Han Kang, Jon Fosse, Annie Ernaux, Olga Tokarczuk, and László Krasznahorkai – recognised by the International Booker Prize going on to win the Nobel Prize in Literature.
Nominated works for the Children’s Booker Prize could also enter into a tradition of Booker Prizes adaptations. More than 74 books that have been longlisted or shortlisted for the Booker or International Booker Prize have been adapted for the big or small screen over the years, with several going on to win Oscars, BAFTAS and Emmys. They range from The Remains of the Day to Atonement, Normal People to The Handmaid’s Tale, Wolf Hall to Life of Pi, True History of the Kelly Gang to The Line of Beauty, The Underground Railroad to Small Things Like These, Hurricane Season to Elena Knows, and in the last year, The Narrow Road to the Deep North, Harvest, and Hot Milk.
Frank Cottrell-Boyce is a multi award-winning author, screenwriter and the Waterstones Children’s Laureate 2024-2026 (managed by BookTrust). Millions, his debut children’s novel, won the prestigious Carnegie Medal. His other books include Cosmic, Runaway Robot, The Wonder Brothers and many more which have been shortlisted for a multitude of prizes. Frank is also a highly successful screenwriter and along with Danny Boyle, he devised the Opening Ceremony for the London 2012 Olympics. Frank is a lifelong champion of children’s books. In 2023 he launched a successful podcast with Nadia Shireen, The Island of Brilliant!, celebrating writing and illustration for children of all ages.
The Booker Prizes exist to celebrate the world’s best fiction. The symmetrical relationship between the Booker Prize and the International Booker Prize ensures that the Booker honours fiction on a global basis: outstanding fiction is highlighted by the prizes for English-speaking readers, whether that work was originally written in English (the Booker Prize) or translated into English (the International Booker Prize). The addition of the Children’s Booker Prize, supported by AKO Foundation, which recognises the world’s best fiction for children – both originally written in English and translated into English – means that readers can now see the Booker Prizes as a partner for life.
AKO Foundation, based in London, was established in 2013 by Nicolai Tangen, a native Norwegian who had previously founded AKO Capital, an investment business. The Foundation makes charitable grants towards causes which improve education, promote the arts, and combat climate change.
The Booker Prize is the world’s most significant award for a single work of fiction. This year’s judges are chaired by critically acclaimed writer and 1993 Booker Prize winner Roddy Doyle. Doyle, who is the first Booker Prize winner to chair a Booker judging panel, is joined by Booker Prize-longlisted novelist Ayọ̀bámi Adébáyọ̀; award-winning actor, producer and publisher Sarah Jessica Parker; writer, broadcaster and literary critic Chris Power; and New York Times bestselling and Booker Prize-longlisted author Kiley Reid. They are looking for the best work of long-form fiction by writers of any nationality, written in English and published in the UK and/or Ireland between 1 October 2024 and 30 September 2025. Find out about the Booker Prize 2025 shortlist at the thebookerprizes.comhere.
The International Booker Prize began life in 2005 as a biennial prize in recognition of an author’s overall contribution to world literature, with no stipulation that their body of work should be written in a language other than English. The winners of the prize in this format were Ismail Kadare, Chinua Achebe, Alice Munro, Philip Roth, Lydia Davis and László Krasznahorkai.
In 2015, after the rules of the original Booker Prize expanded to allow writers of any nationality to enter – as long as their books were written in English and published in the UK and/or Ireland – the International Booker Prize evolved to become the mirror image of the English-language prize. Since then, it has been awarded annually for a work of fiction, written in another language and translated into English. Winning author and translators have included Han Kang and Deborah Smith, Olga Tokarczuk and Jennifer Croft, and David Diop and Anna Moschovakis, among many others. The shortlist also brings great acclaim and global recognition to authors, often serving as a talent pool for lifetime achievement awards. The past four winners of the Nobel Prize in Literature were recognised by the International Booker Prize first.
