Sandip Roy Posts

Garth Greenwell, “What Belongs to You”

Garth Greenwell…more and more I took refuge in books, not serious or significant books but books that offered an escape from myself, and it was these books, or rather our shared love for them, that bound me to the few friends I had… 

Garth Greenwell’s debut novel What Belongs to You is about a nameless American schoolteacher who is based in Bulgaria. Funnily enough even though the narrator remains nameless the two cultural landscapes that influence him are very much fixed in a period —the Republican conservative homophobic Kansas and Bulgaria emerging from the Soviet era, detritus of which are still visible in the dilapidated buildings and in the attitude of the people. The novel is divided into three parts — Mitko, A Grave and Pox. In fact “Mitko” won the Miami University Press Novella Prize. What Belongs to You begins with the narrator looking to have sex and comes across Mitko in a public bathroom and from then on they forge a curious relationship. The second section is about the narrator receiving news about his father’s hospitalisation and the flood of memories it unleashes. The final section is about his mother’s arrival in Bulgaria and due to a concatenation of events primarily the fleeting return of Mitko in the narrator’s life, there is a sudden unyoking of himself from his past–immediate and childhood. It is an epiphany that liberates him paradoxically leaving him in despair too. It seems to happen subconsciously while recalling his experience of a severe earthquake.

…the first time I had known that absolute disorientation and helplessness, the first time I had felt in that incontrovertible way the minuteness of my will, so that underlying my fear, or coming just an instant after it, was total abandon, a feeling that wasn’t entirely unpleasant, a kind of weightlessness. 

At Jaipur Literature Festival 2016, Colm Toibin said while researching for The Master, his novel/tribute on/to Henry James, he realised gay fiction was a 21st century phenomenon. He also observed that “fiction contains many mansions” a comment apt for Garth Greenwell’s debut novel. What Belongs to You is much more than a fine example of gay fiction with its extraordinarily bold voice; it is a Künstlerroman, a narrative about the artist’s growth to maturity. What Belongs to You is in the same category as James Joyce’s Portrait of the Artist as a Young Man or even Alison Bechdel’s graphic memoir, Fun Home. It is evident in the experimentation of form in “A Grave” such as the long unbroken paragraphs sometimes running on for pages and pages that fit snugly with the literary device of interior monologue. The lyrical prose of “A Grave” is structured as magnificently as Isabel Archer’s reflection in Henry James’s Portrait of a Lady.  In both novels the interior monologues by the central characters are pivotal not only to the structure of the plot but also to the radical transformation they wrought in the narrator and Isabel and to the chain of events to follow.

At one level What Belongs to You is reading a story about a young man living in a new land and yet it is also recognising what belongs to you are who you are, what you make yourself. This could be by rejection such as the narrator’s complicated relationship with his father or by accepting new influences as the narrator says by “thinking it half in Bulgarian and half in my own language, which I returned to as if stepping onto more solid ground.”

One of the best interviews published so far with Garth Greenwell has been with Paul McVeigh. “The world according to Garth Greenwell” (The Irish Times, 25 April 2016. http://www.irishtimes.com/culture/books/the-world-according-to-garth-greenwell-1.2623753)

Garth Greenwell is a boldly confident youthful writer who writes extraordinarily beautiful prose with panache. Hopefully one day the following writers will be together on a panel discussing the art of blending truth and fiction, writing a memoir-novel: Damian Barr, Paul McVeigh, Sandip Roy, Roxane Gay, Garth Greenwell and Alison Bechdel.

What Belongs to You is a debut that will be talked about for a long time to come!

Garth Greenwell What Belongs To You Picador, an imprint of Pan Macmillan, London, 2016. Hb. pp. 196. Rs 550

18 May 2016

 

On BBC Radio commenting on Coldplay’s new video, “Hymn for the Weekend” ( 15 Feb 2016)

The Cultural Frontline On Coldplay

Listen in pop-out player

Last Saturday, The Cultural Frontline featured a report about the controversy around Coldplay’s latest video. It is set in India and is accused of misrepresentation and cultural appropriation. Rajan Datar speaks to Sandip Roy, the journalist behind the report to ask why the BBC World Service decided to weigh in on the story, and listener, Jaya Bhattacharji Rose from New Delhi, gives her reaction to the piece.

http://www.bbc.co.uk/programmes/p03hv42m#play

15 Feb 2016 

“Feminists and Science:Critiques and Changing Perspectives in India”

9789381345078In 2015 STREE published the first volume of a collection of essays called Feminists and Science: Critiques and Changing Perspectives in India. It has been edited by Sumi Krishna and Gita Chadha. The principle behind these two volumes of essays is to have a “more comprehensive and grounded understanding of gender and science in India”.  According to University Grants Commission (UGC) data women in medicine accounted for 44 per cent of the total, the same percentage as in the ‘arts’ ( i.e. humanities and social sciences together). Women in science made up 40 per cent, which was slightly higher than women in commerce ( 37 per cent). In the science-based professions, the ratio of women to men was about one in five: engineering 21 per cent; veterinary science 21 per cent; agriculture 17 per cent.

