Asian Age Posts

“What are the books we are excited about in 2021?”

On 3 January 2021, I wrote about the wonderful books expected to be published in 2021. Here are the original links in the Asian Age and Deccan Chronicle. Given below is the longer version of the article.

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The Covid-19 pandemic has disrupted innumerable sectors – publishing is no exception. One of the major fallouts has been the front lists where commissioning editors are circumspect about whom to commission and what subjects to explore; it is not said explicitly but it is apparent while scanning 2021 book catalogues that there has been a shift. Tried and tested subjects such as politics, memoir/biographies and narrative non-fiction exist but there is a definite presence of essayists and nature writing. The top 1% of successful literary and commercial fiction authors — internationally and locally—are back with new books. Interestingly there is a large variety of debut authors, from newcomers to well-known nonfiction writers becoming novelists such as Ira Mukhoty Jayal, Krupa Ge and Tavleen Singh. Historical fiction is a robust category with trilogies and quartets being announced by writers like Jerry Pinto and Madhulika Liddle. Surprisingly celebrity publishing and Mind, Body Spirit (MBS) that are constant sellers are not as prominent as they were in the recent past.

During the pandemic, it is a wise decision by publishers to ensure that successful authors constitute a chunk of their front lists. Hence, in non-fiction, there is Shashi Tharoor’s Pride, Prejudice & Punditry: The Essential Shashi Tharoor consists of essays and fiction; Salman Rushdie’s Languages of Truth has newly collected, revised and expanded non-fiction from the past two decades, many of which have never been published before; Ruskin Bond’s It’s a Wonderful Life: Roads to Happiness that calls for small joys to be found in everyday living even in times of extreme stress;  A Functioning Anarchy (Eds. Srinath Raghavan and Nandini Sundar) a collection of essays by world-renowned historians, lawyers, scientists and journalists sparked by Ramachandra Guha’s work; Nayantara Sahgal’s The Unmaking of India: Articles and Speeches & Encounter with Kiran contains articles, talks, essays that discuss the “unmaking” of India, where freedom, liberty and equality are replaced by religious bigotry, communal politics, a ‘’tame’’ media and all the accompanying dangers of majoritarian rule and Eric Hobsbawm’s On Nationalism that is considered to be an insightful and enlightening collection of the historian’s writing on the subject of nationalism.

Non-fiction sells consistently especially on politics, history, business, self-help, memoirs/biographies etc. Some of the exciting titles scheduled are historian Upinder Singh’s Ancient India: Culture of Contradictions ; Amit Varma’s podcasts converted into four books, collectively known as The Seen and the Unseen; Amitav Ghosh’s The Nutmeg’s Curse: A Parable for a Planet is about conquest and exploitation and geopolitical hierarchy; Manu Pillai’s  The World of Raja Ravi Varma: Princes and Patrons describes the portraits of the Maharajahs stood up to the Raj and developed visions of modernity that were deeply Indian in nature, and women who defied norms as well as colonial expectations; City of Gated Walls: The Map of Shahajahanabad by Swapna Liddle is a reproduction of that map created in Bahadur Shah Zafar’s time by a mapmaker, working in 1846, who painstakingly depicted important buildings, streets, and landmarks, providing a wealth of information about the city as it had evolved up to that time. In Search of the Divine: Living Practices of Sufism in India by Rana Safvi, is a unique treatise on the core of Sufi beliefs. Some others that are eagerly awaited include 1946: The Indian Naval Uprising that Shook the Empire by Pramod Kapoor; The Gujaratis: A Portrait of a Community by Salil Tripathi; Congress Radio by Usha Thakkar about the establishment of the underground radio by Usha Mehta during the Quit India Movement; Aparna Vaidik’s Revolutionaries on Trial: Sedition, Betrayal, and Martyrdom uses a variety of sources  to reconstruct a dramatic period in India’s struggle for Independence; and Angellica Aribam and Akash Satyawali’s The Fifteen: The Women Who Shaped the Constitution of India. Rupa Gupta and Gautam Gupta’s Lifting the Veil from India’s Past is about the Archaeological Survey of India. In Language of Remembering: Generational Memories of the Partition, Aanchal Malhotra shifts attention to the post-memory generation – how the generations that have not witnessed Partition engage with its history. Yashaswini Chandra The Tale of the Horse: A History of India on Horseback is a tale of migration and permanent intermingling whereas Winged Stallions and Wicked Mares: The Horse in Indian Myth and History by Wendy Doniger examines the horse’s significance throughout Indian history and culture even though the animal is not indigenous to India. Voices from the Lost Horizon is a collection of a number of folk tales and songs of the Great Andamanese that represent the first-ever collection rendered to Prof. Anvita Abbi and her team by the Great Andamanese people in local settings. The compilation comes with audio and video recordings of the stories and songs to retain the originality and orality of the narratives. In Fellowship of Rivals by Manjit Kumar that tells the story of the first great Scientific Revolution, and how a small group of individuals – including Isaac Newton, Robert Hooke and Christopher Wren – produced an explosion of knowledge unrivalled in the history of western civilisation. Pranay Lal’s Virus is a deep dive into its origin and evolution and his The Cretaceous is meant for younger readers. Anjana Chattopadhyay discusses Women Scientists in India: Lives, Struggles and Achievements.

