Jaya Posts

Favourite Enid Blyton stories

How I Began 

That is one question so many of you ask me — and grown-ups ask it too. ‘How did you begin writing, Miss Blyton?’ Well, let me tell you this straightaway. I meant to be a writer from the tmie I could read and write, even before that, I think. There are some children who know from the beginning what they want to do, and mean to do. 

Usually those children have a gift for that particular thing. They feel impelled to write, or to compose tunes, or to paint pictures. It is something they cannot help, something that is given to them when they are born. How fortunate they are! 

To use — and to use as perfectly as they are able to. All gifts much be practised and trained, a great deal of hard work must go into that person’s life, unremitting, never-ending work, every minute of which is worthwhile. No idling, no slacking, no half-measures — a gift is such a precious possession that it must be trained to perfection. 

If a child has a gift, then I think it should be developed and encouraged as far as is possible in a child — but first and foremost the child should have an ordinary, natural childhood, and above all he shouldn’t be spoilt, pushed on too much, or made conceited. His gift will flower all the more if he has a sensible childhood, many many interests, and has plenty of character. So, my dears, if you have any ‘gifts’, don’t expect people to turn you into a horrid little ‘prodigy’ and make you grown-up long before it’s time!

Enid Blyton The Story of My Life (1952)

 

****

Ever since Hachette won the licensing of the Enid Blyton brand, the firm has ensured that the books are constantly available and at reasonable prices too. Generations of readers have grown up on Enid Blyton’s adventure stories, school stories, magical stories etc. They have sparkled the imagination of young readers worldwide. It has also helped ressurect many of the lesser known Enid Blyton stories in special published bumper anthologies where the original dates of publication have been included. Some of the stories were published as early as 1925!

Owning the license to publish Enid Blyton stories has enabled Hachette to consider experiments in children’s literature. For instance, the publishing firm commissioned  Pamela Butchart to write a new Secret Seven mystery called Secret Seven: Mystery of the Skull. Aimed at a new generation of readers it has  a lively pace of writing. In all likelihood introducing a brand new book is smart business acumen too. It ensures that the copyright period of this story will be active for a long time to come which is lifetime of the author + specified time period in the particular country. The book is published under the co-authorship of Enid Blyton and Pamela Butchart.

Enid Blyton (1897-1968) influenced many young minds. Generations of kids have grown up on Blyton stories dreaming of scones and clotted cream, picnic baskets, making invisible ink using orange juice, reading of magical lands, fairies and pixies, of high school stories and adventure stories. Many of Blyton’s readers of  the past years are now well-established children’s writers in their own right. People like Michael Morpurgo, Andy Griffiths, and Jacqueline Wilson have become household names. Now Hachette has brought out a scrumptiously illustrated hardback anthology of prominent children’s writers introducing their favourite extract of an Enid Blyton story. It is called Favourite Enid Blyton Stories. Every story is prefaced by a short piece by the modern day author reminiscing about discovering Blyton and her fantastical world. There are many gems to choose from but the last extract by Jacqueline Wilson is particularly charming as it is from Blyton’s autobiography ( published in 1952) and which sadly now seems to be out of print. Here’s hoping that along with all the other popular titles The Story of My Life is also published soon.

( All the Enid Blyton books mentioned are published by Hachette Group and are easily found online and in brick-and-mortar stores. )

20 November 2018 

 

Book 19: 11 – 17 November 2018

Every Monday I post some of the books I have received in the previous week. Embedded in the book covers and post will also be links to buy the books on Amazon India. This post will be in addition to my regular blog posts and newsletter.

In today’s Book Post 19 included are some of the titles I received in the past few weeks and are worth mentioning and not necessarily confined to parcels received last week.

Enjoy reading!

19 November 2018

Nikita Gill “Fierce Fairy Tales & Other Stories to Stir Your Soul”

‘You thought I must be in need of saving? Because you are in need of a wife? How archaic and condescending.’