The judges for the International Booker Prize 2026 are chaired by critically acclaimed Booker Prize 2025 longlisted-author Natasha Brown, one of Granta’sBest of Young British Novelists. Brown is joined on the judging panel by: writer, broadcaster and Oxford University Professor of Mathematics and for the Public Understanding of Science Marcus du Sautoy; International Booker Prize-shortlisted translator Sophie Hughes; writer, Lolwe editor and bookshop owner Troy Onyango; and award-winning novelist and columnist Nilanjana S. Roy.
This year’s judges are looking for the best works of long-form fiction or collections of short stories translated into English and published in the UK and/or Ireland between 1 May 2025 and 30 April 2026. A longlist of 12 or 13 books will be announced on Tuesday, 24 February 2026, with a shortlist of six books to follow on Tuesday, 31 March 2026. The winning book will be announced at a ceremony in May 2026.
Since 2020, the Booker Prizes has undergone a digital transformation, building an in-house digital team and developing a strategy to expand the reach and appeal of the prizes far beyond traditional audiences, and create a wealth of content optimised for social media.
The website, thebookerprizes.com – supported by Instagram, TikTok, Facebook and Bluesky accounts, as well as a YouTube channel and a Substack newsletter – is a unique online space which showcases the almost-700 exceptional books that have won – or been longlisted or shortlisted for – the Booker Prize and International Booker Prize. The website aims to be an entertaining and illuminating content destination that combines practical information about the prizes past and present with fresh and original features to bring the books and their authors to life, including an ongoing Monthly Spotlight series, encouraging readers new and old to visit and revisit titles in the ‘Booker Library’. The website’s average monthly active users have risen by 310% since 2022.
Since 2020, the total number of social followers across all Booker Prizes platforms has risen by 571%, with annual social video views increasing by over 23,000% over the same period. Newsletter subscribers have risen by 1,320% since 2020.
The Booker Prize Book Club is a dedicated online community with over 28,000 members from all over the world, who come together to find out more about and discuss the year’s nominated titles, as well as the almost 700 titles in the Booker Library.
The Booker Prize Foundation is a registered charity (no 1090049) established in 2002. Its purpose is to inspire people to read the world’s best fiction, driven by a simple belief – that great fiction not only brings joy to millions, it has the power to change the way we think about the world. It is responsible for awarding the Booker Prize and the International Booker Prize. Other aspects of the Foundation’s work include the funding of Braille and audio editions of Booker Prize books through the RNIB, the annual UEA Booker Prize Foundation Scholarship, PEN Presents x the International Booker Prize, which supports and funds translators from the Global Majority, and Books Unlocked, a long-standing reading initiative in prisons. In 2023, the award-winning singer-songwriter Dua Lipa visited HMP Downview to join a Books Unlocked reading group.
Crankstart, a charitable foundation, is the exclusive funder of the Booker Prize and the International Booker Prize.
Booker Group Ltd, which sponsored the prize from 1969 to 2001, is the UK’s leading food and drink wholesaler. The Booker Prizes license their name from Booker Ltd, and Helen Williams, a representative from Booker, sits on the Advisory Committee.
Nepali writer Weena Pun’s writings have appeared in Himal Southasian, the Kathmandu Post, The Record, “House of Snow: An Anthology of the Greatest Writing About Nepal”, and elsewhere. She is a graduate of Stanford University and the MFA Program in Creative Writing at Cornell University. Her debut novel “Kanchhi” is published by Hachette India.
It was a pleasure speaking with Weena Pun on TOI Bookmark.
Here is a snippet of our conversation:
“…it was not easy. It took me a lot of drafts to make it seem like the scenes wrote themselves. Language was a problem. If I had to write a dialect, I would write it in Nepali first in longhand, then I would later translate it and then go back and edit it to ensure that they flowed well. “
Spotify link is given below.
Book blurb
In the misty foothills of Torikhola, Kanchhi, the only child of her mother, Maiju, refuses to play by the stifling rules of her hamlet. She befriends boys, writes letters to them, and opposes the shame imposed on her swelling ambitions and curiosity. There is a life beyond the forlorn valleys and gorges, and Kanchhi is intrigued by the possibilities. One cold November morning she leaves home – with two bags and some millet bread Maiju prepares for her. That, however, is the last anybody sees of her.