Militant Piety and Lines of Control: The Lethal Literature of the Lashkar-e-Taiba edited by C. Christine Fair and translated by Safina Ustaad is the first scholarly effort to curate a sample of LeT’s Urdu-language publications and then translate them into English for the scholarly community studying this group and related organizations. The Muslim Problem by Tawseef Khan gets to the heart of Islamophobia and is a compelling mix of journalistic investigation, historical analysis and memoir, full of research and interviews. Tawseef Khan is a solicitor specialising in Immigration and Asylum Law and a human rights activist. In Project 39 are deeply personal stories that emerged from interviews conducted with death-row prisoners and their families. These were collected by Jahnavi Mishra and Project 39A, a research and litigation centre based out of National Law University, Delhi. is awaited as is India’s First Dictatorship: The Emergency, 1975-77 by Christophe Jaffrelot and Pratinav Anil that draws upon a trove of new sources. From the bestselling military historian, Shiv Kunal Verma’s 1965: A Western Sunrise is the definitive account of the 1965 war between India and Pakistan. Meanwhile Samira Shackle’s debut Karachi Vice is considered to be a fast-paced journey around Karachi in the company of those who know the city inside out.  Some others that are expected: When the Mask Came off: A People’s History of Cruelty and Compassion in Times of Covid19 Lockdown, edited by Harsh Mander, Natasha Badhwar and Anirban Bhattacharya; Jana Gana Mana by musician-activist T.M. Krishna who through the idea of ‘national symbols’, examines the idea of citizenship and belonging, while also investigating and problematising the symbol itself. Graphic narratives such as Azaadi: A Biography of Bhagat Singh by Ikroop Sandhu; Shaheen Bagh: A Graphic Book by Ita Mehrotra and Incantations over Water by Sharanya Manivannan.

Nature writing is proving to be a well-defined genre as well. The titles to look out for are The Bera Bond which is about Sundeep Bhutoria’s startling discovery of a little-known leopard colony in the forests of Rajasthan where the big cats live harmoniously with humans. The Braided River: A Journey Along the Brahmaputra, journalist Samrat Choudhury sets out to follow the river’s braided course from the edge of Tibet where it enters India down to where it meets the Ganga at a spot marked by the biggest red-light district in Bangladesh. Award-winning wildlife conservationistNeha Sinha’s Wild and Wilful is about fifteen iconic Indian species in need of conservation and heart. Earth’s Incredible Oceans by Dorling Kindersley is a must-have encyclopaedia. Waiting for Turtles by Pankaj Sekhsaria, illustrated by Vipin Sketchplore is a gorgeous picture book sensitising children to the urgency to save turtles. Scientist-cum-author Sukanya Datta’s Animal Architects is about the homes that animals build and are in themselves architectural wonders. The Heartbeat of Trees by Peter Wollehben (translated by Jane Billinghurst), reveals the profound interactions humans can have with nature, exploring the language of the forest and the consciousness of plants. Worryingly climate change can wreak havoc to these ecosystems. Hence the relevance of environmental activist Vandana Shiva and Shreya Jani Slow Living: What You Can Do About Climate Change. Bill Gates too has a forthcoming book on How to Avoid a Climate Disaster.

Memoirs have always proven to be popular. Some of the prominent ones are MK Gandhi’s Restless as Mercury: My Life as a Young Man; the celebrated Hindi writer Swadesh Deepak I Haven’t Seen Mandu, translated by Jerry Pinto is a most revealing and powerful first-person accounts of mental illness; Feisal Alkazi’s Enter Stage Right: The Alkazi / Padamsee Family Memoir; Gulzar’s Actually… I Met Them: A MemoirVir Sanghvi by journalist Vir Sanghvi; Bollywood actors Neena Gupta,  Deepti Naval and Priyanka Chopra Jonas have written Sach Kahun Toh,  A Country Called Childhood: A Memoir and Unfinished: A Memoir respectively but the big one will be Hollywood actress Sharon Stone’s The Beauty of Living Twice; screenwriter Nikesh Shukla’s Brown Baby explores themes of racism, feminism, parenting and our shifting ideas of home; publisher Ritu Menon’s ADDRESS BOOK: A Publishing Memoir in the Time of COVID; Kobad Ghandy’s Fractured Freedom: A Prison Memoir gives an insight into his decade-long journey of arrests and time in prisons across India; Dead Men Tell Tales by forensics expert Dr B. Umadathan (translated from Malayalam by Priya K. Nair) is the riveting memoir of Sherlock Holmes of Kerala. Former cricketer and commentator and current head coach of the Indian national cricket team Ravi Shastri’s memoir written with Ayaz Memon.

Biographies whether authoritative or not are hugely popular such as Yasser Usman’s Guru Dutt: An Unfinished Story; Kaveree Bamzai’s The Three Khans about Aamir Khan, Salman Khan and Shah Rukh Khan; Gautam Chintamani Vinod Khanna: A BiographyZohra! – A Biography in Four Acts by Ritu Menon about thespian Zohra Sehgal; Francis Wilson’s biography of DH Lawrence called Burning Man; Adi Prakash’s Umar Khalid: Beyond the Anti-national is the story of Umar Khalid is the story of media fairness and it is the story of student politics and of growing up Muslim in India. Also expected are the Hindi writer and the first real standard-bearer of the Nayi Kahani movement Nirmal Verma: A Biography by Vineet Gill and The Master: The Brilliant Career of Roger Federer by Christopher Clarey.