The prince clears his throat and then says, ‘Fair princess, I will do whatever I can tp break the curse that turns you into . . . that thing.’

‘That thing, as you call it,’ the princess says, ‘is the magical part of me. I love being the dragon and the dragon loves me.’

‘But if not a wife, you will die an old maid,’ he presses on.

‘I am half dragon, who told you I will ever die at all?’

The prince frowns in annoyance, he is obviously vexed and he speaks words that anyone over the course of history will tell you he will regret. ‘I think you need to learn that if you aren’t a wife and a mother, you are a witch and have no place in this world.’ 

The princess stares at him for a moment and then she snaps her fingers. Guards appear and take the prince by his arms, escort him out, and yet the princess lingers. She looks him in the eye before he is thrown out, the moon dragon’s gleam still in hers, and she speaks words so powerful the wind etches them inside the atmosphere for women to remember through history. ‘I exist. Outside of being a mother, a wife, a sister, a daughter, I exist. I exist as a human first, as a being that experiences joy and suffering, beauty and learning, life and tragedy. I exist because the universe chose to put me here for a purpose higher than my relation to men. I exist because a wise old woman gave me a gift and now magic runs through my veins. So the problem is not my existence as half dragon, half girl. The problem is how you perceive it as so small, you do not believe I can exist at all apart from through my bonds with men.’ 

And after the prince is thrown out, the moon dragon and the princess continue to share the day and night and live happily ever after.  

Nikita Gill’s Fierce Fairytales & Other Stories to Stir Your Soul is a collection of reimagined fairy tales consisting of mostly fiercely independent and strong-willed people. The bravery of the individuals stems from within rather than being dependent on men rescuing them. The tales are beautifully illustrated with line drawings. The beauty of the retelling comes through in the multiple layers that exist — as they should in any good poem! Whether it is for a mature reader or a tiddler, there is much pleasure to be derived from these crisply narrated tales. My eight-year-old daughter grabbed the book as soon as it arrived and took it away with her to the ongoing Readathon in school. She returned triumphantly saying how much she had enjoyed the poems and was able to retell them simply in her own way, missing much of the layered nuances that an adult would immediately get, but that is immaterial. The poems worked!

Fairy tales such as these have existed for generations with the kernel of the story being more or less as is. Somehow the flavour of each story is retained in Fierce Fairy Tales as are the characters but the stories have the unique stamp Nikita Gill’s storytelling — fiesty, sparkling, sharp, tongue-in-cheek, bold and true. The poems in this volume offer a way of seeing. The book blurb advertises the collection as “Feminist Fairytales for Young and Old”. So true! Given that these poems can be read in solitude or read aloud, either way they will be transformative as there are many ideas embedded in them.

Share Fierce Fairytales widely!

18 November 2018 

To order on Amazon India

Hardback 

Kindle

Book Post 17: 28 October – 3 November

Every Monday I post some of the books I have received in the previous week. Embedded in the book covers and post will also be links to buy the books on Amazon India. This post will be in addition to my regular blog posts and newsletter.

In today’s Book Post 17 included are some of the titles I received in the past few weeks and are worth mentioning and not necessarily confined to parcels received last week.

Enjoy reading!

5 November 2018

Fantasy

Book 18: 4 – 10 November 2018

Every Monday I post some of the books I have received in the previous week. Embedded in the book covers and post will also be links to buy the books on Amazon India. This post will be in addition to my regular blog posts and newsletter.

In today’s Book Post 18 included are some of the titles I received in the past few weeks and are worth mentioning and not necessarily confined to parcels received last week.

Enjoy reading!

12 November 2018 

Book Post 16: 21 – 27 October

Every Monday I post some of the books I have received in the previous week. Embedded in the book covers and post will also be links to buy the books on Amazon India. This post will be in addition to my regular blog posts and newsletter.

In today’s Book Post 16 included are some of the titles I received in the past few weeks and are worth mentioning and not necessarily confined to parcels received last week.

Enjoy reading!

