magic Posts

Brian Selznick’s “Kaleidoscope”

Many people didn’t understand what it was, and many thought that you had taken your sadness and loss and made something beautiful out of it. You met artists, scientists, and dreamers, and you engaged in long conevrsations and exchanged fascinating letters with authors and philosophers for years afterward. In a way, I believe it saved your life . . . and if you want to know a secret, that’s why I gave you the dream in the first place.

….

We had only a tiny fraction of everything he wrote in our possession, but the fragments included references to Greek myths, the origins of the universe, children’s fantasy novels, the quests of King Arthur’s knights, the creation of the periodic table, a man who found the entrance to a buried city behind a wall in his house, spaceships, ancient Egypt, mysterious castles, the invention of the kaleidoscope, and the knitted blankets of his childhood bed.

“Didn’t you have something you wanted to tell me?”
“Yes, I’ve been trying all night to tell you,” said the bat. “But you wouldn’t stop fighting me. It was very annoying. And now I have to go.”
A sudden, strange kind of shame came over me. “I;m sorry,” I said. “What were you trying to tell me?”
The little creature stretched his spiky wings. His eyes sparkled. “I’ve been trying to tell you I
love you,” he said, and with a little leap he vanished into the purple Connecticut sky.

In bed as I close my eyes, I wonder if the beginning of time and the end of time are the same thing, and the distance between seconds is really as long as the distance between stars. Maybe this is what it’s like to be inside the mind of God. The past and the future mean nothing, and the time is always now.

Brian Selznick’s latest book, Kaleidoscope, is an extraordinary feat of storytelling (Scholastic). The author calls it a mysteyr that takes place in the space of a day but seems to be spread over two thousand years. It is about two individuals connected to each other across time and space — the narrator and his friend James. Yet, the micro-stories in the volume use a bunch of personal pronouns that can easily replace the characters with the reader/s. The stories shimmer. There are stories about a shipwreck, journeys, libraries, writers, butterflies, artists, magical creatures, angels, guardians, giants, etc. These are magical stories that can possibly be read in any sequence without disrupting the sheer pleasure of the vast imaginative landscape. The New York Times refers to it as a ‘lockdown masterpiece‘ ( 17 Sept 2021). Rightly so. The book provides oodles of hope, joy, and love for the future; it also builds upon a post-Edenic creation of society by its play on the apple — a real fruit and a metaphor. Much like what many are experiencing about a post-pandemic world, life before the covid crisis seemed idyllic, like paradise, and it has been completely disrupted. The collection of stories are a mix of traditions, references, and with it a lot of originality. It is ultimately in the hands of the reader to decide how to approach these stories and tease out the beauty and aestheticism enshrined in them, much like the ordinary pieces of coloured glass in a kaleidoscope become a burst of beautiful, intricate patterns dependant on how the person holding the instrument chooses to move it. As with the stories, life too is about a series of choices and it is upto the individual to make the best of one’s circumstances — to be worried and anxious about the pandemic or live life with joy each day. It is about free will. Accompanying the stories are the gorgeous illustrations in graphite by Brian Selznick. Flipping through the images, they have a parallel story to tell but can also illuminate the text very well too. Every story has a full page illustration but tipped in between the stories are double-page spreads of kaleidoscope patterns.

Kaleidoscope is a stupendous book that is meant not only for teenagers but for everyone. It should be marketed in such a manner. It can easily straddle the genres of fiction, children’s literature, young adult literature and mind, body, spirit books. It is about taking a journey and understanding one’s own free will. It provides hope, succour, companionship and a sense of belonging, especially during the pandemic, when everyone is feeling so adrift and lost.

Kaleidoscope is a masterpiece. Buy it. Treasure it. Gift it.

6 Feb 2022

“Gribblebob’s Book of Unpleasant Goblins” by David Ashby

This book arrived today — Gribblebob’s Book of Unpleasant Goblins by David Ashby. My daughter immediately picked it up and was glued to it. Refused to budge. Ever so often one heard snorts of laughter and giggles. Or she would turn up with eyes shining and read out snippets from the book and repeat to say how much she was loving it. Made no difference to her whether I had understood the snippet or not, she was just very delighted with the story. It had magic, goblins, an invisible dog, children and the pace was just right.

Now I have been instructed to read it. You must.

