Jaya Posts

Nandita Haksar’s “The Flavours of Nationalism: Recipes for Love, Hate and Friendship”

The Flavours of Nationalism: Recipes for Love, Hate and Friendship  by lawyer Nandita Haksar is a unique memoir that intersperses two passions — human rights and food.

She belongs to a community of meat-eating Brahmins — the Kashmiri Pandits. Her ancestors came from Kashmir in the beginning of the twentieth century and settled in the plains of Hindustan. Very soon they forgot the culture, the rites and rituals and even the language of the Valley. The men learnt Urdu and Persian, while the women were taught Hindi and, on occasion, Sanskrit. The men greeted each other with an adaab-urz-hai but women were always greeted with a respectful namaskar. Once the Kashmiri families migrated they integrated many aspects of the cuisines of the plains, such as those of Lucknow, Allahabad and Delhi.

Nandita Haksar employs her sharp skills as a human rights lawyer to dissect cultures and bigotry. She rightly observes that ” In India, upper-caste Hindus do not inter-dine with Dalits, Muslims and tribal people, because of what they eat. Perhaps this is the distinguishing feature of Indian society and culture.” It still happens.

Later she adds ” The recent attempts to impose a ban on eating and trading beef, and the promotion of vegetarianism, have brought into focus the fact that the caste system and the ideology which sustain it is still alive. The question is how do we, who believe in democratic values and espouse liberalism, resist the imposition of this vision in our country?

The liberals, including a section of the media, have opposed the beef ban largely on the ground that it violates the human rights of an individual to choose what he or she wants to eat. However, the ban on beef is not merely a question of the violation of an individual’s right to liberty, dignity  and equality. But when millions of people are collectively denied those human rights, then we need a stronger political discourse to challenge their exclusion. ”

Some years ago in an article on “Dalit Literature in English” I had written “The recent banning of beef in India also deprives Dalits of their primary source of protein. Beef is cheap and easily available. The Dalits belong to a section of society that cuts across religions. What is astounding is that the quantum ( and relentlessness) of violence against this community is impossible for any sane individual to comprehend and yet it is practised daily.” One of the fiercest responses to the article said my assessment was wrong. Banning beef would not deprive Dalits of food.  I stood my ground and said it was an unnecessary hostile act not recognising a critical source of protein was being taken away from a community and probably plunging the already very poor people further into poverty and despair, but I was only scoffed at. The late Sharmila Rege’s Writing Caste, Writing Gender: Narrating Dalit Woman’s Testimonios discusses this at great length in her book. So when Nandita Haksar makes these associations and link human rights with the basic act of accessing food I agree with her 100% and only wish more people saw it in a similar fashion.

While I was writing this article, journalist M K Venu wrote on Twitter in reference to the Alwar lynchings and Muslims being repeatedly attacked by gau rakshaks that:

The successful right to food campaign in India led to establishment of systems to ensure food security. For instance passing of the National Rural Employment Guarantee Act ( NREGA) in August 2005, the introduction of cooked mid-day meals in all primary schools following a Supreme Court order in April 2004, and finally the passing of the National Food Security Act, 2013. “But even these achievements have been undermined by the controversies over beef and vegetarianism and have served to divert public attention from the most fundamental issue: food security for the poor who cannot afford even one meal a day and the wretched condition of farmers and their families, so many of whom have been driven to committing suicide.” This crisis is related to the globalization of the food industry and the so-called safety laws that in effect criminalize the small dhabas and the street vendors who provide affordable food to millions of people. This is food fascism.

The Flavours of Nationalism: Recipes for Love, Hate and Friendship  is absolutely fantastic for food is not only a repository of cultural norms, local wisdom ( in terms of what is the best dish / spice to have that would be most suitable for the person) but of course it is a rights issue too. To deny someone the right to their cuisine is a violently hostile act. At the same time to accept the local cuisine offered while travelling whether you like it or not is the height of graciousness and civil behaviour. This is exactly why  the anecdote Nandita Haksar shares about her friend who is a vegetarian and yet quietly eats the meat so lovingly served to her by the host at the Hashimpura wedding celebrations was an incredibly graceful gesture upon her part.

A few days ago designer Orijit Sen posted on Facebook about eating Kozhukatta on a Kochi street. Steamed rice dumplings with a sweet core of coconut and jaggery. Immediately he had a flood of responses on his timeline talking about variations of exactly same dish. There were folks writing in from Himachal Pradesh, Assam, Bengal, and even Parsis. It was fascinating to observe how food united everyone. Orijit Sen was prompted to respond “Amidst all our diversity and contradictions, I seem to have chanced upon one of those simple beautiful things that connects us all on this subcontinent!” Something that comes across so well in Nandita Haksar’s book too — the animated conversations that involve food whether designing a wedding menu to organising a meal at home or even visiting the local gurdwara for a langar!”

The July 2018 issue of the National Geographic’s cover story is on “Building a Better Athlete“. It is basically about how sports scientists are working closely with the finest sportsmen to help them excel known barriers of performance. In it is quoted Alan Ashley, the U.S. Olympic Committee’s chief of sport performance, who says the key to breaking performance barriers is to “keep athletes healthy. If they stay healthy, everything else falls into place.” This had me wondering why is that we only look at these frames of reference in absolutely exceptional specimens of human race and apply these rules of living for them alone? Why can we not shift these very same frames of reference and apply them to ordinary families? Won’t it be very liberating for many, especially women who are foisted with the responsibility of feeding their families, to feel that investment in their health, with local produce and that which is familiar to their cultures is perfectly acceptable and in fact a great way of living?