Now, a decade after Kanchhi’s puzzling disappearance, echoes of her defiance grow thin. Life has moved on. For one, the civil war has arrived at the hamlet’s doorstep. And yet, much has remained still. Maiju lights a lamp in front of the gods and feverishly prays for her daughter’s return. And the villagers, uncertain of what befell Kanchhi, continue to debate. Did she run off, chasing the highs and lights of the big city? Or did the cruelties of the ongoing civil war engulf her whole?
In this impressively sure-footed debut, Weena Pun brings to life the political and social tremors stirring the valleys of Nepal at the turn of the millennium, as well as the tenacious, tragedy-riven women of the time. A delicate and finely wrought saga, Kanchhi is an intimate exploration of vulnerable girlhood in turbulent territories.
***
TOI Bookmark is a weekly podcast on literature and publishing. TOI is an acronym for the Times of India (TOI) which is the world’s largest newspaper and India’s No. 1 digital news platform with over 3 billion page views per month. The TOI website is one of the most visited news sites in the world with 200 million unique monthly visitors and about 1.6 billion monthly page views. TOI is the world’s largest English newspaper with a daily circulation of more than 4 million copies, across many editions, and is read daily by approximately 13.5 million readers. The podcasts are promoted across all TOI platforms. I have recorded more than 145+ sessions with Jnanpith, Padma Bhushan, and Padma Shree awardees, International Booker Prize winners, Booker Prize winners, Women’s Prize for Fiction, Nobel Laureates, Pulitzer Prize, Stella Prize, AutHer Awards, Erasmus Prize, BAFTA etc.
Some of the authors who have been interviewed are: Banu Mushtaq, Deepa Bhashti, Samantha Harvey, Jenny Erpenbeck, Michael Hoffman, Paul Murray, V. V. Ganeshananthan, Hisham Matar, Anita Desai, Amitava Kumar, Hari Kunzro, Venki Ramakishnan, Siddhartha Deb, Elaine Feeney, Manjula Padmanabhan, Edwin Frank, Jonathan Escoffery, Joya Chatterji, Arati Kumar-Rao, Paul Lynch, Dr Kathryn Mannix, Cat Bohannon, Sebastian Barry, Shabnam Minwalla, Paul Harding, Ayobami Adebayo, Pradeep Sebastian, G N Devy, Angela Saini, Manav Kaul, Amitav Ghosh, Damodar Mauzo, Boria Majumdar, Geetanjali Mishra, William Dalrymple, Abdulrazak Gurnah, Andrew Miller, Dr Rachel Clarke, and Annie Ernaux.
Kavitha Rao is a London-based author and journalist. Her work has appeared in the Guardian, New York Times, South China Morning Post, Mint, The Hindu and various other publications. She is the bestselling author of Lady Doctors. Spies, Lies and Allies is her latest books and is published by Westland Books.
We spoke on TOI Bookmark regarding her Spies, Lies and Allies. Here is a snippet:
Well, you just sink yourself in it. I mean when you are writing historical fiction this book is curious because as you pointed out, it has won a couple of prizes for historical fiction and both those prizes have a rule which is that it has got to be set sixty years before the date of publication. So, we were just kind of over a line. I don’t claim to be an expert, there is a lot of smoke and mirror involved, you try to get a feel and a sense of what it might have been. So yes it is research, reading, and the kind of stuff a scholar might recognise, but we are not scholars.
TOI Bookmark is a weekly podcast on literature and publishing. TOI is an acronym for the Times of India (TOI) which is the world’s largest newspaper and India’s No. 1 digital news platform with over 3 billion page views per month. The TOI website is one of the most visited news sites in the world with 200 million unique monthly visitors and about 1.6 billion monthly page views. TOI is the world’s largest English newspaper with a daily circulation of more than 4 million copies, across many editions, and is read daily by approximately 13.5 million readers. The podcasts are promoted across all TOI platforms. I have recorded more than 145+ sessions with Jnanpith, Padma Bhushan, and Padma Shree awardees, International Booker Prize winners, Booker Prize winners, Women’s Prize for Fiction, Nobel Laureates, Pulitzer Prize, Stella Prize, AutHer Awards, Erasmus Prize, BAFTA etc. Sometimes the podcast interviews are carried across all editions of the print paper with a QR code embedded in it.