Oh, BTW, David Ashby wrote this book to disprove a fortune teller who had predicted that David would never write a book. Well, now he has and if kid is to be believed, it is an “AWESOME BOOK!”

Cover illustration is by Jen Khatun and cover design by Anna Morrison.

25 Jan 2021

Update: On Instagram, David Ashby spotted the post and has been delighted with my daughter’s response. This is what he wrote:
I am so happy to hear that Sarah enjoyed reading #Gribblebob – and especially that she read bits of it out loud to you! When I wrote it I read each new chapter out loud to my children as a bedtime story and so it’s lovely to know that it still works that way. Please tell her that I think she’s an AWESOME READER!!

“Jadoowallahs, Jugglers and Jinns” by John Zubrzycki

Historian John Zubrzycki’s latest  book Jadoowallahs, Jugglers and Jinns is a rich historical account of the history of magicians in the Indian sub-continent. It is a history going back as far as the Harappan civilisations, to the Mohenjodaro seals, through the time of the Mughals, British India till the present day. It is years of research spent in libraries across continents, interviewing people, meeting magicians and wading through archives that has enabled John Zubrzycki to put together this seminal volume. It may lack the lightness of touch as many contemporary narrative non-fiction books now have but Jadoowallahs more than makes up for it by the vast amounts of information it presents. What is truly commendable is how the author has delved through research material to create a narrative that is empathetic to the community of

H.E. Harinder Sidhu

magicians as a whole ( irrespective of their religious beliefs) and as far as possible the narrative is presented based on the empirical evidence he has garnered. This is an incredible feat to achieve given how witness accounts, historical documentation or even official documents from a particular period of history will always be biased and/or influenced by other pressing factors of the time. So to tease out and create a balanced narrative highlighting stories of individuals as well as historical incidents that create the fascinating landscape of magicians in the subcontinent. Zubrzycki is extremely familiar with India, who apart from knowing Hindi, has worked in the

(L-R) H.E. Harinder Sidhu, Rajeev Sethi and John Zubrzycki

country as a foreign correspondent, diplomat and tour guide.

On Tuesday, 18 September 2018, the six-month long Australia Fest was launched in India.  There are more than 75 events planned across 20 cities with over 25 projects involved. The commencement of the festival was with the official launch of Jadoowallahs at the Australian High Commissioner, H.E. Harinder Sidhu’s, residence in the presence of Rajeev Sethi, Chairman and Founder, Asian Heritage Foundation as the Chief Guest. The evening also included performances by Australian and Indian magicians Adam Mada and Raj Kumar, respectively, followed by

Adam Mada, magician, with hotelier Aman Nath whom he had called upon from the audience to assist with a magic trick.

a performance on the lawns by another magician. It was befitting that Rajeev Sethi had been invited as the Chief Guest given his experience with the Festivals of India and his many decades of work spent working in the cultural sector. He spoke exceedingly well giving a historical perspective on how he too has met jadoowallahs who did incredible tricks but even decades ago it was a dying art. Today few magicians exist but with a diminished repertoire of tricks given the vast cultural heritage they inherited. He emphasised how as someone interested in the preservation of India’s cultural heritage and its artisans, he along with many other eminent people like the Late Kamladevi Chattopadhyay and Pupul Jayakar set up Sarthi to help artisans in need. Later he also helped establish Bhule Bisere Kalakar which worked with the rehabiliation of artisans relocated to Katputhli colony at the time of the Emergency.

Raj Kumar, Indian magician, performing the basket trick.

Sadly, last year the artisans were evicted from this land last year too, as it was sold by the government to a builder for commercial development, of which a small portion has been allocated to

John Zubrzycki speaking about Motilal Nehru

create “vertical slums” for the displaced people. The reason why Rajeev Sethi mentioned his long association with the artisans was that the magicians and jugglers of whom John Zubrzycki speaks of eloquently have always been considered an integral part of the artisan community. In fact many of these practising illusionists were considered to be beggars as they would perform their tricks by the roadside or at crossroads while begging for alms. It was only in early August 2018 that due to a petition filed by activist Harsh Mander that an archaic law, “Prevention of Begging Act” was upturned. ( “Begging is not a crime, Delhi High Court rules“, Reuters, 9 August 2018). Rajeev Sethi rightly concluded his speech by lauding the author for being one of the magicians biradri, community, as John Zubrzycki speaks of the magical tricks but never gives the magicians secrets away.