If this argument is extended to the micro-level of seeing how a family unit works. Apply it to women and see if they are taught to eat and look after themselves perhaps there won’t be so many instances of illness in many families. Off late it is not unusual to hear of instances where urban poor women are being encouraged to attend nutrition camps where they can learn how to manage household budgets by buying less and less milk as the prices skyrocket. So the women are taught how half a litre of milk can be stretched in providing nourishment value by setting curd, preserving the cream (if any) of the boiled milk etc. Or even using cheaper substitutes like soya milk. [ With today’s inflation rates I do not know if this holds true any longer!] Or adapting their old family recipes so that they do not require milk, dahi or cream as ingredients, instead they could substitute it with cheaper ( not necessarily healthier) ingredients. This is a horrific act of violence being perpetrated under the garb of nutrition camps for in the process of managing household budgets women are being forced to forget skills they have acquired / inherited and instead adapt to the local requirements. This is undoubtedly an inherent act violence as the woman is inadvertently put under familial/ economic pressure to provide regular sumptuous meals despite spiraling costs of ingredients and since she is mostly voiceless these acts go unnoticed. It is a very complicated and insidious act of violence that gets slowly embedded and perpetuated in the long run.

The scrubbing away of collective memories of local cuisines that define a community and are more importantly repositories of information about ideal foods to be consumed in different seasons using local ingredients, ensuring the people remain healthy and it is also cost effective in the long run. This is echoed in film director Jean Renoir sharing in his memoir ( Renoir, My Father ) about his father, the Impressionist painter Renoir, describing the varied smells coming from different houses in their neighbourhood. Every fragrance was that of a distinct region of France and easily identifiable but now both father and son were ruing the fact that dishes and flavours had more or less become homogenised. They were referring to the homogenity of smells but the passage in the book also is a wistful reminiscing of how much has been lost in the name of progress — the standardisation if you will of French cuisine. It is much like the different knowledge systems and the value accorded to them as Nandita Haksar mentions in reference to the two young boys of her acquaintance — Ashwin Mushran and Adani. Her nephew 18-year-old Ashwin is unable to make her a cup of hot coffee but is able to write a remarkable 10,000-word essay on Tolkien! Whereas 10-year-old Adani, her host’s son on a field trip to the north east of India, had not only killed a bird with his sling, but plucked and cooked it as well as made rice to accompany it — all in the short duration she took to get refreshed after a long journey!

The Flavours of Nationalism: Recipes for Love, Hate and Friendship is meant for those who love social and family histories; love cooking; love reading recipes and collecting them too. It is also meant for those who cherish an India which celebrates its diversity and the richness of its varied local cultures that are embraced willingly by its citizens, irrespective of which region or community they hail from. This is the idea of India most citizens believe in!

Read this book. It is unforgettable!

Buy the paperback edition and Kindle edition

24 July 2018 

 

Books on religious stories for children and adults

Books on religion will always find readers across a broad spectrum of general readers to believers. It makes good business sense to invest in such books as there will be generations of readers interested in learning these stories while being alive to the times they are written in. So whether it is Yashodhara which is a novel with a strong woman protagonist. Shyam is a beautiful retelling of the Bhagavata Purana or the story of Krishna. Or even a collection of religious stories retold for children.

Yashodhara: A Novel about the Buddha’s Wife by Vanessa Sasson tries to recreate the times Yashodhara lived in. As professor of Religious Studies in the Liberal and Creative Arts and Humanities Department at Marianopolis College, Quebec, Vanessa Sasson is clear that she has written “hagiographical fiction” and not “historical fiction” as “scholars have yet to determine any material certainty when the Buddha lived (if, that is, he lived at all) and how much of his story might be true”. Also whatever the time period may have been 5 BCE is nearly impossible to recreate as few sources exist narrating what life may have been like at the time. She continus:

The earliest Buddhist writings that we do not possess come later, beginning around the first century CE (more or less). The stories I have spent my academic life reading are based on the memories of a world five hundred years younger than the one the Buddha and Yashodhara probably knew. I cannot begin to imagine all the changes that took place during the time period we lost. 

The story I have told here is, therefore, a story inspired by later hagiographies. It is not historical fiction, but perhaps what can be more appropriately labelled ‘hagiographical fiction’ ( if such a label existed). …some of the material in this book is based on early Buddhist literature. Some of it is based on what we know as early Hindu literature. Some of it may be historical, but most of it is not. And some of it has come out of the playfulness of my mind. 

Yashodhara begins smartly. There is a crisp pace to the narrative. Some of the descriptions are lovely such as that of the fabrics, the palace, garden landscapes and even that of the monks gathered. Even the conversations are entertaining. As the story unfurls it is obvious there are 21C elements such as the strong women portrayed and grooming of the young Yashodhara by her mother. Then midway the novel the pace became sluggish probably for no fault of the author entirely except that she seems to be torn into two between being too familiar with Buddhism as an academic and that of wanting to a great storyteller. It does not necessarily make the text clunky but it does make it a trifle dull for the lay reader. For Buddhists this novel would be fascinating in its attempt to tell Yashodhara’s story of whom little is known. Yashodhara definitely has the potential to be adapted for television drama.

Shyama is an illustrated retelling of the Bhagavata Purana or the stories of Krishna as narrated by Devdutt Pattanaik. He has also illustrated the book. The stories are short and neat and told in a manner that only an expert mythographer could convey. For these are stories deeply embedded in an oral tradition of storytelling so over the centuries have morphed and have different versions in existence. But in Devdutt Pattanaik’s deft handling the stories acquire a linear narrative that is easy to comprehend and can be embellished further if required in the telling/a performance. For instance take the story of Shyam and Draupadi which is about the friendship between the two but told ever so beautifully and simply stressing that friendships between opposite sexes were known, acceptable and permissible even in the scriptures.

