New Delhi | Jaya's blog

Jumpstart, “Speaking in Tongues”, 29-30 Aug 2013, New Delhi

Jumpstart is an annual platform provided in India by the German Book Office (GBO) that is targeted specifically at professionals within the children’s book industry, bringing together authors, publishers, illustrators, designers, booksellers and retailers, teachers and librarians. It began in 2009 with a small workshop for professionals. But over the years it has blossomed into a two-day event that is clearly demarcated by open sessions that include panel discussions and workshops/master classes. Each event revolves around a theme that is encapsulated well in three words — “Join the Dots” (2010); “Out of the Box” ( 2011); “Off the Page” (2012) and this year it is “Speaking in Tongues”. The event is scheduled to be held on 29-30 August 2013, the India International Centre, New Delhi. Since last year the Book Souk, matchmaking between publishers and authors, has become a key aspect of the festival too. Key publishers such as Scholastic India, National Book Trust, HarperCollins, Hachette, Young Zubaan, Tulika, Tara, Karadi Tales, Pratham, Eklavya and others have participated in past Jumpstart festivals with direct, positive outcomes. For instance Pratham Books has recently acquired the publishing rights to five books by the French artist Herve Tullet who participated in 2012.

According to Prashasti Rastogi, Director, German Book Office, Delhi “This year we will focus on language. The festival is organised by the German Book Office New and Frankfurt Academy with support from the Federal Foreign Office, Germany. Our partners are Pratham Books as are our Knowledge Partners along with India International Centre and CMYK Book Store. Pratham Books is partnering for a session with language teachers and librarians.”

The focus on publishing children’s literature in different languages, the challenges and the thrill of doing so are what are to be discussed at the end of August. One of the panel discussions during the open session will be “Translation is tricky. Dialogue is difficult.” Some of the questions being raised are “How can we know that a book that works in one language will work in another? Which stories travel? Which ones ‘stick’? Why are there so few children’s books translated from one Indian language to another? Are illustrations just as culture-bound as words? ” The other Open Sessions that sound fascinating are “Art as language, designer as author” where award-winning illustrators Julia Kaergel, Emily Gravett will be co-panelists with publisher Arundhati Deosthali and Dorling Kindersley Design Director Stuart Jackman; “What is your bhasha? What is your language?” A workshop for teachers and librarians where panel of speakers who have experiences to share about the teaching and learning of different languages and its impact on learning as a whole. Authors will share experiences on why they choose to write in a particular language and their own experiments with it. To the right is a photograph that I took last year from the open session when Herve Tullet was on stage.

Such an event is important given that of 1.1 billion people in India, only 2 per cent are able to read and write English. The number of young people below the age of thirty is 550 million who are not only literate in English, but prefer to communicate in the language . The per capita number of book titles published in India is around 8 per 1,00,000 population. This number is much lower in comparison to those of the countries like the United Kingdom, the United States of America, France, and Germany. According to Rubin D’Cruz, Asst Editor, Malayalam, NBT, in terms of languages, the per capita number of titles published per 1,00,000 persons is 6.3 in Bengali, 6.2 in Gujarati, 5 in Hindi, 4.8 in Kannada, 4.2 in Telugu, 3.9 in Urdu, and 7.7 in Assamese (the highest). The publishing industry in Tamil and Malayalam are extremely active and although the Assamese speaking population is relatively low, the publishing industry in Assamese is a lot more active than it is in Marathi, Bengali, Telugu, Gujarati or Kannada. Some of the statistics from 2012 are:

• Hindi (422 million)
• Bangla (83 million)
• Telugu (74 million)
• Marathi (74 million)
• Tamil (60 million)
• Urdu (51 million)
• Gujarati (46 million)
• Kannada (38 million)
• Malayalam (33 million)
• Oriya (33 million)
• Punjabi (29 million)
• Assamiya (13 million)