The evening concluded with a brief presentation by John Zubrzycki about the research he had done for this book and shared a few anecdotes that have been recounted in the book as well. One of these fabulous anecdotes was that of Motilal Nehru, father of the first prime minister of India Jawaharlal Nehru, petitioning the Protector of Emigrants in Bombay to send “a party of Indians consisting of musicians, acrobats and artisans to the ensuing Paris Exhibition [1900].” What followed was an extraordinary sequence of events where Lord Curzon had to rule whether a” a jadoowallah’s tricks constituted manual labour because they were executed by sleight of hand” or were performers. If they were deemed as manual labourers then under the Emigration Act of 1883 that prohibited emigration of Indias to specified countries. This Act was tightened after an outbreak of plague in Bombay in 1896. In 1897, the Epidemic Diseases Act (No.3) was passed leading to “a ban of all native residents leaving India through Bombay Presidency”. Pressure from mercantile groups eased the rules somewhat to permit the severe disruption of labour to Uganda and Kenya to be resumed but the ban stayed for all of Europe and England. ( Read more in Chapter 10 of the book.)

It was a memorable book launch but it is the book that will leave its mark for many years to come with its enthralling account of jadoowallahs in the sub-continent.

To buy:

Hardcover

Kindle

19 Sept 2018

The Revenant by Michael Punke

Revenant, book coverThe Revenant ( 2001) written by Michael Punke is tipped to win a few Oscars tonight ( 2016). It has been nominated for 12 Academy Award nominations across all categories including the Best Actor for Leonardo DiCaprio — probably his first in twenty years of being in the movie business.  ( http://www.theguardian.com/film/2016/feb/26/leonardo-dicaprio-the-revenant-oscars-academy-award ). I have not seen the film but the book is brutally magnificent and mesmerising with its focus on one man’s quest for revenge. It is powerful. Set in the American wilderness in the early 1800s, frontiersman Hugh Glass is badly mauled by a grizzly and abandoned by his fellow trappers ( intensely described in the stomach churning opening pages of the novel). Barely surviving his wounds, Glass is driven by thoughts of his family and a desire for revenge as he endures the frigid winter and pursues the men who left him for dead.

The author, Michael Punke, is a serving international trade expert and diplomat. He IMG_20160226_092636 (1)serves as the US Ambassador to the World Trade Organisation in Geneva, Switzerland. The Quartz profiled him: http://qz.com/626726/the-author-behind-the-revenant-is-an-international-trade-expert-and-diplomat/.  This is what they say, “Despite the press frenzy ahead of Sunday’s Academy awards, Michael Punke can’t give interviews about his book or make promotional appearances due to his government position. He skipped the film’s December premiere to negotiate a $1.3 trillion trade deal in Nairobi. He can’t even sign copies of his 2002 novel.”

According to Wikipedia, the word revenant is derived from the Latin word reveniens, “returning” (see also the related French verb revenir, meaning “to come back”). A revenant is a visible ghost or animated corpse that is believed to have returned from the grave to terrorize the living. Revenants share some similarities with zombies in modern fiction. This is a result of contemporary depictions of zombies having evolved from vampire fiction. The original folklore about zombies had less in common with revenant legends. Similarities are also obvious with the aptrgangr (literally ‘again-walker’, meaning one who walks after death) of Norse mythology, although the aptrgangr, or draugr, is usually far more powerful, possessing magical abilities and most notably is not confined to a deathlike sleep during the day – although it does usually stay in its burial mound during the daylight hours – and will resist intruders, which renders the destruction of its body a dangerous affair to be undertaken by individual heroes. Consequently, stories involving the aptrgangr often involve direct confrontations with the creature, in which it often reveals to be immune to conventional weapons. Such elements are absent from the revenant lore, where the body is engaged in its inert state in daylight, and rendered harmless. Also references of revenant-like beings come from the Caribbean and are often referred to as ‘The soucouyant’ or ‘soucriant’ in Dominica, Trinidadian and Guadeloupean folklore (also known as Ole-Higue or Loogaroo elsewhere in the Caribbean).

The-RevenantThe last time a film based on a book written by a serving diplomat won many Oscars was Slumdog Millionaire (2008), based on Vikas Swarup’s Q&A ( 2005). He is now the official spokesperson of the Ministry of External Affairs, Government of India (2016).

Michael Punke, The Revenant HarperCollins India, 2016. Pb. 

28 Feb 2016

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