… Shyam and Draupadi shared a special bond. She was not his beloved like Radha. She was not his wife as Rukmini and Satyabhama were. She was not his sister as Subhadra was. She was not the haughty princess of Panchala who had snubbed Karna at the archery contest. She was his friend. 

It is put forth directly and in a straightforward manner with no room for different perspectives. This is the author’s many years of experience in storytelling at public gatherings and in writing. It has undoubtedly help distill the stories making them easily understood to a contemporary audience.

Every story told in the book is followed by related information placed in a box. For this particular story of the points shared one is particularly interesting. Devdutt Pattanaik says:

Draupadi identifies  Krishna as sakha, or friend. Traditionally, men have male friends or sakhas, and women have female friends or sakhis. The relationship between Krishna, a man, and Draupadi, a woman and another man’s wife, is unique. 

With the sumptuous Shyama Devdutt Pattanaik has surpassed himself as a storyteller. The layouts are becoming more intricate with the line drawings remaining seemingly simple yet the details are far more elaborate than in his previously published books.

Arshia Sattar has another magnificent book out for children with Juggernaut Books called Garuda and the Serpents. ( Her previous book was the scrumptious Ramayana for Children. ) The well-known stories are told simply but with all the details in place so that if ever a child wanted to narrate these stories orally, it could easily be done. The sequence of events and the action have sufficient details. For the collection she has selected the most popular stories such as Vishnu’s churning of the ocean, Garuda and the serpents, Kamdhendu the magical cow, Vali and Sugriva etc.

A secular outlook is instilled in adults when exposed too all religions in their childhood. The best way of doing so is by sharing with children some of the best stories ever told that have withstood the test of time and these are mostly to be found in different faiths. Some of the recent titles published for children by Hachette India, Scholastic India and Penguin India are still available. Titles such as Eid Stories by Scholastic India, The Greatest Stories Ever Told by Penguin India, and Celebrate! Your Fun Festival Handbook by Hachette India are absolutely worth getting for a child’s personal collection or a school library. These books though published a long time ago are still available. 

These books are a small step in making those bridges of peace and understanding otherwise willful misinterpretation of religions can lead to the establishment of hostile civil society from which recovery may not be easily done for most people are willing to accept anything as the gospel truth as long as it is in the name of religion. Exposure to other religious beliefs and practices is a way of understanding the “other” rather than perpetuating prejudices and hostile acts of violence. It is the only way forward to have a richly diverse and multi-cultural society co-existing in communal harmony.

Amazon India links to books discussed in the article are embedded in the book cover images and titles given below:

Devdutt Pattnaik Shyam: An illustrated Retelling of the Bhagavata  ( Illustrations by the author) Penguin Books, PRH India, 2018. Pb. pp. 280 ( Kindle )

Vanessa R. Sasson Yashodhara: A Novel About Buddha’s Wife Speaking Tiger Publishing, New Delhi, 2018. Pb. pp. 310 Rs 399 ( Kindle  )

Arshia Sattar Garuda and the Serpents: Stories of Friends and Foes from Hindu Mythology ( Illustrated by Ishan Trivedi) Juggernaut Books, Delhi, 2018. Pb. pp. 224 Rs 350

Eid Stories (Various authors) Scholastic India, Gurgaon, India, 2010, rpt. 2018. Pb. pp. 114 Rs 195

Celebrate! Your Fun Festival Handbook (HoliEidRakhi, Diwali, and Christmas) Hachette India, Gurgaon, 2012. Pb. Rs 195

Sampurna Chattarji The Greatest Stories Ever Told Penguin India, Gurgaon, India, 2004. Pb. pp 360. 

24 July 2018 

 

Book Post 2: 15-21 July 2018

Last week I announced that I am going to post every Monday a list of all the book parcels I have received in the past few days. Embedded in the book covers and post will also be links to buy the books on Amazon India. This post will be in addition to my regular blog posts and newsletter.

In today’s Book Post 2 I have included some titles that I received in the past few weeks and are worth mentioning and not necessarily confined to parcels received last week.

Enjoy reading!

23 July 2018

Book Post 1: 8-14 July 2018

Beginning this week I am going to post on Mondays a list of all the book parcels I have received in the past few days. Embedded in the book covers and post will also be links to buy the books online. This post will be in addition to my regular blog posts and newsletter.

32 International Publishers Association Congress, 11-13 Feb 2018, New Delhi

From 11-13 February 2018 the 32nd International Publishers Association (IPA) Congress was held at Taj Palace Hotel, New Delhi. The International Publishers Association (IPA) is the world’s largest federation of national, regional and specialist publishers’ associations. Its membership comprises 70 organisations from 60 countries in Africa, Asia, Australasia, Europe and the Americas. The congress was organised in Delhi along with the collaboration of the Federation of Indian Publishers ( FIP).

It was a wonderful congress with multiple panel discussions that fortunately ran in succession rather than in parallel and many fascinating conversations were to be had on the sidelines. It was a phenomenal gathering of publishers from around the world. The full programme can be accessed here.

Meanwhile given below are all the YouTube links uploaded by FIP of the panel discussions held at the IPA Congress.

11 Feb 2018 

12 Feb 2018 

13 Feb 2018 

 

Read more about the congress on the IPA blog maintained by James Taylor.

