Danish Husain Posts

“Strongmen” by Eve Ensler, Danish Husain, Vijay Prashad

Strongmen is a slim book, a collection of fables about strong men. As the book blurb says “Eve Ensler, the American playwright (The Vagina Monologues), goes beneath the skin – or should we say orange hair – of US President Donald Trump. Danish Husain, the Indian storyteller and actor, finds himself telling us the story not only of Indian Prime Minister Narendra Modi but also of the ascension of the extremism of the Sangh Parivar. Burhan Sönmez, the Turkish novelist, ferrets about amidst the bewildering career of the Turkish President Recep Tayyip Erdoğan. Ninotchka Rosca, the Filipina feminist novelist, unravels the macho world of Rodrigo Duterte. Their essays do not presume to be neutral. They are partisan thinkers, magical writers, people who see not only the monsters but also a future beyond the ghouls. A future that is necessary. The present is too painful.”

With the permission of the publisher here is an extract from Eve Ensler’s essay:

This is the story of what happened in the late time, right before the end time, that later got interrupted and became the new time. In those days there arrived in the land of violent amnesia and rapacious dreams – a virus. It first became discernible in an oafish, chubby man with orange hair. Some say it was the virus that turned his hair orange. Others claimed his hair was actually the virus. The oafish, chubby man with orange hair goes on to become the most powerful man in the world.

It was highly debated whether the intensity of the infection was the cause of his rise, but it has since become clear that the virus was a very contagious one and that much of the populace had a dormant strain of it lodged in their beings which was activated by the orange man during his toxic campaign.

Those infected the most deeply were those with unexamined wounds and openings from childhood, repressed fear, insecurities that were ripe for othering and rage, predisposition towards racism and sexism and insatiable daddy hunger. These tendencies were exacerbated and catalyzed by the way the portly, thuggish leader injected the virus into the unsuspecting crowds through angry white-hate filled spittle, slimy superlatives, sham filled promises, and toxic red caps which allowed the virus to seep in through the hair follicles and head. Bald men were most susceptible.

This, fortunately, was not true of all segments of the population because some appeared to have built-in immunity. Most of those were the ones who lived on the various edges, which was ironic, as it was the ones most foreign and exiled from the culture who would eventually find a cure. We will come to that later.

It was also highly debated whether the man with orange hair was the origin of the virus or simply the manifestation of it. Some said it didn’t matter, but I believe it matters a lot. For if the chubby man were the originator of the virus, then it would have simply been one sick individual contaminating the public and if and when he was eliminated, the virus, would, in theory, be gone as well. But we know this didn’t happen. So the question then evolved: why was the oafish, portly man with orange hair the major host of the virus?

And again, the theories abound.

One classic theory is that the thuggish man had become what no one had yet become in the time of late date consumption and greed. He had evolved or devolved (depending on your perspective) into what the psychologists later came to define as a genocidal narcissist – a person willing and able to destroy everyone and everything on the planet as long as it makes him feel momentarily better. That extreme and total endgame narcissism made the oafish man a perfect super host for the virus. For it has since been discovered that the virus can only fester in an environment where the host has developed no antibodies to tolerate others, or indeed criticism, difference, curiosity, questions, doubt, ambiguity, the truth, mystery, waiting, thinking, reading, reflecting, questioning, wondering, caring, feeling, listening, or studying. It is where the healing properties of humour and irony have been killed off and self-obsession, revenge and self-adulation have taken their place.

Noted symptoms of the virus are: hysteria, mania, illogical thinking, impulse disorder, bullying, a distorted belief that the group and gender you belong is superior, vile and show-offy compulsive grabbing, molesting behaviour towards women, compulsive lying, increased paranoia, loss of ability to distinguish between good and evil (for example equating Nazi and white supremacist with people fighting for their constitutional rights) and shifting and constantly evolving enemies, because the infection needs a target to energize its effective components. One day it was Mexicans, the next day blonde women reporters, the next a Puerto Rican mayor, the next Black football players. It was actually irrelevant to the virus who the enemy was as long as it kept shifting and escalating as the pathogen craved and fed off this antagonistic energy. But it has been conclusively determined that the virus would first seek already existing weaknesses in the DNA of the culture.