29 October 2018

Mohammed Hanif’s “Red Birds”

Nihilistic resistance is the worst kind of enemy; it was all the rage, we were taught in our Cultural Sensitivity 101.  Colonel Slatter had laid out the foundations: We used to have art for art’s sake; now we have war for the sake of war. No lands captured, no slaves taken, no mass rapes, fuck their oil wells, ignore their mineral deposits. You can outsource mass rape. War has been condensed to carpet-bombing followed by dry rations and craft classes for the refugees. People who had not left their little hamlets for centuries, goatherds who belived in nothing but grassy fields and folk music, women who had never walked beyond the village well, not they could all go and live in UN tents, eat exotic food donated by USAID and burp after drinking fizzy drinks. 

Mohammed Hanif’s third novel Red Birds is a brilliant political satire using primarily three narrators — Momo, a teenager who dreams of becoming a millionaire after having read Fortune 500; Ellie, a US fighter pilot who ejected out of his burning plane in to the desert and Mutt, Momo’s dog, who has been anthropomorphised by the novelist. The three sections of the book are the three locations where the story is set — the desert, the camp and the hangar. These are in a geographical location that is never very clear where it exists but many readers will recognise it to be an amalgamation of many conflict zones around the world. For the first two sections of the book the women characters of Mother Dear and Lady Flowerbody are present and contribute to the conversations but it is reported speech. Mother Dear is Momo’s mother and absolutely furious with her husband for having taken away their elder son, Bro Ali. Father Dear introduces Lady Flowerbody as his co-worker. Lady Flowerbody is the new Coordinating Officer for the Families Rehabilitation Programme who “works with the families affected by raids and is conducting a survey on post-conflict conflict resolution strategies that involve histories and folklore”. Whereas Lady Flowerbody claims she is writing her “PhD thesis on the Teenage Muslim Mind, their hopes, their desires; it might come out as a book called The Children of the Desert“. It is only in the third section of the novel, “In the Hangar”, that the women characters speak and when they do it is powerfully and lucidly.

If the story can be encapsulated in a nutshell it would be about the family in the refugee camp whose elder son went off to the hangar but never returned. Dear Father is suspected by his family of having sold off his elder son. Dear Mother who is mostly confined to the kitchen cooking is given to ranting but she is mostly “off stage”. The male characters — her husband and son, later to be joined by the pilot and a nomad-turned-doctor — mostly hear her out with the husband being the most dismissive of her angry monologues particularly when he cannot understand her obsessiveness with the lack of salt and her inability to cook a decent meal. Ellie is a participant and a spectator to this, more like the chorus in a Greek tragedy, but he has his own concerns to worry about. Ellie worries about his wife and his job.

Former Pakistan Air Force pilot-turned-journalist Mohammed Hanif scathing political satire Red Birds is reminiscent of Catch-22 by Joseph Heller. Apparently cadet Hanif discovered Joseph Heller’s classic Catch-22 in the Air Force Academy library. In an interview with BBC journalist Razia Iqbal in 2014, Hanif said he loved Heller’s novel and read it “at least 22 times”. He said he found the book funny but their lives were not unfunny. Hanif adds that Heller certainly changed Hanif’s outlook on the world he was living in.

Red Birds is a fine novel. The deadpan style of writing reveals the absurd situations of war zones. The absurdity of the scenarios are funny too. But it is chilling to realise that these absurd moments are plausible in a conflict zone. Take for instance Father Dear carting piles and piles of files, the nomad-turned-doctor who is called in to treat Mutt, the teenager Momo who learns to drive and steers while sitting on a pile of cushions or Mother Dear who is worried about the lack of salt ( which is actually not unfunny for many, especially women, who have lived in conflict zones).

Red Birds is a sharply satirical novel that cannot be ignored. It is bound to be on the literary prize lists in the coming year. Perhaps even win a prize or two. Read it!