Business books are another category of nonfiction books that sell perennially. Investigative journalist Josy Joseph’s The Business of Terror explores the militancy theatre as a flourishing, multi-faceted business enterprise in India where most of its actors are beneficiaries of it. Technology journalist Jayadevan P.K. writes about Xiaomi: How a Start-up Disrupted the Market and Created a Cult Following that in less than a decade, has gone from being a Chinese start-up to a global player in the smartphone market. Munaf Kapadia with Zahabia Rajkotwala writes in How I Quit Google to Sell Samosas: Adventures with the Bohri Kitchen how he had grown a weekend pop-up at his Cuffe Parade home—The Bohri Kitchen—into an F&B start-up with a Rs 4 crore turnover, and was catering to Bombay’s biggest celebrities. Liftoff: Elon Musk and the Desperate Early Days That Launched by Eric Berger is the dramatic inside story of the first four historic flights that launched SpaceX—and Elon Musk—from a shaky startup into the world’s leading edge rocket company. Tata: The Global Corporation That Built Indian Capitalism by Mircea Raianu is a eye-opening portrait of global capitalism spanning 150 years, told through the history of the Tata corporation. Forgotten Brands: Fresh Marketing Lessons by Ramya Ramamurthy is about colonial Indian brands (both home-grown and foreign) were produced, distributed and marketed between 1847 and 1947. Finally, House of Pain by Patrick Radden Keefe is the story of the Sackler Dynasty, Purdue Pharma, and their involvement in the opiod crisis that has created millions of addicts, even as it generated billions of dollars in profit.

Another popular nonfiction category are cookery books. So, it is no surprise then that practically every publisher has at least one book in the pipeline. Beginning with Sunita Kohli who has collected recipes from celebrities in From the Tables of My Friends; Winner of Nobel Prize in Economics (2019) Abhijit Banerjee’s cookbook; History Dishtory: Adventures and Recipes from the Past by Ranjini Rao and Ruchira Ramanujam and Indian Street food by Rocky Singh and Mayur Sharma. Chitrita Banerji’s A Taste of My Life is both the story of life as an immigrant food writer as well as a story of immigration, belonging, nostalgia, and history, through the lens of food. Rasa: The Story of India in 100 dishes by Shubhra Chatterji is a culinary history of India and the intersection of culture and cuisine told in the most enthralling stories behind a hundred dishes.

Across the board, literary fiction stalwarts return in 2021 with promising new stories. Chitra Bannerjee Divakurni’s novel The Last Queen is an exquisite love story about Maharaja Ranjit’s Singh’s last queen, a commoner, Jindan Kaur; Amitav Ghosh’s Jungle Nama: A Story of the Sundarban, a verse adaptation of the timeless legend of Bon Bibi and Dokkhin Rai that also evokes the wonder of the Sundarban through its poetry, accompanied by stunning artwork by the renowned artist Salman Toor. Asoca by I. Allan Sealy is an imagined memoir of Ashoka The Great; Hussain S. Zaidi’s The Black Orphan centres on Asiya, Osama Bin Laden’s protégé and foster daughter; Anuja Chauhan returns with a grisly titled Club You to Death as does Padma Shri Temsula Ao with six short stories in The Tombstone in My Garden; writers of young adult fiction like Deepa Agarwal’s Kashmir! Kashmir! and Paro Anand’s short stories Unmasked based on the challenges faced by migrants during the lockdownAnnie Zaidi’s novel, One of Them is about people who live on the margins of a big city, and Amitava Kumar A Time Outside This Time is about fake news, memory, and how truth gives way to fiction. The Loves of Yuri by Jerry Pinto is a funny, heart breaking, unforgettable novel about friendship and first loves and the great city of Bombay. Set in the 1980s, this is the first in a trilogy of novels that trace the emotional and intellectual journey of the protagonist, Yuri, from early adolescence to late youth. Nobel Prize winnersKazuo Ishiguro and Orhan Pamuk’s novels Klara And The Sun and Nights of Plague, respectively are hugely anticipated as is the mind bending new collection of short stories First Person Singular by Haruki Murakami. Pulitzer Prize-winners Jhumpa Lahiri, Viet Thanh Nguyen and Colson Whitehead’s novels are called Whereabouts, The Committed and Harlem Shuffle. This is the first novel Lahiri has written in Italian and translated into English. Tahmima Anam’s, already much-talked-about, The Start-Up Wife is considered gripping, witty and razor-sharp, a blistering novel about dreaming big, speaking up and fighting to be where you belong. Second-time novelists who had glittering starts to their literary careers like Anuk Arudpragasam, Sunjeev Sahota and Elizabeth Macneal return with In Search of the DistanceChina Room, and Carnival of Wonder respectively.

