Scribe Publications Posts

“Chokepoint Capitalism” by Rebecca Gilrow and Cory Doctorow

Chokepoint Capitalism: How big tech and big content captured creative labour markets, and how we’ll win them back by Rebecca Giblon and Cory Doctorow (Scribe Publications) is a must read. Whether you are a digital entrepreneur or a service provider or an employee, or a digital creator and a consumer, this is an essential read. It is incredible on every page, so many pennies drop in understanding the digital world we inhabit. The commercials, the hungry desire of many “digital entrepreneurs” in providing platforms for users, supposedly enabling the creative workers to use these for their individual expression, but the platform owners having the first mover advantage / exploit to use the massive volume of IPR being created in multiple ways. The authors prefer to dwell upon the hourglass-shaped markets, “with customers paying money at one end, suppliers and workers creating value at the other, and a small number of predatory rentiers controlling access in the middle. Creators earn little from the culture they produce not because of platforms per se — even if tech platforms are the major culprits right now — but because their supply chains are colonial by powerful corporations who co-opt most of its value.”

The authors discuss in detail in the first section if the book how big business captured culture, how Amazon took over books, how news got broken, why streaming doesn’t pay, why Spotify wants you to rely on playlists, why seven thousand Hollywood writers fired their agents, why Fortnite sued Apple and about YouTube chokepoints. The second section is entitled “braking anticompetitive wheels” with chapters on ideas lying around, transparency rights, collective action, time limits on copyright contracts, radical interoperability, minimum wages for creative work, collective ownership and uniting against chokepoint capitalism.

Read this book. Use it. Take it to heart. This is one of those big idea books that will appeal to many and will make many creative workers think. Remember content is the oil of the twenty-first century. Sobering thought when digital entrepreneurs realise that there is economic opportunity in every deep dive on the net; it is to the tune of a minimum $1 billion.

“Lunch at 10 Pomegranate Street: A collection of recipes to share” by Felicita Sala

Lunch at Pomegrante Street: A collection of recipes to start, text and illustrations by Felicita Sala (Scribble Books, Scribe Publications).

A stunning picture book that will work for children and adults alike. It is about the house at Pomegrante Street, where the occupants are getting ready for lunch. It has an almost cinematic feel while reading the book. As you turn the pages, you sweep through every apartment and peek into the respective kitchens to see what is cooking. Depending on the culture that is represented, the family is making an easy-to-put-together dish. There are hors-d’oeuvres, savoury dishes, main course, side dishes and of course, plenty of desserts. These include Salmorejo, sesame soy broccoli, guacamole, black bean soup, sole meuniere, spaghetti Al pomodoro, coconut dahl, mini-quiches, meatballs (with turkey, zucchini and feta), oyako don ( chicken and egg rice), baba ganoush, green rice, peanut butter & choc chip cookies, banana & blueberry bread, and strawberry crumble. Once it is all ready, all the neighbours scuttle down the stairs to the back yard for a sit down pot luck. Their good cheer and bonhomie, cutting across cultural divides, is almost palpable through the pages of this beautiful book. Plus point is that the recipe for every single dish is given and illustrated brilliantly. The illustrations are made with watercolours and coloured pencils.

This has been translated from French but for some inexplicable reason, the name of the translator has not been given. Instead the copyright details resting with the publisher are explicitly mentioned. Odd. It is at variance with the spirit of collaboration and sharing across cultures that the story underlines.

Nevertheless, it is a stunning book to read, share and use.

Ottolenghi and Nigella Lawson have endorsed it too.

‘A stunningly illustrated recipe book for kids (or anyone, really). It tells the story of different residents of a house cooking foods from around the world. Simply sweet.’

— Yotam Ottolenghi

‘Beautifully depicting an apartment building with people cooking food from all over the world … Really uplifting and charming.’
— Nigella Lawson

11 Feb 2023

Australian delegation of publishers visiting India ( 18-24 Jan 2017)

In January 2017, the Australian Council for the Arts will be leading a delegation of publishers to India. They will also be attending the Jaipur Literature Festival ( 18-22 Jan). A B2B roundtable has also been organised in New Delhi.

The delegates from Australia include:
1. Australia Council representative
Dr Wendy Were, Executive Director, Strategic Development and Advocacy
Australia Council for the Arts | www.australiacouncil.gov.au

2. Fiona Henderson, Publisher
Affirm Press | http://affirmpress.com.au/

3. Cate (Catherine) Blake, Commissioning Editor, General Publishing
Penguin Random House Australia | www.penguin.com.au

4. Margot Lloyd, Event Manager, Marketing and Editorial
Wakefield Press | www.wakefieldpress.com.au

5. Stephanie Siriwardene, Publishing Assistant
Scribe Publications | http://scribepublications.com.au/

6. Edwina Johnson, Director
Byron Writers Festival | www.byronwritersfestival.com

7. Laura Kroetsch, Director
Adelaide Writers’ Week | www.adelaidefestival.com.au

7 January 2017 

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