Hari Kunzro Posts

Granta 125 and 126

Granta 125 and 126

Granta, After the WarGranta 125: After the War and Granta 126: Do you Remember are two issues that you read, put away, mull over, revisit, make parts of it your own and then it becomes a part of you. After the War ( http://www.granta.com/Archive/125 ) has contributions by Romesh Gunesekera, Justin Jin,  Herta Muller, Aminatta Forna, Hari Kunzru, Paul Auster and Patrick French. Every essay is an account of a conflict area that is familiar to the writer. It could be Sri Lanka for Romesh Gunesekera or being in Iran at the time of the American hostage crisis for Aminatta Forna or being a Jew in America for Paul Auster or as Patrick French does in his part-reportage, part-memoir, grapple with the expectations of and coming to terms with having a war hero for an uncle. Every single essay or short story in the magazine is distinct in its style, in what it documents and what the writer chooses to dwell upon, at times even complimented by the sentence structures. Paul Auster’s essay, “You Remember the Planes”, forces you to read it, grapple with it since the paragraphs are sometimes over a page or two in length. You cannot pause to reflect but have to read on and on.

Earlier this year, I met Romesh Gunesekera at the Jaipur Literature Festival. We were chatting about his new book, Noontide Toll, when the conversation veered towards war and craft of writing. Later in an email he wrote “I would say that one has to attend to the craft. If the sentences don’t work, then whatever is being written will not last long enough to matter.”  ( This was in response to an interview I did for the Hindu Literary Supplement. It is as yet to be published.)

Aminatta Forna essay, “1979”, is about the events in Iran, the American diplomats who were taken hostage. Aminatta Forna was fourteen years old and had moved to Teheran with her family, since her stepfather had been posted to the city by the United Nations. She witnesses and recounts her experience of being in Iran in the 1970s. She refers to the “curfew parties”, which under ordinary circumstances would be considered “bizarre”, but when read in context of the events, seem like perfectly natural and ornate spaces created for socialising and sharing of experiences, shutting out the dark reality. In fact, Aminatta Forna offers a course in Witness Literature where fiction is used to express and document events. Here is a short film made by a student of hers discussing it:  https://www.youtube.com/watch?v=PELSk5JkaZI These events of 1979 were recently documented in Ben Affleck’s Oscar-winning film Argo. I am unable to locate the link for now, but Aminatta Forna’s mother wrote a very powerful article in a UK-based newspaper presenting her side of the story and how much of Ben Affleck’s film was pure fiction.

Patrick French’s title essay “After the War” is about his great-uncle Maurice Dease who fought in the Battle of Mons and was the first recipient of the Victoria Cross. I suspect an essay like this, expanded into a book form will work brilliantly—part anecdotal, part personal, part historical and with a strong perspective. Narrative non-fiction at its best, connecting to the past, yet firmly fixed in the present.

Granta, Do you remember 126Of all the essays in Do you Remember  ( http://www.granta.com/Archive/126 ) two have remained with me — David Gates, ” A Hand Reached Down to Guide Me” and Johnny Steinberg’s “The Defeated”. David Gates’s essay is about his friendship with Paul Thompson, a singer, who when he is dying, opts to stay on Gates’s farm. It is a moving account of reading about Gates admiring the Thompson from afar, to becoming a good friend and then a tender caregiver. Johnny Steinberg’s essay is a little more complicated. It may seem like reportage about the events KwaZulu-Natal province of South Africa and the clashes between the farmers and tenants. But there are layers and layers to the stories he recounts — his own experience of collecting the facts, the stories the tenants recount and the farmers. Of many generations before and of the rapid change taking place since Apartheid was abolished in early 1990s. It leaves you wondering about the various ways in which one event can be remembered.

Both the books are worth reading.