Some of the authors who have been interviewed are: Banu Mushtaq, Deepa Bhashti, Samantha Harvey, Jenny Erpenbeck, Michael Hoffman, Paul Murray, V. V. Ganeshananthan, Hisham Matar, Anita Desai, Amitava Kumar, Hari Kunzro, Venki Ramakishnan, Siddhartha Deb, Elaine Feeney, Manjula Padmanabhan, NYRB Classics editor and founder Edwin Frank, Jonathan Escoffery, Joya Chatterji, Arati Kumar-Rao, Paul Lynch, Dr Kathryn Mannix, Cat Bohannon, Sebastian Barry, Shabnam Minwalla, Paul Harding, Ayobami Adebayo, Pradeep Sebastian, G N Devy, Angela Saini, Manav Kaul, Amitav Ghosh, Damodar Mauzo, Boria Majumdar, Geetanjali Mishra, William Dalrymple, Abdulrazak Gurnah, Dr Rachel Clarke, Charlotte Wood, Catherine Chidgey, Andrew Miller, Sam Dalrymple, and Annie Ernaux.
Andrew Miller is longlisted for The Booker Prize 2025. His novel, “The Land in Winter”, is a gorgeous historical fiction set in the terrible winter of 1962/63. It has already won the Walter Scott Prize for Historical Fiction 2025 and Winston Graham Historical Prize 2025.
I have always enjoyed reading his novels. So, it was a privilege to converse with him. A freewheeling conversation about historical fiction and writing.
Here is a snippet:
“Well, you just sink yourself in it. I mean when you are writing historical fiction this book is curious because as you pointed out, it has won a couple of prizes for historical fiction and both those prizes have a rule which is that it has got to be set sixty years before the date of publication. So, we were just kind of over a line. I don’t claim to be an expert, there is a lot of smoke and mirror involved, you try to get a feel and a sense of what it might have been. So yes it is research, reading, and the kind of stuff a scholar might recognise, but we are not scholars.”
We recorded this TOI Bookmark episode a few days before his longlisting for The Booker Prize was announced.
TOI Bookmark is a weekly podcast on literature and publishing. TOI is an acronym for the Times of India (TOI) which is the world’s largest newspaper and India’s No. 1 digital news platform with over 3 billion page views per month. The TOI website is one of the most visited news sites in the world with 200 million unique monthly visitors and about 1.6 billion monthly page views. TOI is the world’s largest English newspaper with a daily circulation of more than 4 million copies, across many editions, and is read daily by approximately 13.5 million readers. The podcasts are promoted across all TOI platforms. I have recorded more than 142+ sessions with Jnanpith, Padma Bhushan, and Padma Shree awardees, International Booker Prize winners, Booker Prize winners, Women’s Prize for Fiction, Nobel Laureates, Pulitzer Prize, Stella Prize, AutHer Awards, Erasmus Prize, BAFTA etc. Sometimes the podcast interviews are carried across all editions of the print paper with a QR code embedded in it.
Some of the authors who have been interviewed are: Banu Mushtaq, Deepa Bhashti, Samantha Harvey, Jenny Erpenbeck, Michael Hoffman, Paul Murray, V. V. Ganeshananthan, Hisham Matar, Anita Desai, Amitava Kumar, Hari Kunzro, Venki Ramakishnan, Siddhartha Deb, Elaine Feeney, Manjula Padmanabhan, NYRB Classics editor and founder Edwin Frank, Jonathan Escoffery, Joya Chatterji, Arati Kumar-Rao, Paul Lynch, Dr Kathryn Mannix, Cat Bohannon, Sebastian Barry, Shabnam Minwalla, Paul Harding, Ayobami Adebayo, Pradeep Sebastian, G N Devy, Angela Saini, Manav Kaul, Amitav Ghosh, Damodar Mauzo, Boria Majumdar, Geetanjali Mishra, William Dalrymple, Abdulrazak Gurnah, Dr Rachel Clark, Charlotte Wood, Catherine Chidgey, Andrew Miller, Sam Dalrymple, and Annie Ernaux.
