Kiran Desai Posts

“The Loneliness of Sonia and Sunny: A Novel” by Kiran Desai 

Booker Prize winner Kiran Desai’s latest novel is The Loneliness of Sonia and Sunny: A Novel. It is published by Penguin Random House India. It is a doorstopper of a novel and utterly delicious. It is ostensibly about Sonia and Sunny who are based in the USA. They are more or less of the same age. Coincidentally, their grandparents are neighbours in Allahabad or Prayagraj as it is now known. The older generation attempt to be matchmakers for their grandchildren, encouraging them to meet with the view to get married. This is the basic plotline. The story is spread over many, many years. It moves between continents, nations and cultures. It is a slow moving novel wherein the reader wishes to soak in every detail.

And wow! The details.

Kiran Desai inserts herself in the text, in the good old-fashioned form of storytelling — the authorial narrative. She does not hold herself back. She provides a running commentary on society, the shifting political winds, socio-economic disparities, etc. Interestingly, it is a big fat novel with both men and women characters explored at length. It is not possible to say that this is a woman-oriented or a male-oriented novel, a peg that many seek in contemporary fiction. In reality, we co-exist side by side with a range of experiences. Yet, Kiran Desai’s uncanny ability to observe sharply, assess, and articulate on behalf of the characters is worth reading. It is a phenomenal cast of characters, across the socio-economic spectrum, in India and abroad. She writes about them, but does not judge them. That, if need be, is left to the reader. I had the strong feeling that with her art intersects life in more ways than one.

The Loneliness of Sonia and Sunny is written from the perspective of the desi author who also has the good fortune of seeing with the eyes of a foreigner. She left India at the age of 16. First she moved with her mother, Anita Desai, to the UK and later to the USA, where they now reside. Kiran Desai spent nearly two decades writing this story. She pared it down from 5000+ pages to the current length of approximately 700 pages. Extraordinary confidence given that publishers are lamenting the dwindling book market sizes, with readers rapidly vanishing, in all likelihood succumbing to the internet and mindless reels. So, to create a novel that is of this magnitude, with even the main protagonists meandering in and out of the landscape, requires a remarkable sense of conviction in one’s storytelling. In this case, it holds true. It is a novel that will remain with the reader for a very long time.

Much will be said about the book from today, as it is the day when the embargo on writing about the novel publicly is lifted. Apart from which, it has been longlisted for The Booker Prize 2025. The shortlist announcement is on 23 Sept 2025. This book is expected to make the cut. Let’s see.

I read the ARC in less than three days. It would have probably been quicker if life had not interrupted. The last time I read big fat novels like this was when I read War and Peace and A Suitable Boy. But those were many decades ago, when there were fewer distractions and reading was all that we did in our leisure time.

I interviewed Kiran Desai for TOI Bookmark. Ours was the first interview that she did in India even if it is published later than those that appeared today. As soon as the link is available, I will post it here.

And here it is. Published today, 23 Sept 2025, a few hours before the shortlist announcement is made.:

On Sunday, 28 Sept 2025, the Times of India carried excerpts from the interview in print. It has received an incredible response. One of these manifested in a Hindi translation of the interview by professional translator, Prabhat Ranjan. Here is the image of the print out.

21 Sept 2025, Updated on 1 Oct 2025.

The Booker Prize 2025 longlist

The full Booker Prize 2025 longlist, including author nationality, is:

– Love Forms (Faber) by Claire Adam (Trinidadian)

– The South (4th Estate) by Tash Aw (Malaysian)

– Universality (Faber) by Natasha Brown (British)

– One Boat (Fitzcarraldo Editions) by Jonathan Buckley (British)

– Flashlight (Jonathan Cape) by Susan Choi (American)

– The Loneliness of Sonia and Sunny (Hamish Hamilton) by Kiran Desai (Indian)

– Audition (Fern Press) by Katie Kitamura (American)

– The Rest of Our Lives (Faber) by Ben Markovits (American)

– The Land in Winter (Sceptre) by Andrew Miller (British)

– Endling (Virago) by Maria Reva (Canadian-Ukrainian)

– Flesh (Jonathan Cape) by David Szalay (Hungarian-British)

– Seascraper (Viking) by Benjamin Wood (British)

– Misinterpretation (Daunt Books Originals) by Ledia Xhoga (Albanian-American)

Discover the full list: https://thebookerprizes.com/bp2025

The longlist has been selected by the 2025 judging panel, chaired by critically acclaimed writer and 1993 Booker Prize winner Roddy Doyle

Doyle, who is the first Booker Prize winner to chair the panel, is joined by Booker Prize-longlisted novelist Ayọ̀bámi Adébáyọ̀; award-winning actor, producer and publisher Sarah Jessica Parker; writer, broadcaster and literary critic Chris Power; and New York Times bestselling and Booker Prize-longlisted author Kiley Reid

This year’s selection, which was chosen from 153 submissions, celebrates the best works of long-form fiction by writers of any nationality, written in English and published in the UK and/or Ireland between 1 October 2024 and 30 September 2025.

For the first time, the shortlist of six books will be announced at a public event, to be held at Southbank Centre’s Royal Festival Hall in London on Tuesday, 23 September 2025. The six shortlisted authors will each receive £2,500 and a specially bound edition of their book. The announcement of the winning book  will take place on Monday, 10 November 2025 at a ceremony at Old Billingsgate in London. The announcement will be livestreamed on the Booker Prizes’ channels. The winner receives £50,000.

The ‘Booker Dozen’ features five British authors, while also encapsulating a vast range of global experiences. The 13 novels transport readers to a farm in southern Malaysia, a Hungarian housing estate and a small coastal town in Greece. They shine a light on the lives of Koreans in postcolonial Japan, a homesick Indian in snowy Vermont, a Kosovar torture survivor living in New York, a shrimp fisherman in the north of England, a mother’s search for a child given up for adoption in Venezuela and even endangered snails in contemporary Ukraine. They reimagine the great American road trip as a slow-burning mid-life crisis and take us into the heart of the UK’s coldest winter. 

The judges’ selection features: 

  • Authors representing nine nationalities across four continents, with UK authors securing the highest number of nominations  
  • Kiran Desai, who is nominated 19 years after her previous book won the Booker Prize 
  • Tash Aw, longlisted for a third time, who could become the first Malaysian winner 
  • Past shortlistees Andrew Miller and David Szalay  
  • Two debut novelists among nine authors who appear on the Booker Prize longlist for the first time 
  • The first novel from an opera librettist and the 12th from a former professional basketball player 
  • A book that first garnered acclaim as a short story, and one that is the first in a proposed quartet 
  • Three titles from independent publisher Faber and a first Booker longlisting for Fitzcarraldo Editions, to add to its 16 International Booker Prize nominations  
  • Novels that are ‘alive with great characters and narrative surprises’ which ‘examine the past and poke at our shaky present’, according to Roddy Doyle, Chair of the 2025 judges  

This is a fabulous longlist with so much to discover. I am truly delighted at the coincidence that last week I had interviewed Andrew Miller on his fabulous book The Land in Winter for TOI Bookmark.

29 July 2025

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