The debut writers making their mark are Maithreyi Kapoor Sylvia’s Distant Avuncular Ends by experimenting with the form of a novel. Poet Kynpham Sing Nongkynrih’s novel Funeral Nights, where the absurd and the sublime all freely mix,is a history of the Khasis. Krupa Ge’s One Hundred Autumns is set in an era of strict Brahmanical orthodoxy and social mores that sought to bind all women into submission and against the backdrop of the Dravidian movement. Ira Mukhoty Jayal’s Song of Draupadi is a vivid and imaginative novel revolving around the epic figure of Draupadi. Raza Mir’s Murder at the Mushaira: A Novel is a cracking murder mystery & literary novel. Filmmaker Devashish Makhija’s Oonga, a powerful novel that transitions from a film and sits deep in the clash between adivasis, naxalites, the CRPF and a rapacious mining company; Simran Dhir’s Best Intentions, centred on two families in Delhi; Fahad Shah’s The Unnamed, a searing novel set in Kashmir; and Bollywood insider Mushtaq Sheikh’s sizzling Bollywood Biwis. Some of the others to watch out for are Rucha Chitrodia It’s also about Mynah, Zakiya Dalila Harris’s The Other Black Girl, Rijula Das’s A Death in Shonagachhi,journalists Anindita Ghose’s The Illuminated: A Novel and Tavleen Singh’s Everything Breaks.

Historical fiction is a well-defined niche with The Grand Anicut by Veena Muthuraman, set in Southern India, first century, with the Pandyas conquered, the Cheras all but vanquished, and the attention of the king of the north fixed on other lands, Tamilakam flourishes under Chola rule. The first book of Madhulika Liddle’s Delhi quartet — The Garden of Heaven is planned. It is a story playing out against a backdrop of Delhi, stretching from the end of the twelfth century (when Delhi first came under the rule of Sultans) till 1947. Shubendra’s Sultan: The Legend of Hyder Ali, set in the eighteenth century, is the astonishing tale of an ordinary boy from Mysore who became one of the greatest rulers of India. Tarana Khan’s The Begum and the Dastan although set in the late nineteenth century, in the fictional town of Sherpur, is a work based on real events. A despotic Nawab abducts a married woman, Feroza, and marries her against her wishes. Feroza must now negotiate her new life in the zenana with the other wives and concubines of the Nawab. Digonta Bordoloi’s Second World War Sandwich is a thrilling action-packed novel set in Nagaland during the Second World War, when the Nagas resisted the incursion of the Japanese troops into Northeast India. The Paris Library by Janet Skeslien Charles is inspired by the true story of the librarians who risked their lives during the Nazis’ war on words. Melody Razak’s Moth is a heart-rending story of a Brahmin family living in 1940s Delhi during India’s Independence and subsequent Partition. A Net for Small Fishes by Lucy Jago, explores the twisting corridors of power and with the friendship of two women at its heart, it is an exhilarating dive into the pitch-dark waters of the Jacobean court.

Some of the noteworthy translations expected are Ambai’s short stories A Red-Necked Green Bird, translated from Tamil by GJV Prasad; the Bengali classic, Manada Devi’s An Educated Woman in Prostitution: A Memoir of Lust, Exploitation, Deceit (Calcutta,1929), translated by Arunava Sinha; Amrita Pritam’s Pinjar or The Cage, translated from Punjabi by Rita Banerji, was written in 1950, and was the very first to approach Partition and its aftermath through the eyes of a woman; Kaajal Oza Vaidya’s Krishnayan, gives glimpses into Krishna’s last moments on earth, translated from Gujarati by Subha Pande and The Last Gathering: A vivid portrait of life in the Red Fort by Munshi Faizuddin, translated by Ather Farooqui. It was first published in 1885, Bazm-i Aakhir, or The Last Assembly and is a rich and lively account of life in the royal court of the last Mughal emperor in Red Fort, Bahadur Shah Zafar.

So many frills, thrills and spills! Reading good literature will help survive this pandemic.

3 Jan 2021

How culture filip can fast-forward pandemic recovery

On 20 Dec 2020, I wrote an article for the Asian Age on how various governments are supporting their cultural sectors. The article was published in the Deccan Herald on 21 Dec 2020 as well. Here is the original url: https://www.asianage.com/life/art/201220/is-govt-listening-culture-fillip-can-fast-forward-post-pandemic-recovery.html . The longer version of the article is reproduced below.

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Creative economy refers to a range of economic activities where value is derived from the generation or exploitation of knowledge and is copyright relevant— music, writing, art, fashion, design, and media. Also, a wider range of production activities including goods and services that rely on innovation, research and development such as film, museums, galleries and photography. UNESCO’s Cultural Times (2015), the first global map of the cultural and creative industries, acknowledges the societal value of arts and culture. It assesses the contribution of cultural and creative industries to economic growth. It estimates that they generate US$250 billion in revenue a year, creating 29.5 million jobs worldwide.

On 11 March 2020, the WHO declared a Covid19 pandemic; drastically impacting national economies. Essential industries were permitted to function but other sectors suffered terribly. Many governments did not offer any support and certainly not for the creative industries. But there were some exceptions to the rule like Germany. In June 2020, under a programme called New Start for Culture, it earmarked €1bn for arts. In Nov 2020, under Germany’s infection protection law, culture has a new legal status and is no longer classified as entertainment. Hence, cancelling arts events in the pandemic might become difficult.  On 19 March 2020, France did something similar by modifying the rules of the country’s specific unemployment scheme for artists and technicians. It announced that artist-authors could benefit with a lump sum from a solidarity fund. Italy set aside €130 million for authors and audio-visual sectors etc. On 11 December 2020, the UK’s Arts Council announced that the Culture Recovery Fund marked its £1 billion milestone, with £654 million being invested in arts and cultural organisations, part of its £1.57 billion support package. On 30 Nov 2020, Germany approved a culture budget of €2.1 billion ($2.5 billion), nearly at par with the European Union’s budget for culture of €2.8 billion to be distributed over the next seven years.