Also read an interview with Eve Ensler with Vinutha Mallya, published in Pune Mirror.

14 August 2018 

Comeback heroes, 28 September 2014

Comeback heroes, 28 September 2014

( In today’s edition of the Hindu Magazine, I have an article on the resurrection of literary characters by contemporary novelists. The link was published digitally on 27 September 2014. Here is the link: http://www.thehindu.com/features/magazine/comeback-heroes/article6452453.ece . It was carried in print as the lead article of the magazine on Sunday, 28 September 2014. I am also c&p the article below.)

Sophie HannahWith the release of Sophie Hannah’s The Monogram Murders earlier this month, Hercule Poirot comes back to life. This new mystery introduces a new character, Inspector Catchpool, who uses the first-person narrative style, similar to that of Dr. Watson. The novel was announced in October 2013 at the Frankfurt Book Fair in the presence of Agatha Christie’s grandson. This is only one in a line of novels written by contemporary novelists resurrecting literary characters. Usually these are characters that have remained popular over time.

Such revivals have been a tradition from the early 20th century. There were several Holmes stories in the Sudden Book Covers
1910s and 1920s. But these were not very well known. Bulldog Drummond by Sapper was, perhaps, the first instance of a popular character being continued. The series was continued by Gerard Fairlie. Other bestseller series included Sudden (a series of westerns), which was continued after the author Oliver Strange’s death.

There are also lateral continuations — not with the characters as protagonists but spin-offs like P.D. James’ Death Comes to Pemberley, Bulldog_Drummond_1st_edition_cover,_1920Charlie Higson’s Young Bond series, Gregory Maguire’s The Wicked Years series, Anthony Read’s Baker Street Boys series and Andrew Lane’s Young Sherlock Holmes series.Vintage’ Hogarth Shakespeare imprint will soon present retellings of the Bard’s works for contemporary readers by some of today’s best-known international writers. October 2015 willVintage Hogarth Shakespeare see the launch of Jeanette Winterson’s retelling of The Winter’s Tale and Howard Jacobson’s retelling of The Merchant of Venice will be out in February 2016, ahead of the 400th anniversary of Shakespeare’s death in April 2016. The illustrious list includes Margaret Atwood (The Tempest), Tracy Chevalier (Othello), Gillian Flynn (Hamlet), Jo Nesbo (Macbeth) and Anne Tyler (The Taming of the Shrew). The series will be published in 12 languages across 18 territories.

There are many reasons why these new stories strike a chord with modern readers. First is, of course, nostalgia and familiarity. Given the huge fan base of these characters, the new books have a relatively ready market but sometimes they are reinvented to find a

(L-R) Danish Husain and Mahmood Farooqui

(L-R) Danish Husain and Mahmood Farooqui

new readership. Mahmood Farooqui of Dastangoi says, “I think it is a good tactic to take up texts that are already familiar to some in the audience. Listening to a story and reading one are very different experiences.”

India sells more traditional bestsellers, says Thomas Abraham, Managing Director, Solo_-_James_Bond_first_edition_coverHachette India. Like “Enid Blyton or Christie or Conan Doyle. So, yes, these will have a good market here. But the new revivals will sell much more in the west in year one at least because they are major literary events.” Caroline Newbury, VP, Marketing and Corporate Communications, Penguin Random House, points out that books like Solo and Jeeves and the Wedding Bells “have been successful across the globe, hitting bestseller lists in the U.K. and in places like Australia.”

Kushalrani Gulab, a voracious reader, cannot resist these new novels. She is “driven by curiosity and the very, very small hope that, by some miracle, my beloved character and her/his world might actually come back from the dead. So far, there has been no miracle.” A sentiment that blogger Sheila Kumar echoes. “Truth to tell, I approach these tribute/resurrections with both reserve and caution. Sebastian Faulks, Jeeves and the Wedding BellsComparisons, while they are admittedly odious, are also inevitable in cases like these!” But, as Abraham points out, “You dislike them generally after having read them, so you contribute to the market anyway.”