To buy on Amazon India:

Hardback

Kindle

7 November 2018 

Vikas Khanna’s “My First Kitchen” and Jamie Oliver’s “5 Ingredients”

I love cooking. It is my stress buster. I read recipe books, experiment with dishes and those that come out well, I note in my handwritten recipe book. A collection that has handwritten recipes in it of at least four generations of men and women. It is always challenging to balance nutritious meals with simplicity and within affordable budgets.

The other day my eight-year-old daughter asked me while I was writing down a recipe in my book whether it was essential for everyone to write and consult recipes. This is coming from a kid who prefers to learn cooking by watching me in the kitchen rather than consult recipes. She has been assisting me in the kitchen from before she could walk. This may sound like a tall claim but it is true given that I would plonk her on the kitchen surface and get her to pluck leaves for a salad or help mix cake batter. Soon she was using the rolling pin and stirring dishes on the stove. Of course all under supervision! Anyway, getting back to cooking in the kitchen with beginners.

When I was doing my undergraduation, some of my classmates would proudly claim that they had never set foot in the kitchen and did not even know how to make a cup of tea let alone boil an egg. I was horrified. Not necessarily that these were mostly girls from conservative backgrounds and were soon to be married off, so how would they survive in their new homes? I was truly concerned about their well being as it requires all your wits and more to learn to negotiate spaces in your marital home. But I was also horrified at another level. How could their parents have brought up their children in such a manner so that they did not even know the basic survival skills of cooking? This is not a socially coded gendered preoccupation. It is basic survival skills.

Modern living is very strenuous and is full of stresses. It does begin to prey on one’s health too. Given the shortage of time reliance on fast foods and takeaways is inevitable. The growth of this industry can be gauged by the mushrooming of apps that provide delivery of food packets from various outlets to their customers. It is undoubtedly a booming industry. Having said that if with a little planning and stocking up on ingredients putting together a nice dish without too much fuss is easily done. Those with familiar with cooking can easily rustle up something even at the end of a long and tiring day at work but there are many others, first timers to the kitchen, who are unable to proceed without instructions. For such scenarios, easy-to-learn and easy-to-consult recipe books, I came across — Jamie Oliver’s 5 Ingredients and Vikas Khanna’s My First Kitchen— published a few months ago. Both are magnificent hardbacks with full-page colour photographs and extremely easy instructions on putting together dishes. To an experienced eye many of the recipes in the books are fairly balanced nutritionally while to a beginner they seem like easy-to-rustle-up tasty dishes. The plus point for both the recipe books is that there is practically no fancy equipment or ingredient required to create the wonderful creations shown.

Jamie Oliver has been known for many of his recent publications to do full page spreads of every single recipe he mentions. It is a very generous allowance from his publisher but it is understandable given how well his books sell especially at Christmas time. And this is exactly the element that makes his cookery books ever so attractive as every single recipe is well illustrated and thus easy to consult. So even if you miss understanding a particular step of the process, it all comes together upon seeing the picture accompanying the recipe. The food photographs in the book are of excellent quality, a feat that is unfortunately not achieved by most cookery book publishers. His philosophy of cooking has always been on the quick, easy and nourishing. And it comes through in the recipes collected in this particular book with recipes such as Speedy Steamed Pudding Pots, Chocolate Orange Shortbread, Smoky Mushroom Frittata, Creamy Mustrad Chicken and Peachy Pork Chops. All easy to make as long as the ingredients are handy.

In a similar vein is Vikas Khanna’s My First Kitchen, a collection of basic recipes  (mostly Indian) that are easily turned out. For instance Pumpkin Orange Soup, Creamy Beetroot Spine, Roasted Basil-Sesame Chicken, Sprouted Lentils with Coconut and Tamarind and Green Papaya with Clove-Nigella Scent. These are only some of the recipes. Most of them are easy to make but these are most certainly meant for a cook based with easy access to a variety of ingredients.

So to all those wishing to eat at home and perhaps learn a few recipes try these two cookbooks, a good start for your forays in to the kitchen.