In the $2 trillion coronavirus stimulus bill announced in the USA, approximately $75 million was for the National Endowment for the Arts. In South Africa, where 7% of the workforce are in this sector, 45% are informal, and contribute 1.6% to their GDP. The National Arts Council committed its support to the artists by continuing to pay them during the pandemic.

In May 2020, Jacinda Ardern, the PM of New Zealand, announced a $175 million package for ‘decimated’ arts – a resilience grant. The creative sector contributes nearly $11 billion a year to NZ’s GDP and employs 90,000 people. So, the New Zealand Libraries Partnership Programme (NZLPP) with a funding package of $58.8 million will support librarians and library services and assist them to support community recovery. Ardern said “A healthy cultural sector has many positive flow-on effects for other important parts of our economy, such as technical production, hospitality, venues and domestic tourism.”

According to the World Bank (Aug 2020), in 2013, creative industries around the world generated revenues of over $2 billion and employed 29 million people. The market for creative goods is estimated to be $508 billion as of 2015. In 2015, developing economies exported more than 250 billion creative products including design goods, fashion, and films. Top exporters included China, Turkey, India, Mexico, El Salvador, and Pakistan. In the United States, the non-profit arts and culture industry generated $166.3 billion of economic activity in 2015, supporting 4.6 million jobs, while receiving only $5 billion in arts allocations by the public sector. A phenomenal ROI at 3326%!

According to Megha Patnaik’s Measuring India’s Creative Economy report (May 2020), it is estimated that approximately 1.1 million workers are employed in this sector, contributing 0.58% of the GDP (2016-17). This is less than the international average as measured by WIPO where the mean contribution is 5.48%. But in India this can be partially attributed to the lack of comprehensive data outside the formal manufacturing sector. Patnaik states that with the right growth impetus through policy and markets, the creative economy can create a large share of jobs in the future. Sanjoy Roy, co-founder Jaipur Literature Festival, confirms this by estimating that during the six days there are more than 500,000 footfalls (approx.) and 110,000 unique visitors, and the local economy benefits manifold. Apart from the immediate impact on the hospitality industry, craftspeople, jewellers etc, the long-term benefits have been the revival of the restoration of heritage buildings, reopening of museums, promoting Rajasthan as a tourist/wedding destination.

In fact, culture can accelerate socio-economic recovery from the pandemic as stated by the World Bank and UNESCO in “Culture in City Reconstruction and Recovery” (2018). The framework, entitled CURE, offers principles and strategies to apply in city reconstruction and rehabilitation in post-crisis situations. There are four prominent ways in which culture positively impacts community resilience – by building social cohesion; there is a direct relationship between the arts and culture and social and psychological well-being; fostering diverse cultural expressions offers effective ways of dealing with post-crisis trauma and reconciling affected communities; and finally, the arts and culture offer critical tools for narrative expression, community engagement, and creating experiences of collaboration. These are critical insights that policymakers need to recognise in promoting sustainable and inclusive recovery with full ownership from communities particularly after the devastating effect of the pandemic. Investing in creative industries and developing cultural capital may be worth exploring.  

2 January 2021

Jaya’s newsletter 8 ( 14 Feb 2017)

It has been a hectic few weeks as January is peak season for book-related activities such as the immensely successful world book fair held in New Delhi, literary festivals and book launches. The National Book Trust launched what promises to be a great platform — Brahmaputra Literary Festival, Guwahati. An important announcements was by Jacks Thomas, Director, London Book Fair wherein she announced a spotlight on India at the fair, March 2017.  In fact, the Bookaroo Trust – Festival of Children’s Literature (India) has been nominated in the category of The Literary Festival Award of International Excellence Awards 2017. (It is an incredible list with fantabulous publishing professionals such as Marcia Lynx Qualey for her blog, Arablit; Anna Soler-Pontas for her literary agency and many, many more!) Meanwhile in publishing news from India, Durga Raghunath, co-founder and CEO, Juggernaut Books has quit within months of the launch of the phone book app.

In other exciting news new Dead Sea Scrolls caves have been discovered; in an antiquarian heist books worth more than £2 m have been stolen; incredible foresight State Library of Western Australia has acquired the complete set of research documents preliminary sketches and 17 original artworks from Frane Lessac’s Simpson and his Donkey, Uruena, a small town in Spain that has a bookstore for every 16 people  and community libraries are thriving in India!

Some of the notable literary prize announcements made were the longlist for the 2017 International Dylan Thomas Prize, the longlist for the richest short story prize by The Sunday Times EFG Short Story Award and the highest Moroccan cultural award has been given to Chinese novelist, Liu Zhenyun.

