Patrick Ness Posts

Patrick Ness’s “And The Ocean Was Our Sky”

For there are devils in the deep, 

but worse are the ones

we make. 

Award-winning writer Patrick Ness’s latest novel is a retelling of Moby Dick and it is called And The Ocean Was Our Sky. It is a tale about Bathsheba, an apprentice whale, who lives in her all-female pod, led by the wise and much experienced Captain Alexandra. It begins with the opening line “Call Me Bathsheba” echoing the legendary opening of Moby Dick “Call me Ishmael”. It is a slim novella acconpanied by Australian illustrator Rovina Cai’s stunning illustrations.

Bathsheba and her pod are out on a hunt with a specific mission. They are in search of Toby Wick, a human being, a whale hunter and their arch enemy. Bathsheba is particularly keen to find him as he is responsible for embedding the harpoon in her when she was still an apprentice. Along the way they find an abandoned ship in which they discover a man, tied to a pole, and he is still alive. Apparently kept alive so that he could pass on a message to Captain Alexandra and her pod.

And The Ocean Was Our Sky is a coming-of-age story about Bathsheba who has to learn to be a killer in order to survive in the open sea. She has to learn to obey, follow instructions and not offer an opinion, as she is constantly being reminded by Captain Alexandra. She learns very soon what it means to grieve when she watches her mother hunted but also realises that along with her grandmother, Captain Alexandra, she has to persevere and remain focused on their mission.

Whether you are familiar with Moby Dick or not is immaterial to reading And The Ocean Was Our Sky. It is a powerful story that leaves you feeling caught in a swirl — it is not just with the constant swimming of the whales and sharks feeding upon the dead sailors or carcasses of whales thrown back in to the water after being stripped of their blubber but it is also the fluidity with which the story is narrated that can leave the reader feeling rather giddy. It is a curious heady feeling that develops from reading the very horrific descriptions of violence, the pure rage and thirst for revenge coupled with the magnificently hypnotic double-page spread illustrations of Rovina Cai. It is an experience reading like no other. It is a retelling combined with very real twenty-first century environmental concerns such as modern day whale hunts and the so much unnecessary terror that man unleashes upon wild life.  Mahvesh Murad in her review calls it “a book about prejudices that lead to generations of hate and death; about who monsters are, and what makes them so; about loyalty and single minded, determined violent obsessions that can never end well for most, but make a great story for the ones who survive to tell.” But I have to agree with Tony Bradman when he wrote in his review that “This is a book for all ages, although some scenes contain graphic violence, so it might be a little too strong for children under 10.”

And The Ocean Was Our Sky is another lyrcial masterpiece by Patrick Ness even though it is so full of sorrow and heartache.  It will definitely be on a few literary prize shortlists in the coming months.

To buy on Amazon India: 

Hardback 

Paperback 

29 Oct 2018 

Book 14: 1-15 October 2018 / children’s literature and young adult literature

Every Monday I post some of the books I have received in the previous week. Embedded in the book covers and post will also be links to buy the books on Amazon India. This post will be in addition to my regular blog posts and newsletter.

In today’s Book Post 14 included are some of the children’s literature and young adult titles I have received in the past few weeks and are worth mentioning and not necessarily confined to parcels received last week.

Enjoy reading!

15 October 2018

Tackling grief with a munchkin and related literature!

A longer version of this article called “What I learned about grieving and how to explain sad rituals to children” was published on my TOI blog called Bibliobibuli .    

 

A few weeks ago my maternal grandmother, my Nani, passed away. She was the last of my four grandparents and the great-grandmother with whom I grew up. My grandparents and great grandmother were a part of my life. They were also for me examples of living history, my very real connection with the past, to a period of history that stretched as far back to the nineteenth century. Now all of a sudden with Nani’s passing it is gone. All our lives Nani had been an anchor for my brother and me. She was always there for us when we were children and later for our children, her great-grandchildren. If I am feeling bereft you can imagine how the great-granddaughters are feeling.

They have been trying to come to terms with their grief, not quite aware that they are also mourning their Badi Nani. Whether it is their physical reaction or the conversations with the children, both experiences have been spectacular. In terms of the physical absence of their great-grandmother the children are trying to relate it to the recent past. Upon being told that Badi Nani had gone to another place, the youngest child wanted to know why she went when she — this grandchild–had quite regularly given Badi Nani juice. It is incomprehensible for little children that one moment a person exists and next moment vanishes. My eight-year-old daughter Sarah cannot understand why Badi Nani’s bedroom is being cleaned pretty thoroughly. She does not realise tthat it is not only a practical way of disinfecting the room but it is also a ritual that helps the grieving adults to come to terms with the devastating loss. All that my child is concerned about is “but Badi Nani’s special smell will go away from the clothes in her cupboard!” (How do children figure these things out beats me?!)

When we got home after cremating my Nani, my eight-year-old daughter Sarah was curious about what happened to Badi Nani. She is still too young to process the passing away of an individual or even internalise the philosophical concept of mortality and death. Oddly enough the child was restless for most of the night. Early in the morning, around 1am, I had to take her to the swings in the playground. While swinging she suddenly remarked pointing to the night sky shining with stars, “There is Badi Nani. She is the brightest star shining golden in the sky.” Then she was ready for bed and slept deeply till late morning. It was as if she had completed a circle with her great-grandmother.

The following day was the burial of the ashes. Sarah decided to make a card to bury along with the ashes. The card was in shades of bright yellow as Sarah knew that yellow was Badi Nani’s favourite colour. Then of her own accord she added her postal address on it “in case Badi Nani wanted to visit her” and signed it “your loving great-granddaughter”. The reality of the ashes and visiting great-granddaughter later in life was one big mush in my daughter’s head but this slice of magic realism gave the child peace. Astonishing how children negotiate reality!