To buy on Amazon India 

Vikas Khanna ( Hardback and Kindle)

Jamie Oliver ( Hardback and Kindle )

3 November 2018 

“Tiffin: 500 Authentic Recipes celebrating India’s Regional Cuisine” by Sonal Ved

Vogue India’s food editor Sonal Ved’s Tiffin has just been published by Roli Books. Tiffin is a collection of 500 recipes, dishes that are usually sampled as school children when sharing each other’s tiffins during lunch break, a habit that continues into adulthood when sharing food with colleagues. Tiffin intends on celebrating this incredible richness of India’s regional cuisine and to create a repository of varied culinary traditions.

While most of these [recipes] have been hand-picked by culinary experts from each region, we went beyond, and reached out to the best repositories of traditional recipes — wedding caterers, who are given the responsibility of serving contemporary and traditional spreads. Each of the contributor recipes, which includes those given by grandmothers, mothers, aunts, friends, cookbook authors, and chefs who champion regional Indian cooking… .

Tiffin is a fabulous collection of recipes that cover the length and breadth of India providing a selection of recipes representative to the region. Whether it is the Goshtaba recipe from Kashmir to Pesarattu dosa from Andhra Pradesh or even the Manipuri Iromba from the North East there is a wide variety of recipes included. The beauty of collecting these recipes in one volume is that it enables the learner or an experienced cook to experiment with dishes, even mix and match if need be rather than remain stuck within one regional fare. It is a great way of learning how to put the spices and ingredients to multiple uses while also expanding the menu at the dinner table. In the opening pages of the book there is a description of the basic spices and ingredients used as well as some basic processes on how to make paneer or khoya etc. While the recipes collected within every section can be considered as only a sample of the region, it is the introductory essays to the sections that are worth reading and bookmarking, perhaps even looking up the references on the Internet. For instance, in the essay on Central India there is a reference to Kamar Bhai’s shop in Bhopal that specialises in selling Paya ( Trotters) Soup, loaded with bits of meat.

Every single essay is  beautifully presented packed with information but without it being too detailed. It is a great bird’s-eye view of the cuisines to be expected in the forthcoming section. A particularly good example of this is the essay on South India which encompasses the states of Telengana, Karnataka, Andhra Pradesh, Tamil Nadu and Kerala. This region is famous worldwide for its cuisine such as the dosas, vadas and idlis but the richness in the fare lies in its finer distinctions such as local produce (which is heavily dependant on factors such whether it is in the black soil region or the coast) or even religion as is found in Kerala.  The state is known to be a gourmet’s delight with its confluence of Christian, Muslim and Hindu culinary expressions and yet there are very distinct cuisines too. It is quite a feat to present these intricacies of the regional culinary mapping of India while not overwhelming the reader/cook.

It is an incredible delight to behold a recipe book with such a sumptuous layout making it very dicey to carry it into the kitchen to consult while cooking! Nevertheless it is a varied collection which has used recipes from the other marvellous Roli Books publication India by noted recipe columnist and author Pushpesh Pant. Some of the other notable Indian cookery book writers were Madhur Jaffrey, Meera Taneja and Tarla Dalal who paved the way for a new generation of cookery book writers to explore regional distinctions such as presented in Tiffin. In fact Sameena Rushdie’s phenomenal cookery book Indian Cooking ( published in 198) has just been reissued. Her description of collecting recipes is an age-old process whether passed on from generation to generation or exchanged across the dining table but the methodology for collecting recipes is only hinted at in Tiffin’s introductory essay. To describe the process can be quite tedious but here are two snapshots from Sameena Rushdie’s book attempting to note down the “Aloo Goshtaba” recipe from her mother which explain this process beautifully.