These are some of the statistics for India today. But this book has some fabulous essays like Mandira Sen’s “A Gender-Sensitive Practice of Psychiatry in India: The Story of Dr. Ajitha Chakraborty”, the first woman practising psychiatry in India or Sumi Krishna’s essay, “Recognizing Gender Bias in Life Sciences”. Yet the point remains that despite all these women scientists making fantastic contributions to their disciplines, gender bias and sexism exists. Mina Swaminathan points out in her essay, “Differences in gender roles are still usually ascribed to biological differences rather than social determinants, and the idea that gender relations are power relations is even harder to communicate.” ( p.218) Despite these challenges India has produced some eminent  women scientists such as Dr Janaki Ammal. ( Janaki Ammal“Remembering Dr Janaki Ammal, pioneering botanist, cytogeneticist and passionate Gandhian” by Geeta Doctor. http://scroll.in/article/730186/remembering-dr-janaki-ammal-pioneering-botanist-cytogeneticist-and-passionate-gandhian ) . She was a plant scientist, who put the sweetness into our sugarcane varieties and served as the head of the Botanical Survey of India in the isro-womenAFP1950s. Recently women scientists at ISRO were seen celebrating the successful launch of Mangalyaan mission to Mars. Read Sandip Roy’s fabulous article documenting some of the amazing Indian women scientists.  ( “Mangalyaan’s unexpected gift: The glimpse of Isro’s ‘Rocket Women'” 25 September 2015 http://bit.ly/1XqMaH9 )

Earlier this year Nobel Laureate, Tim Hunt, a biochemist, made some Tim Hunthighly inappropriate gender discriminatory remarks at a conference in South Korea, “Let me tell you about my trouble with girls,” Mr. Hunt told an audience at the World Conference of Science Journalists in South Korea. “Three things happen when they are in the lab: You fall in love with them, they fall in love with you, and when you criticize them they cry.” Given how these gender biases towards women scientists are so deeply embedded in the system, books like Feminists and Science are very welcome.

Here is a list of contents:

Preface            xi

Introduction

Understanding Gender and Science in India:   xiii

Institutions and Beyond  Sumi Krishna

Tracking a Consciousness: Questions, Dilemmas and

Conundrums of Science Criticism in India  Gita Chadha  xxxvi

1 Feminists Discuss Caste and Gender in Science: An Online Dialogue           1

Anita Mehta, Chayanika Shah, Gita Chadha, Mary E John, Mina Swaminathan, Prajval Shastri and Sumi Krishna

2 Unravelling the ‘Gender-Merit’ Conundrum:

Do Women Deserve to Do Science in India?         22

Jayasree Subramanian

3 Re-Cognising Gender Bias in the Life Sciences        52

Sumi Krishna

4 The Science of Psychology: Where Is Gender?         79

U.Vindhya

5 Science, Gender and Reproductive Technologies: A Case of Disability      96

Anita Ghai and Rachana Johri

6 Gender Inequities in the Science World: An Experiential Perspective           122

Prajval Shastri

7 A Gender-Sensitive Practice of Psychiatry in India? The Story of Ajita Chakraborty 132

Mandira Sen

8 Women Water Professionals in the Maharashtra Water Bureaucracy 153

Seema Kulkarni

9 Women, Livestock and Rural Livelihoods: Challenges for Veterinary Scientists  185

Sagari  R. Ramdas

10 Bridging the Gap between Natural Sciences and Gender Studies: Notes on a Pedagogical Experiment 211

Mina Swaminathan

11 Integrating Gender into the Curricula of Health Professionals:  Experiences and Reflections   235  K. Sundari Ravindran

12 Teaching Feminist Science Studies in India: An Experiment 257

Chayanika Shah and Gita Chadha

13 En-Gendering Bodies of Knowledge: Scientific Institutions and the Production of Science in Science Fiction   273

Suchitra Mathur

List of Contributors  297

Table of Contents, Vol2           301

Sumi Krishna and Gita Chadha ( Eds.) Feminists and Science: Critiques and Changing Perspectives in India ( Vol 1) STREE, an imprint of Bhatkal and Sen, Kolkata, 2015. Pb. pp. 310 Rs 500 

30 November 2015 

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