Brian Selznick Posts

Brian Selznick’s “Kaleidoscope”

Many people didn’t understand what it was, and many thought that you had taken your sadness and loss and made something beautiful out of it. You met artists, scientists, and dreamers, and you engaged in long conevrsations and exchanged fascinating letters with authors and philosophers for years afterward. In a way, I believe it saved your life . . . and if you want to know a secret, that’s why I gave you the dream in the first place.

….

We had only a tiny fraction of everything he wrote in our possession, but the fragments included references to Greek myths, the origins of the universe, children’s fantasy novels, the quests of King Arthur’s knights, the creation of the periodic table, a man who found the entrance to a buried city behind a wall in his house, spaceships, ancient Egypt, mysterious castles, the invention of the kaleidoscope, and the knitted blankets of his childhood bed.

“Didn’t you have something you wanted to tell me?”
“Yes, I’ve been trying all night to tell you,” said the bat. “But you wouldn’t stop fighting me. It was very annoying. And now I have to go.”
A sudden, strange kind of shame came over me. “I;m sorry,” I said. “What were you trying to tell me?”
The little creature stretched his spiky wings. His eyes sparkled. “I’ve been trying to tell you I
love you,” he said, and with a little leap he vanished into the purple Connecticut sky.

In bed as I close my eyes, I wonder if the beginning of time and the end of time are the same thing, and the distance between seconds is really as long as the distance between stars. Maybe this is what it’s like to be inside the mind of God. The past and the future mean nothing, and the time is always now.

Brian Selznick’s latest book, Kaleidoscope, is an extraordinary feat of storytelling (Scholastic). The author calls it a mysteyr that takes place in the space of a day but seems to be spread over two thousand years. It is about two individuals connected to each other across time and space — the narrator and his friend James. Yet, the micro-stories in the volume use a bunch of personal pronouns that can easily replace the characters with the reader/s. The stories shimmer. There are stories about a shipwreck, journeys, libraries, writers, butterflies, artists, magical creatures, angels, guardians, giants, etc. These are magical stories that can possibly be read in any sequence without disrupting the sheer pleasure of the vast imaginative landscape. The New York Times refers to it as a ‘lockdown masterpiece‘ ( 17 Sept 2021). Rightly so. The book provides oodles of hope, joy, and love for the future; it also builds upon a post-Edenic creation of society by its play on the apple — a real fruit and a metaphor. Much like what many are experiencing about a post-pandemic world, life before the covid crisis seemed idyllic, like paradise, and it has been completely disrupted. The collection of stories are a mix of traditions, references, and with it a lot of originality. It is ultimately in the hands of the reader to decide how to approach these stories and tease out the beauty and aestheticism enshrined in them, much like the ordinary pieces of coloured glass in a kaleidoscope become a burst of beautiful, intricate patterns dependant on how the person holding the instrument chooses to move it. As with the stories, life too is about a series of choices and it is upto the individual to make the best of one’s circumstances — to be worried and anxious about the pandemic or live life with joy each day. It is about free will. Accompanying the stories are the gorgeous illustrations in graphite by Brian Selznick. Flipping through the images, they have a parallel story to tell but can also illuminate the text very well too. Every story has a full page illustration but tipped in between the stories are double-page spreads of kaleidoscope patterns.

Kaleidoscope is a stupendous book that is meant not only for teenagers but for everyone. It should be marketed in such a manner. It can easily straddle the genres of fiction, children’s literature, young adult literature and mind, body, spirit books. It is about taking a journey and understanding one’s own free will. It provides hope, succour, companionship and a sense of belonging, especially during the pandemic, when everyone is feeling so adrift and lost.

Kaleidoscope is a masterpiece. Buy it. Treasure it. Gift it.

6 Feb 2022

“The Letter Q: Queer Writers Notes To Their Younger Selves”

“The Letter Q: Queer Writers Notes To Their Younger Selves” edited by Sarah Moon and contributing editor, James Lecesne, is an anthology of letters by award-winning authors and illustrators such as Armistead Maupin, David Levithan, Amy Bloom, Jacqueline Woodson, Brian Selznick, Bill Clegg, David Ebershoff, Eileen Myles, Michael Cunningham, and Arthur Levine to name a few. It is an interesting anthology where the letters have a markedly controlled tenor that is probably nowhere close to the confusion and mixed feelings they experienced as youngsters. As adults the contributors are expected to exhibit some maturity and share experiences in a measured tone. Having said that it is hard to believe that while recalling their past and writing to a younger self, raw wounds were not opened once more with accompanying emotional upheavals. But the editors seem to have managed to cap it all and produce an anthology that is readable and is able to communicate calmly with its intended audience. In all likelihood it will work for teenagers as well as counsellors, educators and care givers too. This book has been edited by Sarah Moon in collaboration with James Lecesne, founder of The Trevor Project, an organization’s dedicated to preventing LGBTQ teen suicide. This is a book meant to be read. Share it. Discuss it. Use it as a conversation starter.