From the National Youth Readership Survey, National Book Trust, 2010:
1. Of 1.1 billion people in India, only 2 per cent are able to read and write English.
2. 42% of India’s book-buyers are habitual readers; per capita consumption is Rs 80
3. Literate youth=333 m (2009) = 27.4% of total Indian pop or 73% of total youth pop. Signif: Rural (62%; 206.6m) and Urban (126.1m)
4. Pop of literate youth (2001-9) has grown 2.49% higher than the overall pop growth (2.08%)
5. Growth more rapid in Urban (3.15% p.a) than Rural (2.11% p.a.) areas.
6. Hindi is the principal medium of instruction, however as the youth go for higher education the proportion of Hindi as the medium of instruction declines.
7. Approx 25% literate youth read books for pleasure, relaxation and knowledge enhancement; more females read (27%) for leisure than males.
8. Schools are imp for readership development. 59% developed a reading habit in schools. Peer influence is also an important factor.

Actually publishing in India is exciting. As long as you understand the peculiarities of India like the multi-lingual character of the territory, the reverence Indian readers have for the written word. There exists a thriving middle class; increasing amounts of disposable income coupled with a disposition to read for pleasure rather than to clear an examination (a noticeable shift in recent years). Earlier the inclination was to buy books for children, but slowly between the ages of 8+ till graduation from university the casual reader disappeared, so there were no books available for this segment too. Today there is still a considerable vacuum in this age-group, but the market is slowly being transformed as is evident by the appearance of at least three new imprints for young adults in the past year – Inked (Penguin India), Red Turtle (Rupa Publications) and Scholastic Nova (Scholastic India).

As the first Prime Minister of India, Jawaharlal Nehru, also patron of Sahitya Akademi, said in a speech he delivered extempore in 1962. “…to think that a language is crushed or suppressed by another language, is not quite correct. It is enriched by another language. So also our languages will be enriched the more they get into touch with each other … .” (p.319-320 Best of Indian Literature 1957-2007, Vol 1 Book 1, Sahitya Akademi. Eds, Nirmal Kanti Bhattacharjee and A. J. Thomas.)

If the previous editions of Jumpstart are anything to go by, Jumpstart 2013 sounds very promising. I am definitely going to attend this year too!

Jumpstart: http://www.youtube.com/watch?v=FpK_38mScEg
Website and registeration: http://www.jumpstartfest.com/home

18 Aug 2013

Jaya Bhattacharji Rose is an international publishing consultant. She has a monthly column on the business of publishing called “PubSpeak” in BusinessWorld online.

Twitter: @JBhattacharji

Gouri Dange “More ABCs of Parenting”

11 06 , 2013 No Comments

There is a poem that I have pinned on my refrigerator. “Children Learn what they Live” by Dorothy Law Nolte. Here it is, copied from this link: http://www.blinn.edu/socialscience/LDThomas/Feldman/Handouts/0801hand.htm

If a child lives with criticism,
he learns to condemn.
If a child lives with hostility,
he learns to fight.
If a child lives with fear,
he learns to be apprehensive.
If a child lives with pity,
he learns to feel sorry for himself.
If a child lives with ridicule,
he learns to be shy.
If a child lives with jealousy,
he learns what envy is.
If a child lives with shame,
he learns to feel guilty.
If a child lives with encouragement,
he learns to be confident.
If a child lives with tolerance,
he learns to be patient.
If a child lives with praise,
he learns to be appreciative.
If a child lives with acceptance,
he learns to love.
If a child lives with approval,
he learns to like himself.
If a child lives with recognition,
he learns that it is good to have a goal.
If a child lives with sharing,
he learns about generosity.
If a child lives with honesty and fairness,
he learns what truth and justice are.
If a child lives with security,
he learns to have faith in himself and in those about him.
If a child lives with friendliness,
he learns that the world is a nice place in which to live.
If you live with serenity,
your child will live with peace of mind.

