debut Posts

Prajwal Parajuly’s “The Gurkha’s Daughter” on the 2013 Dylan Thomas shortlist

Prajwal Parajuly’s “The Gurkha’s Daughter” on the 2013 Dylan Thomas shortlist

Prajwal Parajuly, Gurkha's daughter Breaking news! 

Prajwal Parajuly is on the shortlist for the 2013 Dylan Thomas Prize for literature. The Gurkha’s Daughter is his debut collection of short stories. At £30,000 it is one of the richest prizes for young writers. The competition is open to any published author in the English language under the age of 30, and this year’s shortlist is made up entirely of debut works. Chair of the judging panel, Peter Florence, said: “We had such a strong short list this year that we had to include a seventh title, as they are all contenders. ( More at: http://www.walesonline.co.uk/whats-on/shortlist-revealed-2013-dylan-thomas-6149225 )

Prajwal Parajuly is the only Asian to be on this shortlist. Next month in November, Quercus ( UK) and Penguin Books ( India) will be publishing his novel – Land where I flee.

 

7 Oct 2013 

 

“How It Happened” Shazaf Fatima Haider

“How It Happened” Shazaf Fatima Haider


Written from the perspective of a fifteen-year-old Saleha Bandian, How It Happened is about the marriages of elder two siblings, Haroon and Zeba. It is not as simple as it sounds. This is about a conservative Shia Bandian family. The matriarch of the family, Dadi ( or paternal grandmother), is a key player in looking for suitable partners for her grandchildren. The novel has all the masala of any traditional matchmaking, the competitiveness within families to net a good match, especially for the “ripe” girls. It has the drama of the matriarch fainting at the slightest hitch, when events are not going according to her plan, she claims to be “mordren” like the younger generation but is intolerant of marriages across sects, or even a love marriage. She cannot stomach the fact that her beloved grandson wants to get married without taking any dowry.

Shazaf Fatima Haider has sharply and wittily etched the life within Pakistani families (holds true for the Indian sub-continent!), obsessed with looking for a suitable match. She has got the tension between the older and younger generation beautifully, she manages to create empathy with the characters, without really intruding into the space. I truly enjoyed the way she had got the women characters representing diverse viewpoints but how they are confidently and surely managing to strike a balance between the stifling conservative traditions that they are expected to conform to with a newer mindset. It has been a long time since I read a book that made me chuckle and giggle, at times even laugh out aloud. I loved it!

( PS A small editorial oversight. While Zeba waits in Karachi to meet prospective suitor, Gullan from Islamabad, at first it is mentioned as three weeks, but later as three months.)

Shazaf Fatima Haider How It Happened Penguin Books India, 2013. Hb. pg. 316. Rs. 399

Janice Pariat “Boats on Land”

Janice Pariat “Boats on Land”

An excerpt from an email exchange with Janice Pariat who recently published her debut collection of short stories — Boats on Land (Random House India, Hb), Nov 2012

Boats on Land (cover image), Janice Pariat

 

JB

: I cannot tell you how much I have enjoyed reading the anthology. It has taken me back to the time we spent in Shillong. Much of what you write about is so familiar to me including the silence on the streets during the curfew, playing cricket and the unexpected violence. Your anthology is so focused on the Khasi life, stories, people, the richness of stories and histories that intermingle that at times it is difficult to separate them. (Somewhere I read a review that termed it as a North Eastern collection. I do not agree with it.) I also like the arrangement of stories in the book. Starting from mid-19C to the present day. There is a gentle walk through time. Many reviewers have termed your stories as nuanced but for me, you live and breathe Khasi culture. You are the perfect medium with your wonderful command over the English language to communicate it to the outside world. I am sure your stories have generated many positive reviews but they would resonate well with those who are familiar with Shillong. The casual references to ceremonies, familiar landmarks in the city, the mix of folklore and reality, the growing tensions, the dhakars….I love the way you create the characters many of whom I suspect are really etched after your sharp and astute observation of people and listening to stories. There is a deep sense of calm and confidence ( I do not know how to explain this to you) in your writing. It is as if you are completely at ease writing what you do, this is what you do best and will never be apologetic (nor should you be!) about who you are. I love the way you bring in Khasi words, references to the Kongs, the dishes, without necessarily explaining them to anyone! Thank heavens! High time someone did that. For years I have been hearing about it being critically analysed but rarely spotted it in print. All those questions that you have been asked in interviews about writers who inspired you or you like reading sound trite. You are an original voice. Truly loved what you have written. As for the lesbian question in an interview baffled me considerably. Was it asked on the basis of the kissing scene and the title story? I am really not sure what to make of it. Maybe in DHL’s time yes, but now? No. At least not to my mind. But that is for you to tell me.

Janice: … absolutely thrilled that you loved the stories and thank you for your extended feedback. So glad you connected with them in that intimate, special way. It cheers me up endlessly to know that my work is read and treasured.

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