13 July 2018 

Freedom of Speech and Prix Voltaire Prize, 32nd IPA Congress, 11-13 Feb 2018, New Delhi

From 11-13 February 2018 the 32nd International Publishers Association (IPA) Congress was held at Taj Palace Hotel, New Delhi. The International Publishers Association (IPA) is the world’s largest federation of national, regional and specialist publishers’ associations. Its membership comprises 70 organisations from 60 countries in Africa, Asia, Australasia, Europe and the Americas. The congress was organised in Delhi along with the collaboration of the Federation of Indian Publishers ( FIP).

It was a wonderful congress with multiple panel discussions that fortunately ran in succession rather than in parallel and many fascinating conversations were to be had on the sidelines. It was a phenomenal gathering of publishers from around the world. The full programme can be accessed here.

Day two the discussions continued as energetically as before. The highlights of the events on this day were the panel discussion on “The threat of self-censorship in publishing”. It was chaired by Kristenn Einarsson, CEO Norwegian Publishers Association; Chair, IPA Freedom to Publish Committee and the panelists were Trasvin Jittidecharak, Silkworm Books, Thailand and Jürgen Boos, President and CEO, Frankfurt Book Fair, Germany. 

The Keynote speech was delivered by Norwegian publisher William Nygaard. On 11 Oct 1993 he was shot three times in the back outside his home. Although the crime was never resolved it is widely believed that this was linked to the fatwa William Nygaard received for publishing Salman Rushdie’s Satanic Verses. Both before and after the attack he has been a great defender of the freedom to publish and of free speech. His speech begins at 2:49:41 in the YouTube link given below:

Kristenn Einarsson during the course of conversation remarked that through libel laws economic sanctions are being imposed so allowing not necessarily governments but also people in power to really hit you economically if you publish something they don’t like or go to court with. So just a threat of that is hindering publishing.” Juergen Boos confirmed that the perception of self-censorship is on the rise particularly with the more and more populist governments being elected to power. At 3:32:12 Kristenn Einarsson remarks that the panel should have included an Indian publisher who could not make it and then opened the discussion to the floor except that once again no Indian stood up instead Edward Nawotka, Bookselling and International News Editor, Publishers Weekly spoke. He can be heard speaking off camera. ( Another equally telling observation is that while composing this blog post I discovered that Amazon India does not sell Rushdie’s Satanic Verses despite selling all his other books! )

Later in the day the 2018 IPA Prix Voltaire award ceremony was held. The award was given to Chinese-born Swedish scholar Gui Minhai who is a prolific writer often commenting on Chinese politics and political figures. He is one of the three shareholders of Causeway Bay Books in Hongkong. He went missing in Thailand in late 2015. It was received on his behalf by his daughter Angela Gui. “I think that my father’s version of optimism is perhaps precisely the kind that Voltaire describes. It’s an optimism that in the face of unimaginable cruelty still believes in change. And it’s an optimism that isn’t crushed by lies, force and humiliation.”

Bangladeshi Publisher Faisal Arefin Dipan was given a posthumous Special Award. He was brutally hacked to death inside his office at the hands of suspected religious extremists for his association with secular science writer Avijit Roy and other freethinking, secular and atheist writers on 30 October 2015. His widow, Razia Rahman Jolly, told the audience, “We have sacrificed our sunshine. We are in darkness,” but she promised to continue her husband’s work and keep publishing books in Bangladesh. In fact 12 July 2018 was Dipan’s birthday and Jose Borghino, Secretary General, IPA tweeted:

Months after the panel discussion was recorded at the IPA in Delhi, prominent Tamil publisher Kannan Sundaram, Kalachuvadu Publications, who is known for publishing Perumal Murugan, delivered a talk at the May Sahitya Mela in Dharwad, Karnataka, on May 26. It was published as an article for Scroll “As intolerance grows, India needs a brand of secularism that keeps a distance from religion, caste: Today, majoritarian fundamentalism is the biggest threat to a writer and an artist’s free expression.” ( 9 July 2018) This is what Kannan Sundaram says:

If one truly believes in freedom of expression, one has to fight to preserve the right of expression for ideas that one cannot stomach. For many people who consider themselves progressives, freedom of expression is often about fighting for the right to express only ideas they believe in. Some argue that freedom of expression is allowed only for rational thought. For ideas they consider regressive, they demand a ban and prosecution by the state. This strain of thought we know has led to the imprisonment and murder of writers throughout modern history by various regimes claiming to be revolutionary. Fascism can come from the right, left or centre of the ideological spectrum. It may come from any ideology or even from an ideological vacuum if people blindly and reverentially follow a demagogue.

In today’s context, majoritarian fundamentalism is the biggest threat to a writer and an artist’s free expression. If the Bharatiya Janata Party rules for another term, with full majority, it is sure to cause untold harm to the idea of India.

Intolerance is not a Hindutva creation. All ideologies, and political, religious movements and political parties in India have contributed to increasing intolerance. There is not one political party in India that has ever endorsed freedom of expression except mouthing it when it suits them. It is part of no political party’s manifesto. This soil was nurtured by intolerance over the decades by all political formations. Now, Hindutva has sown its seeds, watering it with blood and reaping it electorally. Yet, few have learnt the lesson. Hindutva intolerance cannot be met by anti-Hindutva intolerance. The real counter is to meet it with tolerance, discussion, debate, peaceful demonstration and campaigns – which are all, of course, relatively tougher options. We have to draw on the positive aspects of our tradition that have nurtured strong unifying points for different milieus and cultures.

Writers have always faced intolerance from family, neighbourhood, religion and caste. No government or party has ever supported their right to write. What is different now is that Hindutva organisations have been able to knit together multiple castes under their platform and launch major campaigns against writers or simply bump them off with hired killers.