29 October 2019

Literati – “The library as social experience” ( 16 August 2015)

jaya_bhattacharji-300x300My monthly column, Literati, in the Hindu Literary Review was published online ( 15 August 2015) and will be in print ( 16 August 2015). Here is the url http://www.thehindu.com/books/literary-review/jaya-bhattacharji-rose-on-the-relevance-of-libraries-today/article7539673.ece#. I am also c&p the text below. 

Buying books the traditional way is a cherished subjective experience, heavily dependent on the curating abilities of the book buyer.

My five-year-old daughter asked me, “Why can’t libraries be like bookshops? If we like a book, why must we return it to the library? Why can we not buy and keep it?” I was stumped. It was a perceptive observation.

***

“You either see it or you don’t” was an eccentric American Dennis Severs’ mantra,who converted his Georgian home in London into a time capsule with pieces collected from the 17th century till Edwardian times. Brian Selznick’s absolutely ‘scrumdiddlyumptious’ forthcoming book, The Marvels, is heavily inspired by Dennis Severs’ imaginative lifestyle. To my mind, this mantra aptly marks the rapid disappearance of brick-and-mortar bookstores and at the same time provides a possible solution for their survival.

In Delhi, two iconic bookshops — Fact & Fiction and Galgotia — are closing. There are many factors responsible globally for closure of bookstores, such as rising rents, fewer customers and an increasing use of e-readers like Kindle, iPads and smartphones. Buying books the traditional way is a cherished subjective experience, heavily dependent on the curating abilities of the book buyer. Obviously, a regular customer is wistful at the announcement of their favourite bookstore closing. On the other hand, online retailers have to innovate, evolve and work constantly at providing customer satisfaction without ever knowing who is buying from their portal.

For most readers, it is like being in a dream spell. Having read about a book, many readers want instant gratification and engage in impulsive buying, usually possible only with online retail. It is a human behaviour that has evolved with access to the Internet 24×7 for more than a generation.

Recently, I read a bunch of absolutely delightful titles from the TED Books that take off from where TED talks leave off, such as Pico Iyer’s The Art of Stillness, Chip Kidd’s Judge This and Chimamanda Ngozi Adichie’s We Should all be Feminists. I also read a devastatingly moving novel, The Blue between Sky and Water, by Palestinian writer Susan Abulhawa; a delightful anthology, The Pleasure of Reading,edited by Antonia Fraser; and an excellent collection of commentaries, Nehru’s India, edited by Nayantara Sahgal. War novel Escape from Baghdad! by Bangladeshi Saad Hossain and The Word at War made it to the list. When I discuss these books animatedly with friends, many automatically order these online. This change in human behaviour has affected the lifeline of bookstores.

In a possible model for a bookstore of the future, non-profit Pioneer Works in Red Hook, U.S., opened a ‘remarkably small’ bookstore. It stocks new and used books, local zines, lit mags, children’s books conveniently located at their height and a modest wall spotlighting a rotating small press. Also, the shop clerk assures customers that if they do not find the book title they are looking for, he will order it for them.

Then there is Trilogy in Mumbai, founded by Meethil Momaya and Ahalya Naidu in December 2014. It houses a library and a bookstore; though they are under the same roof they do not share shelf space. Titles are available in Hindi, English and Marathi. The library functions like any old-school library and the bookstore works like (almost) any other bookstore in the world. The very idea of having a bookstore and a library together in the same place without a wall dividing the two was to allow members the freedom to read books without owning them (library) and when they love a book they would like to own, they always have the option of buying it (bookstore). There is a symbiotic relationship between the two spaces. Borrowers very often want to buy the book they have either issued or find in the library. If it is available in the bookstore they can buy it immediately.

There is also the model that legislator Dr. T.M. Thomas Isaac has suggested in Kerala wherein libraries turn into centres for students to gather and study together in the evenings.

These examples illustrate a recommendation made at the Indian Public Libraries Conference 2015 held on March 17-19, 2015 in New Delhi. Recommendation on refurbishment of public libraries, point 8f, states, “Facilities in public libraries should include, ‘multi-purpose social space’ for use by the community extending services beyond the provision of reading facilities.”

Paul X. McCarthy, in Online Gravity: The Unseen Force Driving the Way You Live, Earn, and Learn, illustrates how a new set of economic rules, very different from those in the physical world, are governing businesses. According to him, one of the fundamental consequences of gravity-giant formation is the way in which it is influencing the shape of products, companies and ultimately the whole economy online. But I wonder if the cross-filtering and influencing of experiences across mediums has not already begun? What is the future of libraries and bookstores if they don’t evolve by catering to community demands and expectations? Libraries and bookstores die because they fail to fulfil this. Reading may be a personal experience, but libraries and bookstores are social experiences. Somewhere the customised experiences of individuals increasingly created by blending digital and real services have begun to spill over into the physical world.

15 August 2015

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