Since it has been a few weeks since the last newsletter the links have piled up. Here goes:

  1. 2017 Reading Order, Asian Age
  2. There’s a pair of bills that aim to create a copyright small claims court in the U.S. Here’s a breakdown of one
  3. Lord Jeffery Archer on his Clifton Chronicles
  4. An interview with award-winning Indonesian writer Eka Kurniawan
  5. Pakistani Author Bilal Tanweer on his recent translation of the classic Love in Chakiwara
  6. Book review of Kohinoor by William Dalrymple and Anita Anand
  7. An article on the award-winning book Eye Spy: On Indian Modern Art
  8. Michael Bhaskar, co-founder, Canelo, on the power of Curation
  9. Faber CEO speaks out after winning indie trade publisher of the year
  10. Scott Esposito’s tribute to John Berger in LitHub
  11. An interview with Charlie Redmayne, Harper Collins CEO
  12. Obituary by Rakhshanda Jalil for Salma Siddiqui, the Last of the Bombay Progressive Writers.
  13. Wonderful article by Mary Beard on “The public voice of women
  14. Enter the madcap fictional world of Lithuanian illustrator Egle Zvirblyte
  15. Salil Tripathi on “Illuminating evening with Prabodh Parikh at Farbas Gujarati Sabha
  16. The World Is Never Just Politics: A Conversation with Javier Marías
  17. George Szirtes on “Translation – and migration – is the lifeblood of culture
  18. Syrian writer Nadine Kaadan on welcoming refugees and diverse books
  19. Zhou Youguang, Who Made Writing Chinese as Simple as ABC, Dies at 111
  20. Legendary manga creator Jiro Taniguchi dies
  21. Pakistani fire fighter Mohammed Ayub has been quietly working in his spare time to give children from Islamabad’s slums an education and a better chance at life.
  22. #booktofilm
    1. Lion the memoir written by Saroo Brierley has been nominated for six Oscars. I met Saroo Brierley at the Australian High Commission on 3 February 2017. 
    2. Rachel Weisz to play real-life gender-fluid Victorian doctor based on Rachel Holmes book
    3. Robert Redford and Jane Fonda to star in Netflix’s adaptation of Kent Haruf’s incredibly magnificent book Our Souls at Night
    4. Saikat Majumdar says “Exciting news for 2017! #TheFirebird, due out in paperback this February, will be made into a film by #BedabrataPain, the National Award winning director of Chittagong, starring #ManojBajpayee and #NawazuddinSiddiqi. As the writing of the screenplay gets underway, we debate the ideal language for the film. Hindi, Bengali, English? A mix? Dubbed? Voice over?
    5. 7-hour audio book that feels like a movie: Julianne Moore, Ben Stiller and 166 Other People Will Narrate George Saunders’ New Book – Lincoln in the Bardo.
    6. Doctor Strange director Scott Derrickson on creating those jaw-dropping visual effects

New Arrivals ( Personal and review copies acquired)

  • Jerry Pinto Murder in Mahim 
  • Guru T. Ladakhi Monk on a Hill 
  • Bhaswati Bhattacharya Much Ado over Coffee: Indian Coffee House Then and Now 
  • George Saunders Lincoln in the Bardo 
  • Katie Hickman The House at Bishopsgate 
  • Joanna Cannon The Trouble with Goats and Sheep 
  • Herman Koch Dear Mr M 
  • Sudha Menon She, Diva or She-Devil: The Smart Career Woman’s Survival Guide 
  • Zuni Chopra The House that Spoke 
  • Neelima Dalmia Adhar The Secret Diary of Kasturba 
  • Haroon Khalid Walking with Nanak 
  • Manobi Bandhopadhyay A Gift of Goddess Lakshmi: A Candid Biography of India’s First Transgender Principal 
  • Ira Mukhopadhyay Heroines: Powerful Indian Women of Myth & History 
  • Sumana Roy How I Became A Tree 
  • Invisible Libraries 

14 February 2017 

2017 Reading Order, Asian Age

My annual feature in Asian Age which highlights the forthcoming titles of the year was published on 8 January 2017

2017 is going to be a fascinating year for books with big names too. 2016 was extraordinary for the number of strong debuts, overabundance of thrillers, revisionist accounts of history and established names releasing new books. There is a tremendous list of books to look out for – Amitava Kumar (The Lovers), Elif Shafak (The Three Daughters for Eve), Balli Kaur Jaswal (Erotic Stories for Punjabi Widows), Jeet Thayil (The Book of Chocolate Saints), Mohsin Hamid (Exit West), Kamila Shamsie (Home Fire), Arundhati Roy (The Ministry of Utmost Happiness), Nadeem Aslam (The Golden Legend), Irwin Allan Sealy (Zelaldinus: A Masque and a travelogue called The China Sketchbook), S.V. Sujatha (The Demon-hunter of Chottanikkara), Sami Shah (Boy), Neil Gaiman’sCinnamon illustrated by Divya Srinivasan, Namita Roy Ghose’s historical fiction (The Wrong Turn: Love and Betrayal in the time of Netaji) and The Parrots of Desire: 3,000 Years of Indian Erotica by Amrita Narayanan.

Debut novelists slated for 2017 that are already being spoken of highly include Prayaag Akbar’sLeila, George Saunders’ Lincoln in the Bardo, Tor Udall’s A Thousand Paper Birds, Torsa Ghoshal’s Open Couplets and Devi Yashodharan’s novel, Empire.