 

 

 

 

 

 

 

 

 

While Tiffin includes some of the well-known dishes like Khandavi ( Gujarat), Murgh Zafrani ( Uttar Pradesh), Haak ( Kashmir), Gatte ki Sabzi ( Rajasthan), Began Bhaja ( West Bengal), and Balushahi ( Bihar) there are many others that have been excluded such as Gulabjamuns or Kofta Curry. It is perhaps understandable given the limitations of space in a printed book. Perhaps a natural progression from having published this magnificent volume would be to begin a discussion forum online of food lovers who can share regional recipes. There are many such existing groups on social media but there is always room for another one especially when it becomes a digital and interactive extension of a printed commodity.  It would also provide a platform to discuss variations on how to make a particular dish too. For instance the process described in Tiffin to make ghee (clarified butter) from cream is a tad complicated. While giving sound advice on removing the excess water from the cream before putting it on to cook, the description of a three-day process could instead have been of simply suggesting that the cream is collected regularly from the boiled milk over a period and then cooked on a slow flame till the ghee separates. A footnote added to the recipe could be that in some parts of north India the burnt cream residue left at the bottom of the dish is quickly mixed with sugar and eaten warm. A delicious sweet snack to combat the biting chill of north Indian winter.  To prove how popular repository of recipes are take a look at the BBC Food — a phenomenal repository of recipes which went extinct in December 2008 and yet ten years on the archive is kept alive and open for users to browse through!

Given the stiff competition from online videos and recipe banks that are readily accessible it is always heartening to see a new cookery book in print. For an experienced cook these collections are always precious for it always helps to tickle the imagination by reading a few recipes to figure out what to prepare for the next meal or present as a new menu in a restaurant. At the same time Tiffin provides a critical function of taking ownership of the wide variety of regional Indian cuisine and hopefully preserving this knowledge of food systems for future generations as it is now slowly and steadily being eroded by modern lifestyles. Enthusiastic foodies have already begun leaving a digital trail of the variety of regional cuisines such as this article in Scroll about the various kinds of existing Indian cheeses like kalari, chhurpi and churu that have been eclipsed by paneer. Or that a Conde Nast award has been instituted for the best food writing and the shortlisted entries consist of articles on camel milk, bananas, or the food rituals associated with a funeral in Shamsabad.

Tiffin is a delightful addition to one’s cookery book collection. It will over time become a significant part of many household and commercial kitchens for it does provide an insight into a wide variety of processes of preparing even the basic Indian dishes.

To buy on Amazon India:

Hardcover

5 November 2018 

Timothy Webb on “Reading Aloud in the Shelley Circle” ( 2015)

This is a great article published in “Publishing, Editing, and Reception”, a collection of essays in honour of the eminent Romantics scholar Donald H. Reiman. This article “Reading Aloud in the Shelley Circle” by Timothy Webb should be quoted widely to all those who say how can you read out aloud to older kids. Reading out aloud is only meant for babies and early learners. Well the Shelleys read out to each other. Mary Shelley read often to women only groups. According to Webb,  Jane Austen and  Dorothy Wordsworth, via their surviving correspondence, show that it was not uncommon for women to exert some kind of independence by reading aloud.

Even Shelley’s first wife, Harriet Westbrook, a compulsive reader was fond of reading aloud, at least according to Thomas Jefferson Hogg in The Life of Percy Bysshe Shelley ( as quoted by Webb in his article):

She was fond of reading aloud; and she read remakably well, very correctly, and with a clear, distinct, agreeable voice, and often emphatically. She was never weary of this exercise, never fatigued; she never ceased of her own accord, and left off reading only on some interruption. She has read to me for hours and hours; whenever we were alone together, she took up a book and began to read, or more commonly read aloud from the work, whatever it might be, which she was reading to herself. If anybody entered the room she ceased to read aloud, but recommenced the moment he retired. 

It is absolutely delightful to discover this aspect about the Shelleys reading habits.

Edson, Michael (ed.) Publishing, Editing, and Reception: Essays in Honor of Donald H. Reiman University of Delaware Press, Maryland, 2015. Hb. pp. 280 

3 November 2018 

Web Analytics Made Easy -
StatCounter