A history of modern South Asia told through five partitions that reshaped it.
As recently as 1928, a vast swathe of Asia–India, Pakistan, Bangladesh, Burma, Nepal, Bhutan, Yemen, Oman, the UAE, Qatar, Bahrain and Kuwait–were bound together under a single imperial banner, an entity known officially as the ‘Indian Empire’, or more simply as the Raj.
It was the British Empire’s crown jewel, a vast dominion stretching from the Red Sea to the jungles of Southeast Asia, home to a quarter of the world’s population and encompassing the largest Hindu, Muslim, Sikh and Zoroastrian communities on the planet. Its people used the Indian rupee, were issued passports stamped ‘Indian Empire’, and were guarded by armies garrisoned forts from the Bab el-Mandab to the Himalayas.
And then, in the space of just fifty years, the Indian Empire shattered. Five partitions tore it apart, carving out new nations, redrawing maps, and leaving behind a legacy of war, exile and division.
Shattered Lands, for the first time, presents the whole story of how the Indian Empire was unmade. How a single, sprawling dominion became twelve modern nations. How maps were redrawn in boardrooms and on battlefields, by politicians in London and revolutionaries in Delhi, by kings in remote palaces and soldiers in trenches.
Its legacies include civil wars in Burma and Sri Lanka, ongoing insurgencies in Kashmir, Baluchistan, Northeast India, and the Rohingya genocide. It is a history of ambition and betrayal, of forgotten wars and unlikely alliances, of borders carved with ink and fire. And, above all, it is the story of how the map of modern Asia was made.
Sam Dalrymple’s book is based on research that includes previously untranslated private memoirs, and interviews in English, Hindi, Urdu, Bengali, Punjabi, Konyak, Arabic and Burmese. From portraits of the key political players to accounts of those swept up in these wars and mass migrations, including common people, Shattered Lands is an attempt to revisit a pivotal moment in the Indian subcontinent’s history. Ideally it should be remembered as a moment of independence from the British colonial power but increasingly, particularly, post-1984*, it is remembered as “Partition”. Whichever way it is seen, the fact remains that this is a time that has had a massive impact on the nations it spawned. If modern generations remembered it as a moment of independence, then the hope, joy and being self-reliant would be a legacy. Constantly remembering it as a moment of partition ( a truth understandably), continues to stoke the mills of hatred, othering, and communalism, across generations, instilling prejudices that are inherited but are now manifesting themselves in a monstrously virulent form. The judicious choice of words, particularly when put on paper, and how we choose to remember has a long term impact and should be selected with care. Nevertheless, Shattered Lands : Five Partitions and the Making of Modern Asia is a must read. It is published by HarperCollins India.
I interviewed him for TOI Bookmark**. There is always so much to learn from these conversations that we record for TOI Bookmark. Sam Dalrymple is a new voice that has burst upon the scene with his debut non-fiction Shattered Lands: : Five Partitions and the Making of Modern Asia. It is published by HarperCollins India. In less than a month of its release on 19 June 2025, it has created a stir globally.
This was the first audio podcast that Sam Dalrymple recorded for his book. We had a freewheeling conversation about his book, his research methodology and the early reception to his book.
Here is a snippet from the conversation:
So, the story I wanted to tell is the story of how 100 years ago today India encompassed not just India and Pakistan as we know today but also encompassed twelve nation states. You have got Yemen, Oman, the UAE, Bahrain, Qatar, Kuwait, India, Pakistan, Bangladesh, Nepal, Bhutan, and Myanmar. And the idea that this was just the whole of India for British administered purposes. You have very real consequences of all these people being given Indian passports and invited into the Indian Army etc. Such that in the 1920s, you have many Burmese politicians are Indian nationalists, as are Yemeni politicians. You have Yemenis considering themselves as Indians which is a thing that we have completely forgotten.