 

natasha badhwar

Mythology continues to be hugely popular (backbone of local publishing) with its innumerable retellings. For instance the eagerly expected Devdutt Pattanaik’s The Illustrated Mahabharata: The Definitive Guide to India’s Greatest Epic and Neil Gaiman’s Norse Mythology. Others include Mandakranta Bose’s The Ramayana in Bengali Folk Paintings, The Panchatantra by Vishnu Sharma (Translated by Rohini Chowdhury) and popular storyteller Krishna Udayasankarreturns with The Aryavarta Chronicles (4). A curious one to watch out for would be Jaya Misra’sKama: The Chronicles of Vatsyayana — a fictionalised biography of the author of The Kama Sutra(illustrated by Harshvardhan Kadam). Then there is Keerthik Sasidharan’s The Kurukshetra War: A Reconstruction and the ever-prolific Ashok Banker who has been commissioned by PanMacmillan India to write The Shakti Trilogy and by Amaryllis to deliver The Shivaji Trilogy.

The winning genre of thrillers is set to burgeon with some new and some established writers, such as Karachi-based police officer Omar Shahid Hamid’s third novel, The Party Worker, award-winning writer Jerry Pinto’s first detective fiction, Murder in Mahim, Bhaskar Chattopadhyay’s Here Falls the Shadow, Sanjay Bahadur’s Bite of the Black Dog, Sabyn Javeri’s Nobody Killed Her,Nikita Singh’s Every Time It Rains and long-awaited Pradeep Sebastian’s The Book Hunters. The bestselling duo Ashwin Sanghi and Dan Patterson are back with Private Delhi. Three intriguing books based on investigative reporting by prominent journalists are in the offing: The Nanavati Case by Bachi Karkaria, Sheena Bora Trail by Manish Pachouly and Who Killed Osho? by Abhay Vaidya.

Women’s writing continues to be a popular segment and has firmly established itself as a well-defined market. Some of the anticipated non-fiction titles are Status Single by the sharply perceptive Sreemoyee Piu Kundu, Bitch Doctrine: Essays for Dissenting Adults by the extraordinary feminist Laurie Penny, fabulous writer and columnist Natasha Badhwar’s memoir My Daughters’ Mum: Essays and popular mommygolightly blogger Lalita Iyer’s The Whole Shebang: Stick Bits of Being a Woman. Finally significant women in history and myth will be highlighted with books like Women Rulers in Indian History by Archana Garodia, Heroines: Powerful Indian Women of Myth and History by Ira Mukhoty.  Some of the other significant titles planned are Tripti Lahiri’s Maid in India: Stories of Opportunity and Inequality Inside our Homes, Sanam Maher’s The Short Life and Tragic Death of Qandeel Baloch and Priyanka Dubey’s No Nation for Women: Ground Reportage on Rape from the World’s Largest Democracy.

Translations are slowly expanding reading horizons by becoming a robust addition to the local imprint. Some prominent translations expected in 2017 are well-known Malayalam writer, Sethu Madhavan’s novels The Saga of Muziris (translated by Prema Jayakumar) and Aliyah (translated by Catherine Thankamma) which is about the migration of Kerala’s black Jews to the promised land of Israel. Rakshanda Jalil’s translation of Ghaddaar by Krishan Chander is titled Traitor, and there’s also the magnificent 900+ page novel Against the World by Jan Brandt (translated from the German by Katy Derbyshire), award-winning writer Perumal Murugan’s Seasons of the Palm andThe Collected Stories of Saadat Hasan Manto (Vol I, translated by Nasreen Rehman) to look forward to.

Evidence of a mature Indian publishing and a stable nation are the increasing number of academic analysis of the literary traditions. For instance two volumes edited by Rakhshanda Jalil — An Uncivil Woman: Writings on Ismat Chughtai and Looking Back: The Partition of India 70 Years On (with eds.Tarun Saint and Debjani Sengupta).

The Uttar Pradesh Assembly elections will take place in 2017. Plenty of books are in the pipeline. Sudhai Pai’s Uttar Pradesh: A Political Biography, Sajjan Kumar’s The Ailing Heartland: Communal Politics in Uttar Pradesh Since Independence and Venkatish Ramakrishnan’s Dateline Ayodhya. Coincidentally, 2017 is Indira Gandhi’s birth centenary year too and her constituency was Allahabad, home of the Nehrus. Two biographies planned are Sagarika Ghose’s Indira Gandhi: Her Life and Afterlife and Jairam Ramesh’s Indira Gandhi: A Life in Nature. Ashoka University’s Rudranghsu Mukherjee’s The Nehru Reader is also slated for release.

2017 is also the 70th year of Indian Independence. Some of the books slated straddle academia and lay readership. For instance  Ramachandra Guha’s India After Gandhi: The History of the World’s Largest Democracy, Barney White-Spunner’s Partition, Sheela Reddy’s long-awaited Mr and Mrs Jinnah: The Marriage That Shook India, Bertil Lintner China’s India War, Nikhila Henry’sThe Ferment and Aruna Roy’s The RTI Story. Journalist Poonam Snigdha’s Dreamers: The Heart of Modern India is a much-anticipated title for it focuses on the majority of India

Paddy Rangappa

which is under the age of 25. Another title bound to cause ripples with its publication is Age of Anger: A History of the Present by Pankaj Mishra, a polemic on the Western intellectual origins of Islamic fundamentalist. Delhi, seat of political power of the subcontinent for centuries, continues to be the favourite city for writers. Three books due are — Delhi: Power Politics Destiny by Sheila Dikshit, Chandni Chowk: The Mughal City of Old Delhi by historian Swapna Liddle and Maps of Delhi by Pilar Maria Guerrieri.