An article in the Publisher’s Weekly describes Sophie Hannah as having “channelled” one of literature’s greats. But Gulab’s passionate response to this is: “I find it very hard to imagine that another author can do just as good a job as the original author… (who) knows her/his own character best because she/he has honed it over the years… Another author, however, only knows the character by a list of characteristics; from the outside, as a reader does. Not from the inside as the original author does. Also, characters tend to exist in a certain milieu. So unless the new author makes the characters contemporary, she/he has got to recreate the world around the character as well. That’s very hard to do when you haven’t actually lived in that time period.” In fact, Sophie Hannah says she found the names — Catchpool, Brignell, Negus, Sippell and Ducane — for most of her cast from tombstones as they had a “classic, old-fashioned feel about them”.

Yet these “continuations” raise the tricky question of copyright. Last year, the Conan Doyle Estate was “horrified that the ‘public domain’ might create multiple personalities of Sherlock Holmes” (September 2013). But in December 2013, a judge in the U.S. ruled that “Sherlock Holmes is definitely in the public domain”. The first story is bound by the original term of copyright. A new version does not extend the character’s copyright term for the estate. But copyright and permission to carry on the characters are two different things. So, if an estate has the legal right to stop any use of the character after the story’s copyright expires, may be they can. But they can’t stop the printing of existing works, if they have gone out of copyright.

Abraham refers to the attitude of Peter O’Donnell, creator of the Modesty Blaise series. “O’ Donnell told me that he wouldn’t like the idea of Modesty being carried on by someone else especially after the disastrous film version. That was one reason why he killed them off in Cobra Trap.” Attitudes vary hugely from estate to estate. As Newbury points out, Solo’s copyright lies with Ian Fleming Publications Ltd., whereas Jeeves and the Wedding Bells is attributed to Sebastian Faulks.

According to Rich Stim, Attorney, on the legal website, NOLO, “fictional characters can be protected separately from their underlying works as derivative copyrights, provided that they are sufficiently unique and distinctive like, James Bond, Fred Flintstone, Hannibal Lecter, and Snoopy. In Nichols v. Universal Pictures Corp., Judge Learned Hand established the standard for character protection: “… the less developed the characters, the less they can be copyrighted; that is the penalty an author must bear for marking them too indistinctly.” Exploitation of fictional characters is a crucial source of revenue for entertainment and merchandising companies. Characters such as Superman and Mickey Mouse are the foundations of massive entertainment franchises and are commonly protected under both copyright and trademark law. Unfortunately the protection afforded to fictional characters sometimes clashes with the fair use right to comment upon or criticise those characters. ” ( http://www.nolo.com/legal-encyclopedia/protecting-fictional-characters-under-copyright-law.html ) Moriarty

People will read the new versions, but if you ask them which character they want to see resurrected, the answer comes promptly: “none”. The truly worthy successor of a great mystery writer in the modern world, writing in English, in my humble opinion, is Anthony Horowitz. I am looking forward to his Moriarty to be released at the end of October.

Other literary revivals

James Bond: Colonel Sun by Kingsley Amis (as Robert Markham); Solo by William Boyd.

Sherlock Holmes: The House of Silk by Anthony Horowitz and The Mandala of Sherlock Holmes by Jamyang Norbu, which also revived Hurree Babu from Rudyard Kipling’s Kim.

Bertie Wooster and Jeeves: Jeeves and the Wedding Bells by Sebastian Faulks.

Jason Bourne: The Bourne Imperative by Eric van Lustbader.

Famous Five: Sarah Bosse wrote 21 new novels with Enid Blyton’s characters in German.

In India, Dastango Mahmood Farooqui has resurrected Alice in Wonderland as Dastan Alice Ki, and has plans to adapt Gopi Gyne Bagha Byne and The Little Prince.

Update

The article has been corrected to reflect the following changes: Kingsley Amis wrote the Bond novels under the pen name of Robert Markham and not George Markham as was printed earlier. Secondly, the Moriarty novel by Anthony Horowitz will be available at the end of October and not at the end of this week as mentioned earlier.

28 September 2014 

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