While pondering over these sad days I thought of the books that have stayed with me regarding grief upon losing a dear one or even how to broach the subject of death. Of course this year’s absolutely marvellous publication is Dr Kathryn Mannix’s We Lost the Art of Talking of Death. In it she shares case studies from her many decades of experience in palliative care. It is a stunning book that everyone should read even if it gets a little difficult to do so at times, but it is very sensitively told. From this attitude towards death as well as nuggets of information can be gleaned to share with the younger children in the family immediately after a bereavement. In children’s literature, some equally memorable fiction are Patrick Ness’s dark but very moving Monster Calls about a boy who is trying come to terms with his dying mother and is kept company by a monster who tells him stories. Sahitya Akademi award winner Paro Anand’s short story “grief (is a beast)” in her latest anthology of short stories for young adults called The Other: Stories of Difference is about the young narrator coming to terms with grief at losing a parent and realising “Grief is a beast which feeds off silence. The more you keep inside, the more you feed the beast.” Haitian-American novelist Edwidge Danticat’s young adult novel Untwine is about Giselle who has to learn to untwine herself from sharing her life with her identical twin Isabelle after the latter’s death in an accident. British poet and storyteller Michael Rosen’s moving picture book written upon the death of his son —  Sad Book. More recently Indian publisher and writer Richa Jha’s sensitively told picture book Boo! When My Sister Died is about a sibling and her family coming to terms with the loss of the sister. Australian children’s writer Ken Spillman’s is an exquisite picture book The Great Storyteller about the grief at the passing of a wise and great storyteller, the elephant, which leaves his friends in the forest devastated. For a while they are incapable of doing anything except to mourn his passing by sharing memories and participating in what can be considered one long wake.

‘When we lost The Great Storyteller, we lost his stories. Every story gives us a new beginning. Each story took us on a fantastic journey. Our imagination made them real.’ 

Slowly they realise that the pain at losing a friend will always exist but with time it will dull. More importantly they can make their own stories and “imagine colourful worlds”. Laughter and cheer returns to the forest being aware that the treasured memory of a beloved companion will never fade even though there is a physical absence of the individual. It is a beautiful book in introducing the concept of death, the accompanying grief and the healing process to children.

In many cultures there are distinct rituals for death which usually help the grieving family come to terms with the loss. More often than not children are shielded from the event by being whisked away during the funeral. Later by way of an explanation for the physical absence of the individual, a simple story is trotted out for the children. The beauty is that the story usually works effectively! So I am curious to know about more the stories, whether folktales, poetry or books, that deal with explaining death to the young.

Do write and share your stories!

25 August 2018 

Cancer and literature for children and young adults

Cancer and literature for children and young adults

Seeing a child, even a teenager, ill has to be one of the most unpleasant experiences of life. Somehow the big C or cancer gets The Yellow World by Albert Espinosawritten about more than other diseases. In 2012, The Yellow World by Albert Espinosa was published and became an NYT bestseller. It charts the experiences of the young boy developing cancer and then battling the disease through much of his “young adult” life. It has been translated from Spanish into English. The first half of the book is far more readable as it documents his getting cancer, the treatment, the jokes shared with other patients, the friends who pass away etc. But this is a memoir. Quite unlike John Green’s The Fault in Our Stars, another NYT bestseller and soon to be made in a Hollywood film. This is fiction but based on meticulous research done by Green. ( An example of his knowledge is evident in this YouTube where Green discusses the costs of American healthcare: http://www.youtube.com/watch?v=qSjGouBmo0M )  Fault in our starsThe Fault in Our Stars is a story about teenagers affected by cancer. To put it simplistically it is told through the friendships Hazel makes with Augustus Waters and Isaac and the other kids at Cancer Kid Support Group. The matter-of-fact manner in which the young cancer patients manage themselves and help each other is an eye opener. John Green also manages to get the nervousness, concern, worry of the adults very well too. The tone adopted by the writer is not surprising given that he spent a long time with Esther Earl, to whom the book is dedicated to as well. Esther Earl developed cancer at a very young age. Along with the support of her family and friends like John Green. As John Green says in the introduction to Esther’s book/memoir/diary This Star Won’t Go Out that she was EstherEarlterminally ill with cancer but she made the treatment for it seem “very standard and casual”. For instance one day they were  typing to each other when John Green realised Esther Earl was actually in the ICU with tubes coming out of her chest to drain fluid that had accumulated in her lungs. 

And then there is Patrick Ness’s A Monster Calls. A powerful novel with three short stories A Monster Callsembedded in it about a young boy who is worried about his very sick mother and is unable to utter the truth to anyone. This is a novel about loss, fear and courage. It is a story told with sensitivity, compassion and powerful storytelling. Ness wrote the novel based on an original idea by the late Siobhan Dowd ( who died of cancer), he and illustrator Jim Kay won Britain’s prestigious Carnegie Medal and Greenaway Medal in 2012, presented to the year’s best children’s literature in the UK.  (Unfortunately the edition I read did not have a single illustration in it.) Recently it was announced that Ness is adapting the screenplay from his novel. The film is slated for released in 2016 and will be directed by Juan Antonio Bayona.

Every one of these books has been selling exceptionally well. The two books of fiction by John Green and Patrick Ness are being converted into films as well. Every time one reads books like these the power of literature to share, describe, comment, analyse or just present a situation is confirmed. It is as if the words on the page speak to the reader quietly, taking them into confidence and exploring a world that is otherwise frightening.

27 March 2014 

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