I was reminded of this poem while reading Gauri Dange’s More ABCs of Parenting. I liked reading it. There is sound advice, based on plenty of experience. Her book is like a handy Dr. Spock, but for an older age group of children. She discusses issues and challenges of child-rearing without ever talking down to the parent or making them feel guilty. She presents a reality and suggests ways in which the situation at home can be managed. It is a patient and sincere voice that comes through. But at times her exasperation with modern day parenting is expressed sharply as in her chapter on parents multi-tasking. For instance parents checking their emails, talking on the phone etc. Basically doing everything else while physically being around their children but ostensibly absent. Gauri Dange refers to it as “hollow communication”. A lovely phrase!

Gouri Dange is a writer and practising family counsellor based in Pune and Mumbai, India. She is a columnist and contributes regularly to articles in the papers and social media sites. Her blog is http://gouridange.blogspot.in/ and her email id is [email protected] .

The chapters in the book are short, precise and quick to read, but packed with information and insights. It helps to have an anecdote associated with every word discussed. May it be bullies, death, older parents, studying abroad etc. Each chapter is bracketed with a headnote about what to expect in the chapter, followed by a boxed note on do’s and dont’s. Very useful!

Dr Barnali Bhattacharya says it well in her foreword to the book, “Parenting is an art!” How true!

Gouri Dange More ABCs of Parenting Random House India, New Delhi, 2013. Pb. pp. 268 Rs. 199.

“‘Unsafe’ was a feeling he was familiar with.”

30 05 , 2013 No Comments

Salman Rushdie’s memoir Joseph Anton was released in 2012. Well before it was published it was being discussed–what will be said, what will not, will it live up to expectations etc. The title is borrowed from the names of two writers whom Rushdie admires, Joseph Conrad and Anton Chekhov. The nearly 600 pages are preoccupied with a decade of living under the fatwa, a death threat issued by Ayatollah Ruhollah Khomeini of Iran ordering Muslims to kill Rushdie having written Satanic Verses. From the announcement of the news on 14 February 1989 till the threat perception was reduced to level four by Scotland Yard, Rushdie documents his complete bewilderment, growing frustration, simmering rage and absolutely disgust at the reactions of many who did not support him. He meticulously records his growing isolation from family and friends; the desperation at wanting to socialise but never being able to, at least not without prior planning with the police officers deputed to protect him; and then his growing rage at the hijacking of freedom of expression especially at the altar of religious zealots. He does not mask his distaste for his colleagues in the creative industry who fail to support him, including the “big unfriendly giant Roald Dahl”.

Interestingly he uses the third person technique to write. As if he is a dispassionate observer of what Joseph Anton experiences, though at times “Salman” does intrude and speaks, introspects and reflects. It is curious that many of the reviews ( a few are reproduced below) comment upon the technique recognise it to be a unique way of writing, but do not understand the import of it. Whereas if you read any written account by a woman of a trauma that she has experienced, when the moment comes to describe the actual event, she inevitably switches to the third person narrative. ( It is rare indeed for it to be ever written in the first person. And if it is, then it is usually a draft that has been worked upon extensively till it is worked out of the system of the victim.) In Joseph Anton Rushdie describes a period of his life that must have been fraught with anxiety for every second of the day and night. So it is not surprising that even though he had his diaries to refer to he opts to use a technique that makes the memory of living with terror 24×7 easier to write about. It is fascinating to see him use a writing technique that is normally not associated with men.