1 May 2014 

 

Siddharth Mukherjee, 27 April 2014

Siddharth Mukherjee, 27 April 2014

Siddharth Mukherjee, 27 April 2014Last night I attended a public lecture at the India International Centre, New Delhi. It was delivered by Siddharth Mukherjee entitled “First they came for Rushdie: Scientific Ambitions in an Age of Censorship”. It was organised by Penguin Books India to celebrate the occasion of Siddharth Mukherjee having received the Padma Shri.  He is a physician, scientist and writer. His book, The Emperor of All Maladies: A Biography of Cancer, won the 2011 Pulitzer Prize. He is currently an assistant professor medicine at Columbia University in New York. Chiki Sarkar, Publisher, Penguin Random House India, announced that her firm would be publishing his forthcoming book–on genes. Penguin invite

The lecture consisted of three distinct sections. He read out two papers. An essay, “The Perfect Last Days of Mr Sengupta”, published in Granta 124: Travel (http://www.granta.com/Archive/124/The-Perfect-Last-Days-of-Mr-Sengupta). It is about his visit to the Cancer centre of All India Institute of Medical Sciences ( AIIMS) based in New Delhi, where he meets a terminally ill patient Mr Sengupta. A precisely written, sensitive and thought-provoking essay about mortality, disease, care giving, and death.

( L-R) Chiki Sarkar, Siddharth Mukherjee, Nirmala George and Jaya Bhattacharji RoseHe followed it up by reading an extract from an unpublished essay. ( I suspect it is from his forthcoming book.) It was about science, scientific thought and research, especially genetics, in Nazi Germany. In a measured manner, calmly Siddharth Mukherjee read out his paper. Not once did his voice waver while he patiently retold the well-known facts of medicine as practiced in Germany.  He talked about Berlin in 1931 and the close link between science and literature. He spoke of the Nazi scientists such as eugenicist Alfred Ploetz who coined the term Rassenhygiene or racial hygiene, Josef Mengel or the Angel of Death who was responsible for the gas chambers in the Auschwitz concentration camps, physicist and Nobel Prize winner ( 1905) Philipp Eduard Anton von Lenard who advocated “Deutsche Physik” as opposed to the ideas of “Jewish physics”, by which he meant chiefly the theories of Albert Einstein, including “the Jewish fraud” of relativity. He spoke of the influence many of these scientists had upon Hitler, even when he was in prison and he wrote of his admiration of them in Mein Kampf. He commented upon the close relationship between the legal wheels that were constantly turning to justify and legitimize these absurdly illogical “scientific” theories, resulting in the enactment of the anti-Jewish statutes called the Nuremberg Race Laws ( 5 Sept 1935) institutionalizing many of the racial theories prevalent in Nazi ideaology. He mentioned the establishment of the Aktion T4 or the euthanasia programme that led to the establishment of  extermination centres where inmates were gassed in carbon monoxide chambers. He cited examples and read out extracts of contemporary accounts by scientists and men of letters such as Christopher Isherwood, of how slowly German society was being slowly and steadily cleansed, sloughing of genetic detritus. He argued that there was sufficient evidence of how this young science propped up a totalitarian regime and the cycle was completed by producing junk science. He  documented the muzzling of free expression, books, media, radio, cabaret were slowly brought under Nazi doctrine. Music such as jazz and swing or the “negro noise” were stopped. There was a slow and methodical decimation of intellectual and cultural freedom. Audience at the Siddharth Mukherjee public lecture

The concluding part of the lecture, Siddharth Mukherjee cited the example of Salman Rushdie not being permitted to attend or even speak via satellite link at the Jaipur Literature Festival 2012. He received death threats. At the time three writers — Hari Kunzro, Ruchir Joshi and Jeet Thayil — tried reading out extracts from the banned text The Satanic Verses but were not permitted to do so. Instead they were advised to leave Jaipur immediately. At the time this episode was met by a “galacial silence” by the powers that be. It was as “all realism without magic”. Since then this kind of literary censorship, a capitulation to bullying, according to Siddharth Mukherjee has become a predictable pattern in Indian society. Wendy Doniger  is the latest victim of literary censorship. For Siddharth Mukherjee there is a symbiotic relationship between science and literature since they co-exist in the same ecosystem. “Science happens in the same fragile place where books happen and plays are enacted. You spoil the ecology of one, you tarnish the soil of the other.”

28 April 2014 

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