A new definition of secularism in India has to define secularism as maintaining equidistance from all religious and caste formations.

The next important thing is to prepare a policy paper on freedom of expression and convince all secular parties to discuss and accept it.

Only time will tell how much freedom publishers and writers genuinely have, can they contribute to the cultural quotient as mentioned by Richard Charkin earlier at the congress or do many subscribe to the policy of self-censorship?

Read more about the congress on the IPA blog maintained by James Taylor.

13 July 2018 

Richard Charkin, Director, Bloomsbury’s address at IPA Congress, 11-13 Feb 2018, Delhi

From 11-13 February 2018 the 32nd International Publishers Association (IPA) Congress was held at Taj Palace Hotel, New Delhi. The International Publishers Association (IPA) is the world’s largest federation of national, regional and specialist publishers’ associations. Its membership comprises 70 organisations from 60 countries in Africa, Asia, Australasia, Europe and the Americas. The congress was organised in Delhi along with the collaboration of the Federation of Indian Publishers ( FIP).

It was a wonderful congress with multiple panel discussions that fortunately ran in succession rather than in parallel and many fascinating conversations were to be had on the sidelines. It was a phenomenal gathering of publishers from around the world. The full programme can be accessed here.

On the first day of the congress the morning session included a Global Leaders Forum discussion led by the NITI Ayog CEO Amitabh Kant. The panelists included: Dr. Y. S. Chi, Elsevier, USA; Matt Kissner, John Wiley, USA and Richard Charkin, Bloomsbury. The panel discussion can be heard in the YouTube link given below. It was interesting to hear these global leaders of publishing, across different formats of publishing — academic and trade, share many similar concerns and talk about the growth of business.

Richard Charkin’s address ( heard from 1:33:30 mins in the link) was particularly pertinent, for here was a seasoned publisher sharing his experiences of many decades in the industry as well as offering great perspectives on how to deal with the future of this business. His mantra of “paying attention to authors” which is often tragically forgotten is worth paying heed to if the industry has to grow globally. Here is the edited version of my notes with inputs from Richard Charkin.

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Speaking from my experience in general book publishing and academic and educational publishing particular issues affect English language markets. Predictions are a fools game! I shall focus on what will be my hope for the future.

  1. 1980-90s — all about book marketing. Leaders frequently came from sales end of business.
  2. ’00s/noughts – Focus on technology and logistics. “How else do we get better? Distribution? Growing size? Complexity of retailers? This resulted in the business people leading companies. We now have very few companies led by publishers.
  3. 2010s- Where are our profits? Returning to our roots — IPR, authorship, how well are we serving our authors?, how does it compare to the growth in self publishing?, What value can we add for the customer/author? ( “Our customer is the author, as well as and arguably more than the reader or retailer”)
  4. We get the responsibility of developing the authors by selling rights throughout the world.
    If only we could kick the habit of overpaying very successful authors. Thus we have created a system where established authors with large unearned advances authors are effectively being subisdised by the less successful. Without unearned advances we could perhaps pay a higher overall royalty rate. 
  5. Control wastage. Even if we halve costs the impact on our bottomlines would be substantial.
    Retailers would then become less than not diverse. Resist monopolistic control of some retailers. Editors would get back into leadership positions, which is really at the core of publishing roles. Also they would become more professional and understand the markets better they serve. Understanding role of the editor is understanding readers and authors. Also it would do away with the egocentric role it has become of late.
  6. We know what is “IQ” and later came “Emotional Intelligence” but I would like to emphasise on “Cultural Intelligence” which is the recognition of differences between old and young, rich and poor, one country and another, understanding boundaries globally and internationally with different cultures. We have a core, we need to recognise the bits around the edges.

We need to work together to build a global industry. Most importantly serve our authors.

13 July 2018 

“A Crackerjack Life” by Rajiv Tyagi

Ex-fighter pilot of the Indian Air Force (IAF) Rajiv Tyagi has built a formidable reputation on social media for his forthright opinions on contemporary politics. Apart from his posts being very informative, his is an influential and sane voice on social media where fake news goes viral rapidly. It is no wonder then that he has accrued more than 50,000 followers on Facebook alone.

Recently he published a collection of essays/stories that recalled incidents from his experience as an Air Force Officer and more. A Crackerjack Life is a memoir with a difference as it is not a straightforward narrative but a series of short pieces strung together, more or less chronologically, to chart the fascinating life Rajiv Tyagi has led. From being a little child who was travelling alone from Indonesia to his grandparents in Meerut so that he could then be sent on to boarding school in Mussorie, his passion for high altitude trekking, to later his absolutely fascinating accounts of serving in the IAF in various border postings, witnessing some incredible encounters that if he had not seen for himself would be relegated to modern myth making such as the convoys of Red Army and Blue Army suddenly finding themselves in together rather than on opposite sides but no one dared say or do anything but quietly parted ways. There are many more incidents some very personal and heartwarming such as the one about his classmate Virender whose leg had to be amputated after being diagnosed with cancer and how he was received by his classmates at school. Having said that the stories and experiences shared do to a large extent quell the annoying presence of editing mistakes but not necessarily overcome it. Perhaps the next edition of the book will be better edited. For now the brisk sales of this book since its release a few weeks ago are a testimony to Rajiv Tyagi’s passionate storytelling with a great eye for detail.

A Crackerjack Life is a delightful collection of memorably evocative stories. The stories are significant too for highlighting the richly diverse, secular, tolerant and democratic space that was newly independent India and hopefully will forever be.

With the author’s permission the following extract from the book is being published here.