Joseph Anton is a detailed account of what happened in that frightful decade of Rushdie’s life, but also consists of references to his family and friends. It is a delightful balance of the personal and professional aspects of a very public figure. Graham Greene was amused that Rushdie had got into more trouble than Greene himself ever had! Whereas Gabriel Garcia Marquez never asked him about the fatwa. They had a straightforward conversation about writing and books, much to the relief of Rushdie. And of course the famous literary spat that John le Carre and Rushdie had in 1997. It was finally called off in November 2012 ( http://www.guardian.co.uk/theguardian/from-the-archive-blog/2012/nov/12/salman-rushdie-john-le-carre-archive-1997 and http://www.guardian.co.uk/books/2012/nov/12/salman-rushdie-john-le-carre ). The ups and downs with the family, understanding his parents and their marriage and his utter and complete adoration for his two sons born eighteen years apart — Zafar and Milan– comes through very clearly. The passages on publishing, literary agents, sale of rights, publishing schedules makes one wonder whether the digital age revolution has really changed anything at all. The details, the arguments, the negotiations are the same, whether it was in the 1980s or now. There are moments when the editorial inputs should have been stronger since the text tends to get a little clunky and tedious, yet it reads well.

Years ago I recall attending a literary event where Salman Rushdie with Padma Lakshmi were also present. It was at the Oxford Bookstore, Statesman House, New Delhi. They were (I think) guests of William Dalrymple who was at the store to do a reading. For a long time I reflected upon that evening, but after reading Joseph Anton, a lot is explained especially the sheer joy of Rushdie at being able to live a normal life.

Whenever Rushdie writes non-fiction he does it extremely well. Those years of being “invisible” and yet not, being catapulted onto the front pages of the newspapers worldwide gave him the confidence to speak clearly and strongly. He says what he wants to say. One of the most recent examples being the speech he gave at the concluding dinner at the India Today Conclave, New Delhi held on 18 March 2012. ( http://www.youtube.com/watch?v=tNzGgYvz92s). He insists that everyone should be allowed to speak without fear. He never really did, now he definitely does not, feel the need to mince words. I liked Joseph Anton.
30 May 2013

Salman Rushdie Joseph Anton: A Memoir Jonathan Cape, London, 2012. Hb. pp. 650 Rs 799

Examples of reviews of the book, dwelling upon the third person technique

http://observer.com/2012/10/gone-underground-in-a-new-memoir-salman-rushdie-looks-bach-at-his-fatwa/ “The first thing readers will notice about this memoir is that the memoirist has written it in the third person. It is not a perspective often associated with self-awareness.”

http://www.thedailybeast.com/articles/2012/09/18/11-revelations-from-salman-rushdie-s-memoir-joseph-anton.html “…the book is written in the third person, as if a ‘biography’ of Rushdie/Anton…”

Pankaj Mishra in the Guardian (http://www.guardian.co.uk/books/2012/sep/18/joseph-anton-salman-rushdie-review ) “In his memoir, where Rushdie bizarrely decides to write about himself, or “Joseph Anton”, his Conrad-and-Chekhov-inspired alias, in the third person, … .

Mixed Tape, Mantaray and Prabha Mallya

03 12 , 2012 No Comments

Curious experiment with comics. A new bi-monthly experiment with comics of 3-8 pages long. Launched by Mantaray, an independent publishing firm based in Bangalore and started by Pratheek Thomas. It has an exciting bunch of illustrators and storytellers associated with it. http://mantaraycomics.tumblr.com/post/35200734659/mixtape-is-here

One of my favourite illustrators is part of the Mantaray team — Prabha Mallya. I met her first while she was still an undergraduate student at IIT, Kanpur. She met me at the World Book Fair, New Delhi to show me her notebook of drawing scribbles. Today I am so pleased to see her flourish. I love the confidence with which she draws and is willing to experiment. She has done the illustrations for Nilanjana Roy’s The Wildings, published by Aleph. Some of her illustrations are visible at . More recently she has illustrated Kipling’s Just So Stories . Truly scrumptious. (a href=”https://www.jayabhattacharjirose.com/jaya/files/2012/12/Just-So-Stories.jpg”>

New Delhi Posts

Jumpstart, “Speaking in Tongues”, 29-30 Aug 2013, New Delhi

Gouri Dange “More ABCs of Parenting”

“‘Unsafe’ was a feeling he was familiar with.”

Mixed Tape, Mantaray and Prabha Mallya

Tags

Search