Business books continue to be bestsellers. Two prominent titles are Paddy Rangappa’s Spark: The Insight to Growing Brands and financial journalist Pravin Palande’s The Fundamentalists: Czars of India’s Financial Markets — which has been a long time in the making.

14 February 2017 

Kalyan Ray, “No Country”

Kalyan Ray, “No Country”

I was asked by Asian Age to  interview Kalyan Ray and review his new novel, No Country. The review-cum-interview was published in the Sunday edition of Asian Age on 31 August 2014. Here is the link: http://wwv.asianage.com/books/looking-neverland-504 . I am c&p the article below.) 

no countryThis was no country the world outside cared to know.
(Page 469, No Country)

No Country, Kalyan Ray’s multi-generational second novel, spans nearly 200 years, several continents. Beginning with the murder of a couple of South Asian origin in 1989, it jumps back in time, to Mullaghmore, Sligo County, Ireland, 1843, and three friends — Padraig Aherne, Bridget Shaughnessy and Brendan McCarthaigh — whose lives become inextricably linked with the birth of Padraig and Bridget’s illegitimate daughter, Maeve. Bridget dies in childbirth after Padraig has sailed off to India, later to become a successful timber merchant, and Maeve is cared for by her paternal grandmother, Maire, who on her deathbed hands Maeve to “Papa” Brendan. The potato famine is on; the starving Irish flee to America on overcrowded ships. Papa Brendan and Maeve survive a shipwreck and arrive on a farm in Canada. From here the story moves to two continents, told by various narrators with different points of view, coursing its way through Canada, India, Bangladesh, famines, refugees in America, Ireland, Odessa, Poland… The zooming about is dizzy, and often characters pop up only to disappear soon — we meet Armenians in Calcutta; Padraig Ahern marries Kalidasi; the Easter Uprising of 1916 is reported in the Bengali papers two weeks after it happened, and that reconnects Padraig to his motherland; Padraig’s son and grandson Robert Ahern are caught in the massacre in Jallianwala Bagh in 1919; Jewish pogroms begin just when Jakob Sztolberg, a Polish Jew, marries Maeve; India’s Partition. Dizzying. But it flows smoothly.

Ray attributes his ability to weave various voices in various places to being “born into the rich oral culture of India.” “I have been deeply and permanently influenced by that. I grew up listening to a vast variety of folk stories, tales from Mahabharata and Ramayana, and have been fascinated by the story-telling techniques of the Pandavani. Even our folksongs are voices telling stories. All this colours my palette in conscious and unconscious ways,” he explains. According to him, the responsibility of the writer lies in making the reader sit up all night to read. “If you write about characters that you care deeply about then the reader will be mesmerised; that is the responsibility of the writer.” Ray says that he had to be “particularly careful” about the 10 distinct voices in his novel, ranging from 19th century rural Irish voices to those of Billy Swint of 1960s New York and Kush Mitra of the early 1990s.

Ray took an eight-month sabbatical from his teaching job to immerse himself in Irish literature of 1835-1847 — books, political Kalyan Raypamphlets, newspapers and posters. He said that “later historical research often challenged and corrected contemporary perceptions of events, but I needed to keep in mind that for a novelist, the early estimations, even rumours — especially early rumours — must mark the pigment on the canvas.” The novel is packed with delightful details. “I owed it to my readers to paint the past as vividly and accurately as I could, with its sights and sounds, contemporary opinions and mindsets. So I needed to use numerous books of history, memoirs, and contemporary journals… (I) put in a great deal of effort not to let the research show in the telling of the story…” Grafton Street in Ireland is pointedly described as being paved with wood, whereas most Irish streets were packed with sod. He learnt this tiny fact after “many hours spent often with a magnifying glass in hand peering into photographs of early Victorian-era cityscapes of Dublin, and at Irish landscapes of that period”.

Women are pivotal to the novel, yet they have been described only in terms of their sexuality and the choices they make after becoming pregnant (mostly out of wedlock). Though Maeve’s character develops logically, she comes across women often do in mythology — mostly just strong survivors of circumstances. Though she can read before she is four years old, she is never shown to be doing anything with her literacy. Instead, she swiftly adapts to farming. Ray says that he has been influenced by William Faulkner. Perhaps this slide of realism into myth comes from Faulkner.

Migrants don’t necessarily have the leisure to recall stories, occupied as they are in putting their lives together, making new friends, learning new language, culture. No Country tells their story. In an interview he gave to his publishers, Ray said, “I consider this story to be a seismic shrug, a novel that consists of individual migrations. These are stories about people looking for a country, a place where they could set roots but find it nowhere.” Ray too is a migrant, dividing his time between Kolkata and America. Paradoxically, No Country does not read like a story told by a migrant. Though I read the novel in two sittings, I remained dissatisfied with the outsider’s perspective.

Post 9/11, a noticeable shift in contemporary literature, particularly fiction, is an excessive stress on identities, akin to ghettoisation of literature according to ethnic, regional and religious identities, and literary criticism has always been preoccupied with genres. But No Country is refreshingly rich in multi-cultural diversity and is able to bringing out the commonality amongst migrants.

Kalyan Ray No Country Bloomsbury, Great Britain, 2014. Pb. pp. 560. Rs. 599 

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