Here is the episode of TOI Bookmark on Spotify:
Sam Dalrymple is a Delhi-raised Scottish historian, film-maker and multimedia producer. He graduated from Oxford University as a Persian and Sanskrit scholar. In 2018, he co-founded Project Dastaan, a peace-building initiative that reconnects refugees displaced by the 1947 Partition of India. His debut film, Child of Empire, premiered at the Sundance Film Festival in 2022 and his animated series, Lost Migrations, sold out at the British Film Institute the same year. His work has been published in the New York Times, Spectator and featured in TIME, The New Yorker and The Economist. He is a columnist for Architectural Digest and, in 2025, Travel & Leisure named him ‘Champion of the Travel Narrative’. Shattered Lands is his first book.
16 July 2025
*1984 is a significant year in modern Indian history as on 31 Oct 1984, the then prime minister, Indira Gandhi was shot dead by her security guards. It resulted in the worst communal riots that many parts of the country, especially the capital Delhi had witnessed. Many Sikhs were killed. The violence was unimaginable. The flag marches. The silence. The pieces of burnt paper fluttering down quietly on to roof tops and terraces while one could hear mobs on the rampage in the distance. Everywhere that one looked, there was only smoke spiralling upwards to be seen. It was a mere thirty-seven years after Indian independence achieved on 15 August 1947. So, there were still many living who remembered the events of 1947. Coincidentally, at this time, the state television, Doordarshan, broadcast the TV adapatation of Bhisham Sahni’s classic Tamas. The concatenation of events was ghastly. At the time, in the camps set up for the victims fleeing the mobs or whose homes and families had been destroyed in the violence, suddenly memories of the trauma of partition came out. These were recorded by many, many organisations and individuals. It was very new. It was being documented for the first time. It made sense to do so. Probably no one realised the long term consequences of entrapping history to a word and the way it should be viewed in one sense at the cost of another instead of as a balanced perspective. Now, 1947 is mostly remembered as “Partition” and not “Independence”. Sad, but true.
** TOI Bookmark is a weekly podcast on literature and publishing. TOI is an acronym for the Times of India (TOI) which is the world’s largest newspaper and India’s No. 1 digital news platform with over 3 billion page views per month. The TOI website is one of the most visited news sites in the world with 200 million unique monthly visitors and about 1.6 billion monthly page views. TOI is the world’s largest English newspaper with a daily circulation of more than 4 million copies, across many editions, and is read daily by approximately 13.5 million readers. The podcasts are promoted across all TOI platforms. Till date, I have recorded more than 138+ sessions with Jnanpith, Padma Bhushan, and Padma Shree awardees, International Booker Prize winners, Booker Prize winners, Women’s Prize for Fiction and Non-fiction, Nobel Laureates, Pulitzer Prize, Stella Prize, AutHer Awards, Erasmus Prize, BAFTA etc. Sometimes the podcast interviews are carried across all editions of the print paper with a QR code embedded in it.
Some of the authors who have been interviewed are: Banu Mushtaq, Deepa Bhashti, Samantha Harvey, Jenny Erpenbeck, Michael Hoffman, Paul Murray, V. V. Ganeshananthan, Hisham Matar, Anita Desai, Amitava Kumar, Hari Kunzro, Venki Ramakishnan, Siddhartha Deb, Elaine Feeney, Manjula Padmanabhan, NYRB Classics editor and founder Edwin Frank, Jonathan Escoffery, Joya Chatterji, Arati Kumar-Rao, Paul Lynch, Dr Kathryn Mannix, Cat Bohannon, Sebastian Barry, Shabnam Minwalla, Paul Harding, Ayobami Adebayo, Pradeep Sebastian, G N Devy, Angela Saini, Manav Kaul, Amitav Ghosh, Damodar Mauzo, Boria Majumdar, Geetanjali Mishra, Viet Thanh Nguyen, William Dalrymple, Abdulrazak Gurnah, and Annie Ernaux.