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PERSUASION

Thanks to an egalitarian, agnostic father and the Armed Forces, I did not know what a gotra was, till I reached my late twenties. Hindus assert that every single one of them, Chitra, Pappu and Manoj, are descended from an ascetic saint. My paternal line is said to descend from a Rishi Gautam. My gotra therefore is Gautam.

My father did his schooling in the Gurukul Kangri school and then college, in Hardwar in the 1940s. They wore dhotis and langot, spoke Sanskrit fluently, and wore wooden khadaaon (wooden slippers) on their feet. The day began at 4 AM, with a swim in the Ganga canal outside the college, followed with a bath, change and havan (Hindu congregational prayer), before breakfast and classes. Except for the discipline, which he maintained for himself all his life, despite failing miserably to instil any of it in his children, he found little to commend for his life in the Gurukul. For when he reached Germany to study Medicine at Munich University in 1950, he found his knowledge of Science and the world around him severely lacking in comparison to other students who had studied in Germany or in Anglo Indian schools in India. His edge over others, in conversational Sanskrit and his facility at reciting Vedic shlokas from memory, he found useful only as curiosities. He had to work extra hours to catch up on what he had missed of human knowledge, while he was learning what turned out to be mere trivia, useful only to regale the Sanskrit and Vedic illiterate.

A strapping, tall, athletic and handsome man, he exuded, on his occasional outings in churidaar-achkan and turban, the aura of an Oriental prince. He and his friends cultivated the image to the hilt, telling their German friends how shocked they were to see a poor nation like theirs, where everyone re-used crockery instead of throwing it away after use. The suggestion from a fellow Indian student, that they might be exaggerating just a wee bit, was met with the query how he would describe a ‘mitti ka shakora’! And if that would not constitute Indian crockery? And did he in his home, wash a shakora to re-use it?

He lived as a paying guest, in a room rented from a widow he called Mutter (Mother), dining with the family at their table; the family comprising his land lady and a pretty daughter, who Mutter was eager to marry off to this young man who would soon be Herr Doktor.

After graduating, on Mutter’s suggestion that he convert to Christianity, Herr Doktor escaped from pretty daughter and Germany, learned Italian while interning in a hospital in Italy, befriended some Catholic priests, who taught him enough Latin to show off to other Europeans and made his way back by ship to India, taking up his first job as a resident, at the Bhowali Sanatorium, in what is now Uttarakhand.

My Mother, Sharmaji ki chhoti beti (the younger daughter of Mr. Sharma), then an 18 year old beauty with impossibly thick tresses woven into two plaits, lived a few lanes away from my grand parents’ home in Meerut. It was a match made in heaven, said the astrologers from both families. Whereupon my father was summoned by means of telegram, to hurry home forthwith, as he was to be married to a girl they had chosen for him.

In my grand parents’ home, food was dropped from a height into the outstretched palms of the woman who came to clean the toilets and who they called the bhangan. In my parents’ home, infused with the liberal egalitarianism of a Western culture, the driver and maids used the same crockery and cutlery as we did. This dichotomy did not escape me, though I did not question it. My mother would tell us stories in Hindi, from the Ramayan and my father from the Mahabharat, interspersed now and then with long passages in Sanskrit, from some obscure version of the grand epic. But at no time do I remember being taught to pray, even though my Mother was a practising Hindu and a temple goer. She did tell us which god was which and how to recognize them.

My connect with prayer came only after I was admitted to a Catholic boarding school run by nuns in Mussoorie, in Class 2. Visits to the chapel and the whole atmosphere of religiosity were annoying to me. This improved when I moved to St. George’s College, inasmuch as there was never an air of religiosity within its environment. By Class 4, I had found a treasure trove of Greek mythology in the school library, along with some fascinating books for children, on magnetism and electricity. I consumed them voraciously, some even during Miss Dhillon’s classes! Sometime towards the end of Class 5, after a heavy diet of Greek mythology, magnetism and electricity, I experienced an epiphany – that religions are a collective and organized scam, propagated through stories that were pure fairy tales and fantasy. That was the beginning of my life as a rationalist, a humanist and an atheist.

To buy the book: Paperback and Kindle

13 July 2018

Ahimsa by Supriya Kelkar

SUPER LEAD TITLE

Scholastic India is proud to announce that it has acquired the publishing rights for one of the most awaited books of the year, Ahimsa.

In 1942, after Mahatma Gandhi asks one member of each family to join the non-violent freedom movement, 10-year-old Anjali is devastated to think that her father will risk his life for the country. But he’s not the one joining. Anjali’s mother is. 10-year-old Anjali’s mother has joined India’s freedom struggle. Anjali gets unwillingly involved in the turmoil. She has to give up her biases against the Dalit community, or the so-called untouchables, and sacrifice her
foreign-made clothes for khadi.

As the family gets more and more involved in the cause, Anjali must give up her privileges and confront her prejudices to ensure her little contribution to the movement is complete.

This is a poignant debut about overcoming one’s internal struggles and giving up one’s biases. It is essentially about female empowerment.

Inspired by her great-grandmother’s experience working with Gandhi, Supriya Kelkar brings to life the stories of the unsung heroes of India’s War of Independence.

Shantanu Duttagupta, Head of Publishing, Scholastic India, says, “Ahimsa is a book every Indian should read, whether you are a parent, child, educator or book lover. It leaves a mark.”

Supriya Kelkar doesn’t shy away from the reality that progress can sometimes be slow and one must persist even when all hope seems gone. She draws inspiration from her own family history. Kelkar says, “I’m so thrilled Ahimsa is heading to India, and cannot wait to share this book with all the wonderful readers there!”

About the author
Born and raised in the Midwest, Supriya Kelkar learned Hindi as a child by watching three Bollywood films a week. Now she works in the film industry as a Bollywood screenwriter. She has credits on one Hollywood film and several Hindi films. Ahimsa, inspired by her great-grandmother’s role in the Indian freedom movement, is her debut middle grade novel.

“A poignant look at India’s independence through the eyes of a ten-year-old, Ahimsa is a well-crafted tale of resistance.”

— Rajkumar Hirani, director of the films Sanju3 Idiots, PK and Lage Raho Munna Bhai

A BOOK EVERY INDIAN MUST READ

AHIMSA

By  

SUPRIYA KELKAR

Releasing on August 6

PRE-ORDER NOW!

9789352755349

₹395; HB; 308 PP

 

For further information, please contact – Debosmita Sarkar ( [email protected] )

About Scholastic India

Established in 1997, Scholastic India runs a dynamic publishing programme that aims to bring out innovative titles from the best of Indian authors and illustrators. Scholastic works closely with teachers, parents and students to encourage reading and promote the highest quality of reading and educational material in English.

 

12 July 2018 

Interview with Rana Safvi

Rana Safvi is a writer, blogger and translator. She documents her passion for India’s Ganga Jamuni tehzeeb [ culture] via its food, customs, festivals, monuments and clothes. She has recently published The Forgotten Cities of Delhi, the second book in her Where the Stones Speak trilogy, published by HarperCollins India. I interviewed her via email. Here are edited excerpts. 

I was in my teens when my father got posted in Agra and as we lived very close to the Taj Mahal that was the venue for our evening walks. That was the first time I felt the pull of stones and wished they would speak. At that time I had no idea that one day I would end up writing about these very stones or that Delhi would be the place that would beguile me. But they say that childhood passions never go away and I am lucky that I got an opportunity even if very late in life to fulfill those dreams. My trilogy Where Stones Speak is the fulfillment of those dreams of listening to stones and making them speak.

Somewhere along the journey of the first book I became a full time writer and I find it deeply satisfying on a personal note to be able to say all the things, which were, buried inside me somewhere waiting to come out. I’m lucky that I got a chance but I would urge everyone to hang on to his or her dreams. It’s never too late. I started at 55 years of age when my friends were retiring and I enjoy it. Staying busy also keeps me feeling very young.

Apart from this trilogy I have also translated Dastan-e-Ghadar: Tale of a Mutiny (Penguin Random House India) and Tales from the Quran and Hadith ( Juggernaut Books) and by God’s Grace, I have two more translations coming up later in the year.

  1. Why embark on this ambitious project of a book trilogy on Delhi with the first on Mehrauli Where Stones Speak and the second on The Forgotten Cities of Delhi? What is the third book going to focus upon? What sparked off this project? 

Delhi was never a destination for me till 2012 as I used it more as a transit point while visiting relatives in UP. At the time I was living in the Gulf.

It was only when my daughter shifted to Delhi that I started staying here for long periods of time. I had visited a few major monuments like Red Fort and Qutub Minar as a student but that was about it. Around the same time, I met the founder of Delhi Karvan, Asif Khan Dehlvi, who conducts heritage walks. I was part of his first walk in November 2013. He told us many stories from Urdu books written in the nineteenth and twentieth centuries. I realized that the books describing Delhi in English were either very dry and dull or written from a very British perspective in aftermath of the Uprising of 1857. There were no books with historical anecdotes and research especially from Urdu sources. As at that time I was relatively free and monuments are something I’m extremely passionate about I decided to write the books.

I have covered the seven medieval cities of Delhi till 1857. The first city was Mehrauli, which was the subject of the first book: Historical Trails in the First City of Delhi, Mehrauli. The second book, The Forgotten Cities of Delhi describes the five subsequent cities of Siri, Tughlaqabad, Jahanpanah, Firozabad and Dinpanah. Since this is a vast area and covers almost all of Delhi, I have added all the other areas which may not strictly have fallen within these cities but were built in that era. I have also included monuments from other cities such as Kilokhari and Mubarakpur Kotla which have been swallowed up by urban development. I have described these 14 cities in detail in the first book. My guide for including the monuments was the Urdu book Waqeat e Dar-ul Hukumat Dehli written in 1919 by Basheeruddin Ahmed from all the Persian, Urdu and English sources available to him at that time. The third and final book will be on the imperial city of Shahjahanabad leading up to the Uprising of 1857.

  1. How long did it take for this book to be made? How do the photographer Syed Mohammed Qasim and you work together as a team? Do you visit a site together and decide on the photograph to be taken together or do you help select the images later from his photo bank? 

I do a lot of field work, sometimes visiting a monument a number of times to verify details I find in books. It takes time as I research written material too. It takes me around two years to do fieldwork and research for a book and for Qasim to take the accompanying photographs. It is a combination of research and a bit of detective work on the ground – a time consuming process.

One day I had set off with Syed Mohammad Qasim to take photographs in Vasant Vihar. He mentioned a reference to a 14th century mosque and a dargah in that area that he had heard of. We kept asking the locals and going round the area till we saw huge iron gates in the Aravalli City Forest. We asked to enter but were only permitted to so when we explained we had come as part of our research for a book. To our surprise we saw a huge area beautifully forested and a 14th century dargah of Syed Murad Ali Baba Shah and a khanqah and mosque from same period which had been restored by the Abdul Mannan Academy who run a madarsa here. That we have such a huge green area and a Shahi Masjid (Tughlaq era) was a pleasant surprise for us.