Murzban Shroff is a Mumbai-based writer. He has published his fiction with over 75 literary journals in the U.S. and UK. His stories have appeared in innumerable literary journals such as The Gettysburg Review, The Minnesota Review, The Saturday Evening Post, Chicago Tribune, LitMag, Manoa, and World Literature Today. He is the recipient of the John Gilgun Fiction Award and the Bacopa Review Fiction Award. He holds seven Pushcart Prize nominations, among the most honoured short story prizes in the U.S.
His story collection, Breathless in Bombay, was shortlisted for the Commonwealth Writers’ Prize in the best debut category from Europe and South Asia, and rated by the Guardian as among the ten best Mumbai books. His novel, Waiting for Jonathan Koshy, was a finalist for the Horatio Nelson Fiction Prize and has been published in India, China, and the U.S. His India collection, Third Eye Rising, featured on the Esquire list of Best Books of 2021.
Shroff’s latest book, Muses Over Mumbai, a collection of 17 full-length stories, has received glowing endorsements from male writers such as Salman Rushdie, Jonathan Franzen, Robert Olen Butler, Ben Fountain, Amit Chaudhuri, and Jeet Thayil. It is published by Bloomsbury India.
I interviewed him on TOI Bookmark. Here is a snippet from the conversation:
I reserve the short story form for my issue-based fiction because I feel that when I am covering a territory like Mumbai, it is very difficult to have an overarching theme and weave it into a single piece of work. I feel Mumbai works best as a polyphony of class and cultures. There are multiple issues working at multiple levels; how do you best represent the diversity. Let me expand a bit on that, Jaya. If you look at Muses of Mumbai it has seventeen stories, out of which two are almost novellas, which means that they are about 15-17,000 words. Now each story is completely different from the other, not only in terms of subject matter and characters but also socio-economics and in terms of writing styles. Some I have used elements like memoir writing, used elements like essay, like whimsy. So the styles themselves represent the diversity and that is why I think the short story form works marvellously because short story is a marvellously promiscuous form of writing.
Listen to it on Spotify:
TOI Bookmark is a weekly podcast on literature and publishing. TOI is an acronym for the Times of India (TOI) which is the world’s largest newspaper and India’s No. 1 digital news platform with over 3 billion page views per month. The TOI website is one of the most visited news sites in the world with 200 million unique monthly visitors and about 1.6 billion monthly page views. TOI is the world’s largest English newspaper with a daily circulation of more than 4 million copies, across many editions, and is read daily by approximately 13.5 million readers. The podcasts are promoted across all TOI platforms. Till date, I have recorded more than 138+ sessions with Jnanpith, Padma Bhushan, and Padma Shree awardees, International Booker Prize winners, Booker Prize winners, Women’s Prize for Fiction and Non-fiction, Nobel Laureates, Pulitzer Prize, Stella Prize, AutHer Awards, Erasmus Prize, BAFTA etc. Sometimes the podcast interviews are carried across all editions of the print paper with a QR code embedded in it.
Some of the authors who have been interviewed are: Banu Mushtaq, Deepa Bhashti, Samantha Harvey, Jenny Erpenbeck, Michael Hoffman, Paul Murray, V. V. Ganeshananthan, Hisham Matar, Anita Desai, Amitava Kumar, Hari Kunzro, Venki Ramakishnan, Siddhartha Deb, Elaine Feeney, Manjula Padmanabhan, NYRB Classics editor and founder Edwin Frank, Jonathan Escoffery, Joya Chatterji, Arati Kumar-Rao, Paul Lynch, Dr Kathryn Mannix, Cat Bohannon, Sebastian Barry, Shabnam Minwalla, Paul Harding, Ayobami Adebayo, Pradeep Sebastian, G N Devy, Angela Saini, Manav Kaul, Amitav Ghosh, Damodar Mauzo, Boria Majumdar, Geetanjali Mishra, Viet Thanh Nguyen, William Dalrymple, Abdulrazak Gurnah, and Annie Ernaux.