Similarly, I had found a reference to a group of tombs in Zamarudpur called Panj Burja by Sir Syed Ahmad Khan in his 1846 book, Asar us Sanadid (Vol 1). So I set off in search of them. The first one was easy to spot as it was at the entrance to the colony. This area is lal dora land, which means that it is out of New Delhi Municipal Corporation (NDMC) limits and these monuments are delisted so don’t come under Archaeological Survey of India (ASI). Finding the next four monuments was a challenge and took me a whole day. The locals tried to chase us off and intimidate us into not taking photographs but I asked them for some orders which prohibited me from doing so and failing that I refused to budge. They eventually gave up and left us.  Another young heritage enthusiast Sahil Ahuja was with me and both of us put on out Sherlock Holmes hat. It was with great difficulty that we found them. The other four tombs are hidden within the tenements, used for throwing trash, one was even being given on rent to garbage collectors. The fifth could only be discovered by climbing six flights of steps as it was surrounded by high rises on all sides and so not visible from the ground. Discovering that the Zamarudpur tombs had been badly encroached, were in a badly decaying state and were almost inaccessible to the public was a very unpleasant shock.

With Where Stones Speak I explored Mehrauli initially with Asif Khan Dehlvi, founder of Delhi Karavan, who conducts heritage walks in Delhi and later when Qasim accompanied us to take photographs. The three of us entered the desolate areas to explore the ruins and in the process enjoyed the experience immensely! We work very well as a team, complement each other and are constantly learning from each other too.

Though now I don’t explore places in summer due to the extreme heat but I must confess for the Mehrauli book, Asif and I did make a lot of field trips in May and June. Now I am a little more careful though just as excited and enthusiastic about every trip. Some places that are more frequented by people I do visit alone but if they are very lonely I go with Qasim or some other heritage enthusiast, but a companion I must have!

When I’m describing a monument in words I have a certain facet of it in mind so I convey it to Qasim as well as I want the photograph exactly along the lines of the image I have in mind. Mostly we go together and take decisions on the spot but as I said sometimes both of us go alone if we can’t match our schedules. Qasim took all photos for the book. None of the images in the book are from stock photo collections.

  1. You write mostly in the first person as if you took notes while walking through the monuments that were typed up later more less as is.  Is that the case? Personally I like it for it is creates a warm and intimate atmosphere as if the reader is alone with the author on a personal tour of the monuments. Was that your intention? 

I’m glad you like it. I don’t know whether it was intentional or not but that is how it came naturally to me. I believe in letting words flow and take me with them. I normally edit after that process is over. For me it is a world into which I want my reader to enter with me. Perhaps it’s the effect of going for and conducting heritage walks. I take mental notes and nowadays videos when I visit so that I can cross check details.

  1. How do the names of monuments survive if most of them lack inscriptions? Take for example the “phoota gumbad” at JLN stadium.  I have often wondered if only a historian will know what primary source to consult and thus pass on the name to general public or do names continue to exist in the collective memory of the locals? 

Most of the tombs don’t have headstones so we don’t know who is buried there. Locals over the years gave it their own names, which we use even today. Some are very descriptive.

In 1854 Sir Saiyed Ahmad khan wrote Asar-us-Sanadid in which he described 130 monuments of Delhi. So these are identified. For others the books I use as reference are Maulvi Zafar Hasan’s book Monuments of Delhi written in 1919 for the ASI And Basheeruddin Ahmed‘s Waqeat e Darul Hukumat Dehli, also written at the same time. I have copied the names from these books.

  1. In your descriptions of Moradabad ki Pahadi and Wazirpur tombs you make references to how the locals (of all faiths) revere the tombs and leave offerings. This made me wonder if you would ever consider doing another book on the local lore (and people do have a colourful imagination!) that has developed around these monuments and juxtapose them with historical evidence?

That’s an idea! Actually recording oral history is a huge and very essential project. I try to do it whenever I can but don’t know if I can do it as a separate project.

  1. You don’t always give the exact location of these tombs. For instance, if I had not been familiar with Delhi particularly many of the spaces you speak of, I would be lost.  While reading the text I had to rely on my mind’s eye to conjure an image of the exact location and even then I am perplexed by many. Was this a deliberate omission on your part?

It wasn’t a deliberate omission and wherever I could I have given locations but I will remember to be more exact in the next book.

  1. I am curious as to why did you not include maps in this book? Perhaps hire a cartographer to draw at least the 15 historical trails you describe in the annexure? 

You know it didn’t strike me to make maps. But yes will definitely consider it now. I do realize maps make it easier to locate and visit.

  1. Are you concerned about the future of these monuments you chronicle? 

Yes, I am concerned, very concerned as so many are crumbling right in front of our eyes or being encroached. One purpose of these books is to acquaint people with these monuments and hope that they will come to love them and own responsibility for them. Till we don’t feel some sense of kinship or ownership for these monuments we don’t have hope of their survival. Urban development and rapid commercialization is eating them up.

  1. Do you think launching a campaign to protect these monuments is a good idea? If so of what form and shape should it take? 

I have been advocating adoption of nearest monument by schools and colleges and building programmes around it. Whether they are heritage walks, brochures, dynasty timelines, quiz programmes etc.

I met the principal of Vasant Valley School recently and put forward this idea to her. So far ASI has not given them permission to adopt Delhi’s first Islamic tomb, Sultanghari which is the closest to their school. ASI should allow and partner them. It’s only when the children are involved that we can hope to protect our heritage.  I think that would be the most effective campaign.

To buy the books mentioned, follow the Amazon links embedded in the book cover images. 

9 July 2018 

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